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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
"Good fish get dull but sex is always fun." So say the Mehinaku
people of Brazil. But Thomas Gregor shows that sex brings a supreme
ambiguity to the villagers' lives. In their elaborate
rituals--especially those practiced by the men in their secret
societies--the Mehinaku give expression to a system of symbols
reminiscent of psychosexual neuroses identified by Freud:
castration anxiety, Oedipal conflict, fantasies of loss of strength
through sex, and a host of others. "If we look carefully," writes
Gregor, "we will see reflections of our own sexual nature in the
life ways of an Amazonian people." The book is illustrated with
Mehinaku drawings of ritual texts and myths, as well as with
photographs of the villagers taking part in both everyday and
ceremonial activities.
Thomas Gregor sees the Mehinaku Indians of central Brazil as
performers of roles, engaged in an ongoing improvisational drama of
community life. The layout of the village and the architecture of
the houses make the community a natural theater in the round,
rendering the villagers' actions highly visible and audible.
Lacking privacy, the Mehinaku have become masters of stagecraft and
impression management, enthusiastically publicizing their good
citizenship while ingeniously covering up such embarrassments as
extramarital affairs and theft.
When it originally appeared, this groundbreaking ethnography was one of the first works to focus on gender in anthropology. The thirtieth anniversary edition of "Women of the Forest" reconfirms the book's importance for contemporary studies on gender and life in the Amazon. The book covers Yolanda and Robert Murphy's year of fieldwork among the Munduruc? people of Brazil in 1952. The Murphy's ethnographic analysis takes into account the historical, ecological, and cultural setting of the Munduruc?, including the mythology surrounding women, women's work and household life, marriage and child rearing, the effects of social change on the female role, sexual antagonism, and the means by which women compensate for their low social position. The new foreword -- written collectively by renowned anthropologists who were all students of the Murphys -- is both a tribute to the Murphys and a critical reflection on the continued relevance of their work today.
A stimulating and innovative consideration of the concept, causes,
and practice of peace in societies both ancient and modern, human
and primate.
When it originally appeared, this groundbreaking ethnography was one of the first works to focus on gender in anthropology. The thirtieth anniversary edition of "Women of the Forest" reconfirms the book's importance for contemporary studies on gender and life in the Amazon. The book covers Yolanda and Robert Murphy's year of fieldwork among the Munduruc? people of Brazil in 1952. The Murphy's ethnographic analysis takes into account the historical, ecological, and cultural setting of the Munduruc?, including the mythology surrounding women, women's work and household life, marriage and child rearing, the effects of social change on the female role, sexual antagonism, and the means by which women compensate for their low social position. The new foreword -- written collectively by renowned anthropologists who were all students of the Murphys -- is both a tribute to the Murphys and a critical reflection on the continued relevance of their work today.
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