'The Curfew tolls the knell of parting day ...' Thomas Gray's 'Elegy Written in a Country Churchyard' has been loved and admired throughout the centuries. First circulated to a select group of friends, it was rushed to official publication in 1751 in order to avoid pirated copies being sold without the young poet's permission. Praised by Samuel Johnson, reprinted over and over again in Gray's lifetime and recited by generations of school children, it is one of the most famous poems in the English language. This edition reproduces the exquisite wood engravings made by Agnes Miller Parker in 1938. Parker visited the churchyard at St Giles, Stoke Poges, where the poem is set, in order to make her sketches, and all thirty-two stanzas of the poem are accompanied by detailed full-page illustrations. Commemorating the 250th anniversary of the poet's death, this edition will not only bring new readers to the 'Elegy' but will also appeal to those already familiar with its riches.

Text and facing translation of one of the most important chronicles of medieval England. In 1355, Sir Thomas Gray, a Northumbrian knight and constable of Norham castle, was ambushed and captured by the Scots. Imprisoned in Edinburgh castle, he whiled away the hours by writing a chronicle charting the history of Britain from the Creation. The bulk of the work, written in Anglo-Norman French, is based on existing sources. However, for the section from the reign of Edward I onwards - the portion edited here - Gray relied partly on his own memories, and the stories told him by his father (constable of Norham before him), relating their experiences in the Scottish and French wars. The first known historical work to have been written in England by a member of the lay nobility since the Conquest, the Scalacronica provides a unique perspective on the course of English politics in the fourteenth century, and an insight into the worldview of a militarily active member of England's governing class.It is a vital source for all those interested in the history of the period. The text, with facing-page translation, has been newly edited from the sole surviving manuscript of the Scalacronica; the volume includes extensive historical notes; and an introduction describing the careers of Thomas Gray and his father, and the written sources used in the compilation of this part of the work.

Wave Pipelining: Theory and CMOS Implementation provides a coherent presentation of the theory of wave pipelined operation of digital circuits and discusses practical design techniques for the realization of wave pipelined circuits in CMOS technology. Wave pipeling is a timing methodology used in digital systems to enhance performance while conserving the number of data registers used. This is achieved by applying new data to the inputs of a combinatorial logic block before the previous outputs are available. In contrast to conventional pipelining, system performance is limited by differences in maximum and minimum circuit delay rather than maximum circuit delays. Realization of practical systems using this technique requires accurate system level and circuit level timing analysis. At the system level, timing constraints identifying valid regions of operation for correct clocking of wave pipelined circuits are presented. Both single stage and multiple stage systems including feedback are considered. At the circuit level, since performance is determined by the maximum circuit delay difference, highly accurate estimates of both maximum and minimum delays are needed.Thus, timing analysis based on traditional gate delay models is not sufficient. For CMOS circuits, data dependent delay models considering the effect of simultaneous multiple input switchings must be used. An algorithm using these delay models for accurate analysis of small to medium sized circuits is implemented in a prototype timing analyzer, XTV. Results are given for a set of benchmark circuits.

Wave Pipelining: Theory and CMOS Implementation provides a coherent presentation of the theory of wave pipelined operation of digital circuits and discusses practical design techniques for the realization of wave pipelined circuits in CMOS technology. Wave pipeling is a timing methodology used in digital systems to enhance performance while conserving the number of data registers used. This is achieved by applying new data to the inputs of a combinatorial logic block before the previous outputs are available. In contrast to conventional pipelining, system performance is limited by differences in maximum and minimum circuit delay rather than maximum circuit delays. Realization of practical systems using this technique requires accurate system level and circuit level timing analysis. At the system level, timing constraints identifying valid regions of operation for correct clocking of wave pipelined circuits are presented. Both single stage and multiple stage systems including feedback are considered. At the circuit level, since performance is determined by the maximum circuit delay difference, highly accurate estimates of both maximum and minimum delays are needed. Thus, timing analysis based on traditional gate delay models is not sufficient. For CMOS circuits, data dependent delay models considering the effect of simultaneous multiple input switchings must be used. An algorithm using these delay models for accurate analysis of small to medium sized circuits is implemented in a prototype timing analyzer, XTV. Results are given for a set of benchmark circuits.

Wallace Stevens was not only one of America's outstanding modernist poets but also a successful insurance lawyer--a fact that continues to intrigue many readers. Though Stevens tried hard to separate his poetry from his profession, legal theorist Thomas Grey shows that he did not ultimately succeed. After stressing how little connection appears on the surface between the two parts of Stevens's life, Grey argues that in its pragmatic account of human reasoning, the poetry distinctively illuminates the workings of the law.

In this important extension of the recent law-and-literature movement, Grey reveals Stevens as a philosophical poet and implicitly a pragmatist legal theorist, who illustrates how human thought proceeds through "assertion, qualification, and qualified reassertion," and how reason and passion fuse together in the act of interpretation. Above all, Stevens's poetry proves a liberating antidote to the binary logic that is characteristic of legal theory: one side of a case is right, the other wrong; conduct is either lawful or unlawful.

At the same time as he discovers in Stevens a pragmatist philosopher of law, Grey offers a strikingly new perspective on the poetry itself. In the poems that develop Stevens's "reality-imagination complex"--poems often criticized as remote, apolitical, and hermetic--Grey finds a body of work that not only captivates the reader but also provides a unique instrument for scrutinizing the thought processes of lawyers and judges in their exercise of social power.