Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Dr Thomas Harrison Butler was a skilled, yet amateur, designer responsible for some hundreds of classic English cruising yachts which still grace our seas. Cruising Yachts, his design manifesto, first appeared in 1945-the year of his death-and last appeared in print in 1995. This long overdue Fifth Edition has been produced in collaboration with the Harrison Butler Association, and is a complete re-setting of the original text, drawings and mono photographs, documenting in detail HB's approach to the design and equipping of a yacht, providing an annotated catalogue of notable designs, and including a biographical portrait by HB's daughter, the late Joan Jardine-Brown. New for this edition are a modern gallery of colour photographs of HB yachts, and a thoughtful and illuminating Foreword by Ed Burnett, one of today's foremost designers of yachts in the classic English idiom.

The classic Persian poem of romance and tragedy captured as a sumptuous and richly colourful graphic novel, inspired by traditional art of the region. It is a story known around the world. Born of an Arabic tale, it has been interpreted hundreds of times in Persian, Turkish, and Indian languages. It has influenced playwrights, composers, filmmakers, scholars, modern popular language, the first opera of Islamic origin, and individuals as varied as Aleister Crowley and Eric Clapton. The tragic tale of love unfulfilled - Majnun and Layla. Qais and Layla were madly in love. So in love, it has been said, that the young man could not contain his passion for his beloved, singing to the winds with such fervour he was given the nickname “Majnun” — The Madman. But their love could not be, as the lovers were separated by fate and man, leading to a tragic end for these star-crossed souls. Experience the classic Persian poem as painted in the lush palette of artist Yann Damezin. Through his brush, we see a decadent and sensorial world, one as raw and vulnerable as the love between the Majnun and his Layla.

A distinguished team of internationally renowned scholars surveys the great empires from 1600 BC to AD 500, from the ancient Mediterranean to China, in ten comprehensive chapters, taking in the empires of New Kingdom Egypt; the Hittites; Assyria and Babylonia; Achaemenid Persia; Athens; Alexander; Parthian and early Sasanian Persia; Rome; India; and Qin and Han China. Each chapter conveys the main narrative of events, their impact on ancient societies and the dominant rulers who shaped that history, from Ramesses II in Egypt to Chandragupta in India, from Rome’s Augustus to China’s Shi-huangdi.

Exploring the very nature of empire itself, the authors show how profoundly imperialism in the distant past influenced the 19th-century powers and the modern United States.

Italian writer and filmmaker Gianni Celati's 1989 philosophical travelogue Towards the River's Mouth explores perception, memory, place and space as it recounts a series of journeys across the Po River Valley in northern Italy. The book seeks to document the "new Italian landscape" where divisions between the urban and rural were being blurred into what Celati terms "a new variety of countryside where one breathes an air of urban solitude." Celati traveled by train, by bus, and on foot, at times with photographer Luigi Ghirri, at others exploring on his own without predetermined itineraries, taking notes on the places he encountered, watching and listening to people in stations, fields, bars, houses, squares, and hotels. In this way the book took shape as Celati traveled and wrote, gathering and rewriting his notes into "stories of observation" (9). Celati attempts to find meaning by seeking the uncertain limits of our ability to discern everyday surroundings. "Every observation," as he puts it, "needs liberate itself from the familiar codes it carries, to go adrift in the middle of all things not understood, in order to arrive at an outlet, where it must feel lost." At the forefront of the then-nascent spatial turn in the humanities, Towards the River's Mouth is a key text of what in recent years has been variously termed literary cartography, literary geography, and spatial poetics. Its call to carefully and affectionately examine our surroundings while attempting to step back from habitual ways of perceiving and moving through space, has resonated as much with literary scholars and other writers as with geographers and architects. By now a classic of twentieth-century Italian literature, it has in recent years garnered increasing attention, especially with the growth of ecocriticism and new materialism within the environmental humanities. This edition, translated into English for the first time, features an introduction that places Towards the River's Mouth in the context of Celati's other work, and a selection of ten scholarly essays by prominent figures in comparative literature and Italian studies.

Elsa Morante's Politics of Writing is a collected volume of twenty-one essays written by Morante specialists and international scholars. Essays gather attention on four broad critical topics, namely the relationship Morante entertained with the arts, cinema, theatre, and the visual arts; new critical approaches to her four novels; treatment of body and sexual politics; and Morante's prophetic voice as it emerges in both her literary works and her essayistic writings. Essays focus on Elsa Morante's strategies to address her wide disinterest (and contempt) for the Italian intellectual status quo of her time, regardless of its political side, while showing at once her own kind of ideological commitment. Further, contributors tackle the ways in which Morante's writings shape classical oppositions such as engagement and enchantment with the world, sin and repentance, self-reflection, and corporality, as well as how her engagement in the visual arts, theatre, and cinematic adaptations of her works garner further perspectives to her stories and characters. Her works-particularly the novels Menzogna e sortilegio (House of Liars, 1948), La Storia: Romanzo (History: A Novel, 1974) and, more explicitly, Aracoeli (Aracoeli, 1982)-foreshadowed and advanced tenets and structures later affirmed by postmodernism, namely the fragmentation of narrative cells, rhizomatic narratives, lack of a linear temporal consistency, and meta- and self-reflective processes.

Elsa Morante's Politics of Writing is a collected volume of twenty-one essays written by Morante specialists and international scholars. Essays gather attention on four broad critical topics, namely the relationship Morante entertained with the arts, cinema, theatre, and the visual arts; new critical approaches to her four novels; treatment of body and sexual politics; and Morante's prophetic voice as it emerges in both her literary works and her essayistic writings. Essays focus on Elsa Morante's strategies to address her wide disinterest (and contempt) for the Italian intellectual status quo of her time, regardless of its political side, while showing at once her own kind of ideological commitment. Further, contributors tackle the ways in which Morante's writings shape classical oppositions such as engagement and enchantment with the world, sin and repentance, self-reflection, and corporality, as well as how her engagement in the visual arts, theatre, and cinematic adaptations of her works garner further perspectives to her stories and characters. Her works-particularly the novels Menzogna e sortilegio (House of Liars, 1948), La Storia: Romanzo (History: A Novel, 1974) and, more explicitly, Aracoeli (Aracoeli, 1982)-foreshadowed and advanced tenets and structures later affirmed by postmodernism, namely the fragmentation of narrative cells, rhizomatic narratives, lack of a linear temporal consistency, and meta- and self-reflective processes.

This interdisciplinary anthology explores a wide range of intersecting issues contributing to and arising from gun violence. Millions of people are hurt and killed by gun violence globally, and the traumatic realities of these events are navigated by individuals and communities widely. In this context, gun violence fundamentally threatens social functioning in significant ways, and profoundly test the resilience of families. The resulting transformations carry social, political, legal, and economic implications for mothering, family dynamics, and community engagement. This collaborative volume brings together diverse perspectives intended to deconstruct perceptions, realities, risks, and impacts of gun violence, as seen by researchers, educators, community advocates, public health/health care experts, criminologists, social workers, field-based practitioners, and victims/survivors of gun violence. The distinct and broad range of contributions in this volume critically unpacks representations, stress and trauma, resilience, advocacy/activism, policymaking, family functioning, social justice and equity, governmentality and the criminal justice system, public health/health care, and community programs/interventions. Ultimately, the work is a unique contribution to the literature in which there is a lack of wide academic consideration of gun violence and a demonstrably unsatisfactory political response stretching back decades.

Note: This is the bound book only and does not include access to MyCounselingLab (R) with Pearson eText. To order MyCounselingLab (R) with Pearson eText packaged with the bound book, use ISBN 0134387457. In an accessible writing style, Fisher and Harrison's Substance Abuse: Information for School Counselors, Social Workers, Therapists and Counselors presents succinct, practical coverage of alcohol and other drug prevention, treatment, and recovery for generalist students, prospective mental health professionals, and allied professionals. It includes basic information on substances of abuse and focuses on clinically relevant knowledge on such topics as cultural competence, co-occurring disorders, other behavioral addictions, children and families, and ethics and confidentiality. Each chapter includes clinical application cases and questions for further discussion. The new edition inclues a new chapter on "Co-Occurring Disorders and Other Special Populations," new information on cultural competencies and intervening with special populations such as the elderly and LGBTQQI, and new information on risk factors for alcohol and other drugs for culturally and ethnically diverse populations. Also available with MyCounselingLab (R) This title is also available with MyCounselingLab-an online homework, tutorial, and assessment program designed to work with the text to engage students and improve results. Within its structured environment, students see key concepts demonstrated through video clips, practice what they learn, test their understanding, and receive feedback to guide their learning and ensure they master key learning outcomes.

Offers a philosophical history of bridges-both literal bridges and their symbolic counterparts-and the acts of cultural connection they embody. "Always," wrote Philip Larkin, "it is by bridges that we live." Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, and literary and ideological figurations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between distant times and places, Thomas Harrison questions why bridges are built and where they lead. He probes links forged by religion between life's transience and eternity as well as the consolidating ties of music, illustrated by the case of the blues. He investigates bridges in poetry, as flash points in war, and the megabridges of our globalized world. He illuminates real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In readings of literature, film, philosophy, and art, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined.

Offers a philosophical history of bridges—both literal bridges and their symbolic counterparts—and the acts of cultural connection they embody. “Always,” wrote Philip Larkin, “it is by bridges that we live.” Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, and literary and ideological figurations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between distant times and places, Thomas Harrison questions why bridges are built and where they lead. He probes links forged by religion between life’s transience and eternity as well as the consolidating ties of music, illustrated by the case of the blues. He investigates bridges in poetry, as flash points in war, and the megabridges of our globalized world. He illuminates real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In readings of literature, film, philosophy, and art, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT104253Horizontal chain lines.London: printed by H. Goldney, 1780. vi, 2],163, 1]p.; 8