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The Bewick Collector - a Descriptive Catalogue of the Works of Thomas and John Bewick; Including Cuts, in Various States, for Books and Pamphlets, Private Gentlemen, Public Companies, Exhibitions, Races, Newspapers, Shop Cards, Invoice Heads, Bar Bills, Co (Paperback)
Thomas Hugo
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R730
Discovery Miles 7 300
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Ships in 12 - 17 working days
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In diesem Open-Access-Buch geht der Autor der Frage nach, warum
Technik als wesentlicher Bestandteil der Kultur in der Bildung nur
eine untergeordnete Bedeutung hat und begründet mit Hilfe
technikphilosophischer Analysen einen Kulturreihenansatz für die
Auswahl von Inhalten für den Technikunterricht. Aus dem
Doppelauftrag von Schule, Persönlichkeitsbildung und Enkulturation
wird zunächst ein Interaktionsmodell für Bildung und Erziehung
abgeleitet. Das Problem der Inhaltsauswahl jeder Fachdidaktik wird
mit einem Modell zur Verknüpfung von Allgemeiner Didaktik und
Fachwissenschaften gelöst. Darin wird die Technikphilosophie als
fehlende Bezugswissenschaft identifiziert, um Aussagen zum Wesen
der Technik zu ermöglichen. Durch die Analyse
technikphilosophischer Ansätze wird der Technikbegriff um eine
ästhetische und eine Sinn- und Wertperspektive erweitert. Aus
diesem Technikbegriff ergeben sich pädagogische Perspektiven für
den Technikunterricht, die schließlich über einen
Kulturreihenansatz zu einem Kern Technischer Allgemeinbildung
führen. Durch den Kulturreihenansatz wird begründet umrissen, wie
die kulturelle Bedeutung der Technik bildungswirksam werden kann.
The names of Thomas Bewick (1753-1828) and his brother John
(1760-1795) are synonymous with beautiful, delicate and accurate
woodcuts of the natural world. Their instantly recognisable style
was to influence book illustration well into the nineteenth
century. The antiquary and print collector Thomas Hugo (1820-76),
best known as a collector of Bewick woodcuts, first published this
two-volume catalogue of his extensive collection in 1866-8. It has
since emerged that many of the items sourced from printers' offices
and booksellers across the country - including Thomas Bewick's own
publisher, Emerson Charnley - cannot be authenticated as the
Bewicks' work. The collection was nonetheless a remarkable
assemblage of valuable materials, including uncut first editions,
woodblocks, handbills and broadsides (all regrettably dispersed
after Hugo's death) which might otherwise have been lost. Lavishly
illustrated throughout, Volume 1 comprises the catalogue, which
includes an appendix of Bewick portraits, letters and memorabilia.
The names of Thomas Bewick (1753-1828) and his brother John
(1760-1795) are synonymous with beautiful, delicate and accurate
woodcuts of the natural world. Their instantly recognisable style
was to influence book illustration well into the nineteenth
century. The antiquary and print collector Thomas Hugo (1820-76),
best known as a collector of Bewick woodcuts, first published this
two-volume catalogue of his extensive collection in 1866-8. It has
since emerged that many of the items sourced from printers' offices
and booksellers across the country - including Thomas Bewick's own
publisher, Emerson Charnley - cannot be authenticated as the
Bewicks' work. The collection was nonetheless a remarkable
assemblage of valuable materials, including uncut first editions,
woodblocks, handbills and broadsides (all regrettably dispersed
after Hugo's death) which might otherwise have been lost. Lavishly
illustrated throughout, this volume is the 1868 supplement to the
catalogue.
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The Bewick collector. A descriptive catalogue of the works of Thomas and John Bewick; including cuts, in various states, for books and pamphlets, private gentlemen, public companies, exhibitions, races, newspapers, shop cards, invoice heads, bar bills, coal ce (Paperback)
Thomas Hugo
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R773
Discovery Miles 7 730
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Out of stock
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This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ The Bewick Collector: A Descriptive Catalogue Of The Works Of
Thomas And John Bewick. A Supplement: Consisting Of Additions To
The Various Divisions Of Cuts, Wood Blocks, Etc., Enumerated In
That Work; The Whole Described From The Originals Contained In The
Largest And Most Perfect ..., Volume 2 Thomas Hugo Lovell Reeve,
1868 Art; Prints; Art / Prints
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
Title: A Ramble by the Tone, in a series of letters to the "Taunton
Courier." Reprinted, with additions, from that paper. Letters I.
and II.Publisher: British Library, Historical Print EditionsThe
British Library is the national library of the United Kingdom. It
is one of the world's largest research libraries holding over 150
million items in all known languages and formats: books, journals,
newspapers, sound recordings, patents, maps, stamps, prints and
much more. Its collections include around 14 million books, along
with substantial additional collections of manuscripts and
historical items dating back as far as 300 BC.The GENERAL
HISTORICAL collection includes books from the British Library
digitised by Microsoft. This varied collection includes material
that gives readers a 19th century view of the world. Topics include
health, education, economics, agriculture, environment, technology,
culture, politics, labour and industry, mining, penal policy, and
social order. ++++The below data was compiled from various
identification fields in the bibliographic record of this title.
This data is provided as an additional tool in helping to insure
edition identification: ++++ British Library Hugo, Thomas; 1862. 12
. 10368.e.13.
Title: Napoleon I. A tragedy. In verse.]Publisher: British Library,
Historical Print EditionsThe British Library is the national
library of the United Kingdom. It is one of the world's largest
research libraries holding over 150 million items in all known
languages and formats: books, journals, newspapers, sound
recordings, patents, maps, stamps, prints and much more. Its
collections include around 14 million books, along with substantial
additional collections of manuscripts and historical items dating
back as far as 300 BC.The POETRY & DRAMA collection includes
books from the British Library digitised by Microsoft. The books
reflect the complex and changing role of literature in society,
ranging from Bardic poetry to Victorian verse. Containing many
classic works from important dramatists and poets, this collection
has something for every lover of the stage and verse. ++++The below
data was compiled from various identification fields in the
bibliographic record of this title. This data is provided as an
additional tool in helping to insure edition identification: ++++
British Library Hugo, Thomas; 1866. 85 p.; 8 . 11781.e.40.(1.)
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