Essays and memoirs by and about one of Britain's leading symphonists. A lively collection by contributions from Roger Scruton, Judith Weir, John McCabe, Arnold Whittall, Hugh Wood and many others. 2013 saw the seventieth birthday of David Matthews, the British composer who has established an international reputation as a leading symphonist of our time. This collection, the first on his work, marks the occasion with lively contributions from a host of distinguished musicians and writers. Matthews has supplemented his freelance career by writing extensively and personally on music, and the first part of the book includes all his important essays and reviews to date. These survey the present scene, discuss symphonists (notably Mahler and Sibelius) and focus on individual composers (notably Britten and Tippett). By including extracts from his journal and letters, ThomasHyde's substantial editorial notes sketch out an accompanying biography. This is supplemented in the second part by extended memoirs from Roger Scruton and Peter Sculthorpe, and a collection of tributes in words and music by JamesFrancis Brown, the Smirnov family, Maggie Hemingway, Robin Holloway, Robin Leanse, Colin Matthews, John McCabe, Sir Paul McCartney, Pavel Zemek Novak and Judith Weir. The third part offers a critical forum on Matthews's music. Here, an overview by Malcolm Macdonald leads to essays on symphonies, concertos, quartets and other works by Arnold Whittall, Edward Venn, Geraint Lewis, Hugh Wood and the editor. Frank Ward adds a witty, bibulous epilogue. David Matthews studied composition privately with Anthony Milner, assisted Benjamin Britten and collaborated with Deryck Cooke on the performing version of Mahler's Tenth Symphony. His large musical output includes contributions to most of the instrumental and vocal genres; he has also published monographs on Tippett (1980) and Britten (2003). For 13 years he was artistic director of the Deal Festival. Thomas Hyde has lectured at theCity University (London) and Worcester College, Oxford. His compositions include a one-man opera That Man Stephen Ward (2007), a string quartet (2010) and a violin sonata (2012).

Essays and memoirs by and about one of Britain's leading symphonists. A lively collection by contributions from Roger Scruton, Judith Weir, John McCabe, Arnold Whittall, Hugh Wood and many others. 2013 saw the seventieth birthday of David Matthews, the British composer who has established an international reputation as a leading symphonist of our time. This collection, the first on his work, marks the occasion with lively contributions from a host of distinguished musicians and writers. Matthews has supplemented his freelance career by writing extensively and personally on music, and the first part of the book includes all his important essaysand reviews to date. These survey the present scene, discuss symphonists (notably Mahler and Sibelius) and focus on individual composers (notably Britten and Tippett). By including extracts from his journal and letters, Thomas Hyde's substantial editorial notes sketch out an accompanying biography. This is supplemented in the second part by extended memoirs from Roger Scruton and Peter Sculthorpe, and a collection of tributes in words and music by James Francis Brown, the Smirnov family, Maggie Hemingway, Robin Holloway, Robin Leanse, Colin Matthews, John McCabe, Sir Paul McCartney, Pavel Zemek Novak and Judith Weir. The third part offers a critical forum on Matthews's music.Here, an overview by Malcolm Macdonald leads to essays on symphonies, concertos, quartets and other works by Arnold Whittall, Edward Venn, Geraint Lewis, Hugh Wood and the editor. Frank Ward adds a witty, bibulous epilogue. David Matthews studied composition privately with Anthony Milner, assisted Benjamin Britten and collaborated with Deryck Cooke on the performing version of Mahler's Tenth Symphony. His large musical output includes contributions to most of the instrumental and vocal genres; he has also published monographs on Tippett (1980) and Britten (2003). For 13 years he was artistic director of the Deal Festival. Thomas Hyde has lectured at the CityUniversity (London) and Worcester College, Oxford. His compositions include a one-man opera That Man Stephen Ward (2007), a string quartet (2010) and a violin sonata (2012).

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Bodleian Library (Oxford)<ESTCID>T185641<Notes><imprintFull>London: printed in the year MDCCLXXV. Re-printed in MDCCXCIII, by H. Reynell, 1793]. <collation>12p.; 12

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product.Complete coverage of design and life assessment methods for high-temperature componentsApplied Creep Mechanics fully discusses the time-dependent deformation which occurs in a metal when subjected to stress at an elevated temperature. This book explains how to perform detailed analyses of welded components; assess the conditions under which cracks may initiate and grow; and extract valuable information about the current state of the material, which may have been in service for many years. This practical guide provides tested techniques for improving the design and life assessment methods for high-temperature components in power plants, chemical plants, and aero engines. The information presented in this book will help you optimize maintenance and repair, save time, reduce costs, and improve operational efficiency. Provides real-world industrial perspective on how to apply techniques to practical problems Case studies with linear and non-linear material behavior models Solution methods based on equilibrium compatibility and stress-strain and energy concepts Discusses high-temperature creep of engineering components; high-temperature structural analysis; high-temperature fracture mechanics; and damage mechanics Covers welded, notched, and cracked components State-of-the-art coverage of thermo-mechanical fatigue (TMF)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Veterum Persarum Et Parthorum Et Medorum Religionis Historia 2 Thomas Hyde Religion; Zoroastrianism; Religion / Zoroastrianism

This Book Is In Latin. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

This Book Is In Latin. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.