America's first popular celebrity, the first "embedded" reporter in an American war, the man who became the standard of wildly popular writers in the Edwardian Age in America. THese stories tell of an ideal America with heros from the top strata of society to the lowest citizen, all doing the right thing for the right reason. Davis set the tone of ideal young men and women in the era before World War I. A simpler time with simpler solutions, solutions we can use today.

A workbook for active collectors of US coins that are regular issue. There are no commemorative or gold issues in this guide. It is for use in listing what you need to complete your collection and has space for year, mint, and room for notes.

The Motown story involved many people including writers, singers, musicians, disc jockeys and professionals who built the foundations of "The Sound Of Young America." Coming from Detroit and spreading to the entire world, Motown and its unique sound won the hearts and the love of millions from its start in 1959 until today. Relive the magic, the music, the love and the fabulous dancing in "Recollections The Motown Sound By The People Who Made It"

Charlie Chaplin, Hollywood's most famous film star, went almost unnoticed when he visited Berlin in 1921. Three years later, Jackie Coogan was mobbed by Berlin fans. Within two years after that, audiences were protesting with howls and angry whistling against the American motion pictures that dominated Berlin's leading theaters. Yet before the decade was over they were lining up to hear Al Jolson sing in their first experience of sound film. These roller-coaster reactions are engagingly documented by Thomas Saunders as he explores an outstanding example of one of this century's most important cultural developments: global Americanization through the motion picture. The setting is Berlin, the cultural heart of Central Europe and home of the only film industry after World War I to rival Hollywood's. The invasion by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. It fueled an impassioned debate about the properties of cinema and the spectre of wholesale Americanization, while facilitating unprecedented levels of cultural and economic exchange. American motion pictures not only entertained all social classes and film tastes in Weimar Germany but also served as a vehicle for American values and a source of sharp economic competition. In Hollywood in Berlin, Saunders examines the significance of Hollywood's presence in Germany through an analysis of the imported films and the commercial, social, and artistic discourses which they generated. He explores the phases of audience and critical appreciation of Hollywood - from avid curiosity andenthusiasm through growing disenchantment and saturation - as they relate to the ever-expanding front of the American film invasion. His fascinating discussion of Erich von Stroheim's Greed, which opened in Germany in 1926, shows how closely the violent reaction to the film on the part of critics and moviegoers alike paralleled the swelling fear of Amerikanismus and its perceived challenge to traditional German values. By correlating Hollywood's changing contribution to Weimar culture with the multiple contexts in which the films and their values were received, Hollywood in Berlin illuminates a vital moment of cultural encounter in the twentieth century. In addition, it successfully restores to the study of Weimar cinema its long-neglected international context and historicizes the ongoing struggle to safeguard the specificity of national cinemas from domination by Hollywood.