This book offers a unique and accessible way of conceptualizing the vocations of art, science, and politics in the capitalist world through an examination of some neglected features of the work of the scholar who first traced their origins and consequences in 'the West': Max Weber.

Marx's masterpiece Capital (Das Kapital) ignored or misread as well as selectively and creatively interpreted by the generation of social scientists that came after him. Emile Durkheim, Max Weber, and Georg Simmel attempt to supplement what they call 'historical materialism' or to engage in debates about 'socialism' through their readings of The Communist Manifesto and occasional Capital. Although these and other classical sociologists did not have access to most of Marx's published and unpublished works as we do today, each is concerned with revising and refining Marx's unfinished critique of political economy. Despite their differences with Marx and with one another, they share his concern with how empirically detailed and scientifically valid knowledge of the social world may inform historical struggles for a more human world. This commitment can be called 'Faustian', after the title character of the poet J. W. von Goethe's tragic epic of modernity, insofar as Marx and the classical sociologists hope to translate theory into practice while making a pact or wager with the diabolical social, political, and economic forces of the modern world.

This book brings together key essays from the career of social theorist John O'Neill, including his uncollected later writings, focusing on embodiment to explore the different ways in which the body trope informs visions of familial, economic, personal, and communal life. Beginning with an exploration of O'Neill's work on the construction of the biobody and the ways in which corporeality is sutured into social systems through regimes of power and familial socialisation, the book then moves to concentrate on O'Neill's career-long studies of the productive body and the ways in which the working body is caught in and resists disciplinary systems that seek to rationalise natural functions and control social relations. The third section considers O'Neill's concern with the ancient, early modern, and psychoanalytic sources of the post-modern libidinal body, and a final section on the civic body focuses specifically on the ways in which principles of reciprocity and generosity exceed the capitalist, individualist body of (neo)liberal political theory. The volume also includes an interview with O'Neill addressing many of the key themes of his work, a biographical note with an autobiographical postscript, a select bibliography of O'Neill's many publications, and an extensive introduction by the editors. A challenging and innovative collection, Writing the Body Politic: A John O'Neill Reader will appeal to critical social theorists and sociologists with interests in the work of one of sociology's great critical readers of classical and contemporary texts.

The Anthem Companion to Georg Simmel offers the best contemporary work on Georg Simmel, written by the best scholars currently working in this field. Original, authoritative and wide-ranging, the critical assessments of this volume will make it ideal for Simmel students and scholars alike.

Anthem Companions to Sociology offer authoritative and comprehensive assessments of major figures in the development of sociology from the last two centuries. Covering the major advancements in sociological thought, these companions offer critical evaluations of key figures in the American and European sociological tradition, and will provide students and scholars with both an in-depth assessment of the makers of sociology and chart their relevance to modern society."

This book brings together key essays from the career of social theorist John O'Neill, including his uncollected later writings, focusing on embodiment to explore the different ways in which the body trope informs visions of familial, economic, personal, and communal life. Beginning with an exploration of O'Neill's work on the construction of the biobody and the ways in which corporeality is sutured into social systems through regimes of power and familial socialisation, the book then moves to concentrate on O'Neill's career-long studies of the productive body and the ways in which the working body is caught in and resists disciplinary systems that seek to rationalise natural functions and control social relations. The third section considers O'Neill's concern with the ancient, early modern, and psychoanalytic sources of the post-modern libidinal body, and a final section on the civic body focuses specifically on the ways in which principles of reciprocity and generosity exceed the capitalist, individualist body of (neo)liberal political theory. The volume also includes an interview with O'Neill addressing many of the key themes of his work, a biographical note with an autobiographical postscript, a select bibliography of O'Neill's many publications, and an extensive introduction by the editors. A challenging and innovative collection, Writing the Body Politic: A John O'Neill Reader will appeal to critical social theorists and sociologists with interests in the work of one of sociology's great critical readers of classical and contemporary texts.

This book offers a unique and accessible way of conceptualizing the vocations of art, science, and politics in the capitalist world through an examination of some neglected features of the work of the scholar who first traced their origins and consequences in 'the West': Max Weber.