My first publication is dedicated to three beautiful and empowering ladies. My mother MARY'S, love and devotion has carried me to unexpected heights. Mom understood my ambitions and dreams. My dearly departed mother's love has enabled me overcome life most difficult situations. Also, my wonderful cousin and confidant, PATRICIA ANN DUNNE, has interacted with such a kind, generous and perceptive manner. Her dignity in life is unparalleled. PATRICIA is the greatest lady I have ever known. Completing my life's present foundation is my dearest friend RUTH WEATHERALL. Ruth's true Christian spirit has helped me grow in countless areas. Treating me as an equal, RUTH is a truely remarkable friend.

"A fresh new perspective that will be a true revolution to readers and will open new lines of discussion on . . . the importance of the city of New Orleans for generations to come." —Dr. Michael White, jazz clarinetist, composer, and Keller Endowed Chair at Xavier University of LA   An untold authentic counter-narrative blues history and the first written by an African American blues artist  All prior histories on the blues have alleged it originated on plantations in the Mississippi Delta. Not true, says author Chris Thomas King. In The Blues, King present facts to disprove such myths.   This book is the first to argue the blues began as a cosmopolitan art form, not a rural one.   As early as 1900, the sound of the blues was ubiquitous in New Orleans. The Mississippi Delta, meanwhile, was an unpopulated sportsman’s paradise—the frontier was still in the process of being cleared and drained for cultivation.   Expecting these findings to be controversial in some circles, King has buttressed his conclusions with primary sources and years of extensive research, including a sojourn to West Africa and interviews with surviving folklorists and blues researchers from the 1960s folk-rediscovery epoch.   New Orleans, King states, was the only place in the Deep South where the sacred and profane could party together without fear of persecution, creating the blues.  

The book of peace that will open doors to new realities. Written in poetry form, short stories, a book of spells, bringing back old folk heroes Robin Hood and little Miss Riding Hood, along with shamans, angels, wizards and magicians. Questioning the way of life and its current state of affairs, whilst creating an opening for the reader to question their own mind and existence. The reader will be left with a personal choice as they enter a new future.

Those who are involved with fishing and fisheries resource management--including fishermen, their communities, production, processing, distribution, and marketing industries, and various government and non-governmental organizations--confront the contradictions arising from the appropriation, allocation, and distribution of fisheries and marine resources in a variety of ways.

The authors call into question the assumptions of policy prescriptions to common resource problems by examining the experiences of people and societies confronted with and adapting to these resource appropriation, allocation, and distribution problems. They suggest that tragedies of resource depletion and institutional failure to deal with them are not characteristic of human nature, but rather are by products of particular cultural practices, institutions, and assumptions. The detailed, empirical ethnographic study of these relationships holds great potential for informing those who are making future policy decisions as well as contributing to the theories of human behavior and cooperation to solve such problems.

Thomas King is a writer of lyrical, comic poignancy, and a best-selling author in Canada. Of his latest novel, Newsday wrote, "Thomas King has quietly and gorgeously done it again". Truth & Bright Water tells of a summer in the life of Tecumseh and Lum, young Native-American cousins coming of age in the Montana town of Truth, and the Bright Water Reserve across the river in Alberta. It opens with a mysterious woman with a suitcase, throwing things into the river -- then jumping in herself. Tecumseh and Lum go to help, but she and her truck have disappeared. Other mysteries puzzle Tecumseh: whether his mom will take his dad back; if his rolling-stone aunt is home to stay; why no one protects Lum from his father's rages. Then Tecumseh gets a job helping an artist -- Bright Water's most famous son -- with the project of a lifetime. As Truth and Bright Water prepare for the Indian Days festival, their secrets come together in a climax of tragedy, reconciliation, and love.

The library of the literary scholar Richard Farmer (1735 97) was first and foremost a working reference collection, the books acquired not as treasures, but to be read and appreciated. Farmer's library included all four Shakespeare folios and was remarkable for its Elizabethan literature and black letter, which provided the source material for his scholarly work. Notable acquaintances such as Samuel Johnson, George Steevens, Edmond Malone and Isaac Reed all benefitted from Farmer's knowledge, and Thomas Percy's Reliques of Ancient English Poetry drew directly on the library itself. In 1798, Farmer's books were sold at an auction attended by many of the next generation's greatest book collectors. Reissued here is a copy of the catalogue featuring handwritten annotations by an anonymous attendee who recorded the prices paid and the names of many buyers, uniquely capturing the dispersal of one of the eighteenth century's great libraries."

A retelling of the Christopher Columbus story from a Native point of view turns this tale on its ear! Coyote, the trickster, creates the world and all the creatures in it. She is able to control all events to her advantage until a funny-looking red-haired man named Columbus changes her plans. He is unimpressed by the wealth of moose, turtles and beavers in Coyote's land. Instead he is interested in the human beings he can take to sell in Spain. Thomas King uses a bag of literary tricks to shatter the stereotypes surrounding Columbus's voyages. In doing so, he invites children to laugh with him at the crazy antics of Coyote, who unwittingly allows Columbus to bring about the downfall of her human friends. And he makes the point that history is influenced by the culture of the reporter. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events. CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.2.6 Acknowledge differences in the points of view of characters, including by speaking in a different voice for each character when reading dialogue aloud. CCSS.ELA-LITERACY.RL.3.3 Describe characters in a story (e.g., their traits, motivations, or feelings) and explain how their actions contribute to the sequence of events

From two celebrated Indigenous creators comes a powerful graphic novel about a family caught between nations. Borders is a masterfully told story of a boy and his mother whose road trip from Alberta to Salt Lake City is thwarted at the border when they identify their citizenship as Blackfoot. Refusing to identify as either American or Canadian first bars their entry into the US, and then their return into Canada. In the limbo between countries, they find power in their connection to their identity and to each other. This much-anthologized story has been adapted into a gripping graphic novel by award-winning artist Natasha Donovan. A beautifully told tale with broad appeal, Borders resonates deeply with themes of identity, justice, and belonging.

Two tales, set in a time "when animals and human beings still talked to each other," display Thomas King's cheeky humor and master storytelling skills. Freshly illustrated and reissued as an early chapter book, these stories are perfect for newly independent readers. In Coyote Sings to the Moon, Old Woman and the animals sing to the moon each night. Coyote attempts to join them, but his voice is so terrible they beg him to stop. He is crushed and lashes out - who needs Moon anyway? Furious, Moon dives into a pond, plunging the world into darkness. But clever Old Woman comes up with a plan to send Moon back up into the sky and, thanks to Coyote, there she stays. In Coyote's New Suit, mischievous Raven wreaks havoc when she suggests that Coyote's toasty brown suit is not the finest in the forest, thus prompting him to steal suits belonging to all the other animals. Meanwhile, Raven tells the other animals to borrow clothes from the humans' camp. When Coyote finds that his closet is too full, Raven slyly suggests he hold a yard sale, then sends the human beings (in their underwear) and the animals (in their ill-fitting human clothes) along for the fun. A hilarious illustration of the consequences of wanting more than we need. Key Text Features table of contents illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.5 Describe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.

Winner of the American Indian Library Association Youth Literature Awards, Best Picture Book. Trickster Coyote is having his friends over for a festive solstice get-together in the woods when a little girl comes by unexpectedly. She leads the party-goers through the snowy woods to a shopping mall -- a place they have never seen before. Coyote gleefully shops with abandon, only to discover that fi lling your shopping cart with goodies is not quite the same thing as actually paying for them. The trickster is tricked and goes back to his cabin in the woods -- somewhat subdued -- though nothing can keep Coyote down for long. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.4 Describe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.

Borders is a masterfully told story of a boy and his mother whose road trip is thwarted at the border when they identify their citizenship as Blackfoot. Refusing to identify as either American or Canadian first bars their entry into the US, and then their return into Canada. In the limbo between countries, they find power in their connection to their identity and to each other. Borders explores nationhood from an Indigenous perspective and resonates deeply with themes of identity, justice, and belonging.