This is a book about the making and unmaking of sex over the centuries. It tells the astonishing story of sex in the West from the ancients to the moderns in a precise account of developments in reproductive anatomy and physiology. We cannot fail to recognize the players in Thomas Laqueur's story-the human sexual organs and pleasures, food, blood, semen, egg, sperm-but we will be amazed at the plots into which they have been woven by scientists, political activists, literary figures, and theorists of every stripe. Laqueur begins with the question of why, in the late eighteenth century, woman's orgasm came to be regarded as irrelevant to conception, and he then proceeds to retrace the dramatic changes in Western views of sexual characteristics over two millennia. Along the way, two "master plots" emerge. In the one-sex story, woman is an imperfect version of man, and her anatomy and physiology are construed accordingly: the vagina is seen as an interior penis, the womb as a scrotum, the ovaries as testicles. The body is thus a representation, not the foundation, of social gender. The second plot tends to dominate post-Enlightenment thinking while the one-sex model is firmly rooted in classical learning. The two-sex story says that the body determines gender differences, that woman is the opposite of man with incommensurably different organs, functions, and feelings. The two plots overlap; neither ever holds a monopoly. Science may establish many new facts, but even so, Laqueur argues, science was only providing a new way of speaking, a rhetoric and not a key to female liberation or to social progress. Making Sex ends with Freud, who denied the neurological evidence to insist that, as a girl becomes a woman, the locus of her sexual pleasure shifts from the clitoris to the vagina; she becomes what culture demands despite, not because of, the body. Turning Freud's famous dictum around, Laqueur posits that destiny is anatomy. Sex, in other words, is an artifice. This is a powerful story, written with verve and a keen sense of telling detail (be it technically rigorous or scabrously fanciful). Making Sex will stimulate thought, whether argument or surprised agreement, in a wide range of readers.

Scholars have only recently discovered that the human body itself has a history. Not only has it been perceived, interpreted, and represented differently in different epochs, but it has also been lived differently, brought into being within widely dissimilar material cultures, subjected to various technologies and means of control, and incorporated into different rhythms of production and consumption, pleasure and pain. The eight articles in this volume support, supplement, and explore the significance of these insights. They belong to a new historical endeavor that derives partly from the crossing of historical with anthropological investigations, partly from social historians' deepening interest in culture, partly from the thematization of the body in modern philosophy (especially phenomenology), and partly from the emphasis on gender, sexuality, and women's history that large numbers of feminist scholars have brought to all disciplines.

The past two centuries have witnessed tremendous upheavals in every aspect of Chinese culture and society. At the level of everyday life, some of the most remarkable transformations have occurred in the realm of gender. "Chinese Femininities/Chinese Masculinities" is a mix of illuminating historical and ethnographic studies of gender from the 1700s to the present.
The essays in this highly creative collection are organized in pairs that alternate in focus between femininity and masculinity, between subjects traditionally associated with feminism (such as family life) and those rarely considered from a gendered point of view (like banditry). The chapters provide a wealth of interesting detail on such varied topics as court cases involving widows and homosexuals; ideal spouses of early-twentieth-century radicals; changing images of prostitutes; the masculinity of qigong masters; sexuality in the era of reform; and the eroticization of minorities. While most of the essays were specifically written for this volume, a few are reprinted as a testament to their enduring value.
Exploring the central role of gender as an organizing principle of Chinese social life, "Chinese Femininities/ Chinese Masculinities" is an innovative reader that will spark new debate in a wide range of disciplines.