Thomas Ligotti's debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti crafted his own brand of existential horror, which shocks at the deepest levels. In decaying cities and lurid dreamscapes tormented by the lunatic pageantry of masks, puppets, and obscure ritual, Ligotti's works lay bare the sickening madness of the human condition. From his dark imagination emerge stories like "The Frolic" and "The Last Feast of Harlequin," waking nightmares that splinter the schemes validating our existence. In these collections, Ligotti bends reality until it cracks, opening fissures through which he invites us to gaze on the unsettling darkness below-an ordeal from which one may perhaps return, but never to be the same

Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom in various odd little towns, as well as in dark sectors frequented by sinister and often blackly comical eccentrics. The cycle of narratives introduce readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives.

Issue #333 of Weird Tales magazine (September-October 2003) presents work by Thomas Ligotti ("The Town Manager"), Tim W. Burke ("Two Shows Daily"), Jamie Ferguson ("Good Neighbors"), Lillian Csernica ("Maeve"), Margaret Carter ("Manila Peril"), Lisa Bayta Feld ("Kaddish"), Marc Schuster ("Leaving the Sasquatch Business"), and Carrie Vaughn ("Kitty Loses Her Faith"). Cover by Jason Van Hollander.

Weird Tales #353 presents a selection of fine stories by modern writers, including Paul Tremplay and Robert Davies, plus features by Kenneth Hite (Lost in Lovecraft), Jason Heller (The Greatest Poison), Amanda Gannon (The Bazaar), and more Plus an interview with horror legends Thomas Ligotti and artist Richard Corbin.

For over thirty-five years, David Lynch has remained one of the weirdest, most challenging, and provocative filmmakers. From his early experimental films created as an art student in Philadelphia, to his foray into digital film with "Inland Empire," Lynch's filmography is as diverse as it is influential.

Featuring Thomas Ligotti, John Skipp, David J (of Bauhaus), Ben Loory, Nick Mamatas, Amelia Gray, Kevin Sampsell, Blake Butler, and many others, "In Heaven, Everything is Fine: Fiction Inspired by David Lynch" is a tribute to one of the greatest filmmakers of all time.

The first 4 issues of Weird Tales published by DNA Publications heralds the return of the classic name. Includes contributions from all the Weird Tales regulars: Tanith Lee, Ian Watson, Thomas Ligotti, Ramsey Campbell, and many more.

The four "lost" issues of Weird Tales, as it changed titles to Worlds of Fantasy and Horror -- only to revert to Weird Tales again with issue #312. Includes contributions from Thomas Ligotti, Joyce Carol Oates, Ramsey Campbell, Morgan Llywelyn, William F. Nolan, Joe Lansdale, Keith Roberts, Tanith Lee, Chet Williamson, and many, many more. A stunning 4-issue set.

Weird Tales #297 showcases Nancy Springer as the Featured Author and Frank Kelly Freas (who did all the artwork) as the Featured Artist. Other contributors include Thomas Ligotti and John Brunner.

When junior manager Frank Dominio is suddenly demoted and then sacked it seems there was more than a grain of truth to his persecution fantasies. But as he prepares to even the score with those responsible for his demise, he unwittingly finds an ally in a dark and malevolent force that grants him supernatural powers. Frank takes his revenge in the most ghastly ways imaginable - but there will be a terrible price to pay once his work is done. Destined to be a cult classic, this tale of corporate horror and demonic retribution will strike a chord with anyone who has ever been disgruntled at work.

This highly useful series presents substantial excerpts from the best criticism on the major literary figures and nonfiction writers, including novelists, poets, playwrights and literary theorists, of 1900 to 1999 -- the era most frequently studied in high schools. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. A typical excerpt is prefaced by an annotation that explains the critics reputation and critical philosophy and providing a synopsis of the excerpt. Approximately 90-95% of critical essays are full text. Every fourth volume is a Topics volume covering major literary movements, trends and other topics. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately.

This illustrated series covers more than 600 writers and illustrators for children and young adults. Typical entries consist of a listing of major works and awards and criticism from significant reviews and commentaries on the authors or artists works. Each volume includes cumulative author name and nationality indexes as well as a volume-specific title index. A cumulative title index to the entire series is published separately (included in subscription).

This highly useful series presents substantial excerpts from the best criticism on the major literary figures and nonfiction writers, including novelists, poets, playwrights and literary theorists, of 1900 to 1999 -- the era most frequently studied in high schools. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. A typical excerpt is prefaced by an annotation that explains the critics reputation and critical philosophy and providing a synopsis of the excerpt. Approximately 90-95% of critical essays are full text. Every fourth volume is a Topics volume covering major literary movements, trends and other topics. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately.

This highly useful series presents substantial excerpts from the best criticism on the major literary figures and nonfiction writers, including novelists, poets, playwrights and literary theorists, of 1900 to 1999 -- the era most frequently studied in high schools. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. A typical excerpt is prefaced by an annotation that explains the critics reputation and critical philosophy and providing a synopsis of the excerpt. Approximately 90-95% of critical essays are full text. Every fourth volume is a Topics volume covering major literary movements, trends and other topics. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately.