Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Now the enchanting tales of King Arthur’s Camelot are an illustrated chapter storybook perfect for young readers! Thousands upon thousands of years ago, Welsh and English folklore told of an unusually brave, kind, and fair leader named King Arthur who protected his people from Saxon invaders in the fifth century. Medieval author Sir Thomas Malory collected, translated, and retold the folktales of King Arthur in his 1485 book Le Morte d’Arthur, which remains one of the most famous books of Arthurian legend to this day. Kid Classics: King Arthur is the thrilling new just-for-kids edition of the classic tales of King Arthur, abridged and retold for modern kids while staying true to the original Arthurian legends. It’s a story you can’t put down: Merlin guides young Arthur Pendragon to claim his throne as King of the Britons by pulling the sword Excalibur from the stone, and fantastical adventures ensue! Arthur nearly loses Excalibur to the Lady of the Lake, befriends Sir Lancelot, falls in love with Guinevere, and calls the best knights of the realm to join him at the Round Table, a place where fairness is paramount, and everyone has an equal say. With page after page of captivating illustrations, this magical hardcover will be the fought over favorite in your home and schoolroom! This just-for-kids retelling of Sir Thomas Malory classic King Arthur: Is an abridged, child-friendly version of the original Arthurian folklore Has just the right amount of magic and daring deeds Features beautiful illustrated hardcover with illustrations in each chapter Is perfect for homeschooling, school reading challenges, and beginning readers

Chivalry is not dead! Central figures in "The Matter of Britain," King Arthur and his Knights of the Round Table still inspire many books and films today. Drawing on the legends of Camelot from French and English sources, Sir Thomas Malory compiled the drama of illicit love, the magic of sorcery, and the quest for the Holy Grail into a sordid and chivalrous tale that's been recounted for centuries. This beautiful leather-bound volume, with gilded edges and a ribbon bookmark so you never lose your place, will be a treasured edition of classic Arthurian folklore in any home library.

An essential collection of chivalric romance, swordplay, wizardry and brutal feats of courage, Malory's 15th century Morte d'Arthur is one of the world's greatest pieces of myth-making, with most gothic and modern fantasy finding its roots in this splendid mix of history, magic and literature. This selected edition features all the best stories and many of Aubrey Beardsley's classic illustrations.

The epic legend re-imagined as a stunning graphic novel series adapted by Bafta- winner and No.1 New York Times bestselling author John Matthews and Emmy Award-winning artist Will Sweeney.

This brisk retelling of Le Morte D'Arthur highlights the narrative drive, humor, and poignancy of Sir Thomas Malory's original while updating his fifteenth-century English and selectively pruning over-elaborate passages that can try the patience of modern readers. The result is an adaptation that readers can enjoy as a fresh approach to Malory's sprawling masterpiece. The book's most famous episodes--the sword in the stone, the cataclysmic final battle--are all here, while lesser-known key episodes stand forth with new brightness and clarity. The text is accompanied by an up-to-date bibliography, including websites and video resources, and a descriptive index keyed--like the retelling itself--to the book and chapter divisions of William Caxton's first printed edition of 1485.

No other edition accurately represents the actual (and likely authorial) divisions of the text as attested to by its two surviving witnesses Caxton s 1485 print and, especially, the famous Winchester Manuscript. The Winchester Manuscript is now generally agreed to be the more authentic of the two earlier texts. The Norton Critical Edition is the first edition of Malory to recover important elements of this manuscript: paragraphing marginal annotations hierarchies of narrative division as signaled by size and decorative intricacy of initial capitals and font changes The Norton Critical Edition also represents, in black-letter font, the striking rubrication of proper names in the Winchester Manuscript, reconstructing for readers something of an authentic medieval reading experience, one which gives visual support to Malory s extraordinary representation, in character and setting, of a chivalric ideal. No other student edition of Malory contains such extensive contextual and critical support."

Acclaimed biographer Peter Ackroyd vibrantly resurrects the legendary epic of Camelot in this modern adaptation

The names of Arthur, Merlin, Lancelot, Guinevere, Galahad, the sword of Excalibur, and the court of Camelot are as recognizable as any from the world of myth. Although many versions exist of the stories of King Arthur and the Knights of the Round Table, "Le Morte d'Arthur" by Sir Thomas Malory endures as the most moving and richly inventive.

In this abridged retelling the inimitable Peter Ackroyd transforms Malory's fifteenth-century work into a dramatic modern story, vividly bringing to life a world of courage and chivalry, magic, and majesty. The golden age of Camelot, the perilous search for the Holy Grail, the love of Guinevere and Lancelot, and the treachery of Arthur's son Mordred are all rendered into contemporary prose with Ackroyd's characteristic charm and panache. Just as he did with his fresh new version of Chaucer's "The Canterbury Tales," Ackroyd now brings one of the cornerstones of English literature to a whole new audience.

P. J. C. Field, the world's preeminent Malory specialist, has wisely chosen to offer here Malory's seventh and eighth tales, recounting the decline and end of Camelot. The authoritative text is accompanied by indispensable notes and preceded by a remarkably thorough and learned--but never obscure--Introduction sufficient to prepare students and other readers to profit fully from the texts. This book is ideal for those coming to Malory for the first time and a distinct pleasure for those who already know him well. --Norris J. Lacy, E. E. Sparks Professor of French and Medieval Studies, Penn State University

The definitive English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, `knight-prisoner'. In a resonant prose style, Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions. Recounting the life of King Arthur, the knightly exploits of Sir Lancelot du Lake, Sir Tristram, Sir Gawain, and the quest for the Holy Grail, Le Morte Darthur depicts the contradictions that underscore the Fellowship's chivalric ideals. A pervading tension cumulates in the revelation of Lancelot and Guenivere's illicit passion, and in Arthur's powerlessness to prevent a related outbreak of violence and revenge. This generously annotated edition is based on the authoritative Winchester manuscript and represents what Malory wrote more closely than the first version printed by William Caxton. Intelligently abridged from the original to make a single substantial volume, the translation is supplemented by a fine Introduction, a Glossary, and extensive Notes ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"A complete, unabridged edition of one of the most famous chronicles of the Arthurian legends comes with new illustrations. Edited by a lifelong scholar of the legends, the book includes some widely accepted corrections."--"Publishers Weekly"
The epic story of King Arthur never fails to stir the imaginations of readers everywhere, and this outstanding illustrated version showcases original artwork that creates a unique vision of Camelot. Some of these breathtaking watercolors and pen-and-inks have hung in museums, including the depiction of Tintagel Castle, the Sword in the Stone, Merlin and Nimue, and Guenevere rescued from the stake. With remarkable accuracy, Anna-Marie Ferguson captures every nuance of the historical period, from the knights' shining armor to the intricate architecture to the English forests. Yet she also revels in the fantasy, with mysterious and magical landscapes, misty and moonlit. These legends have always been a treat for the mind--and now they are a feast for the eyes, too.
About the Artist
Anna-Marie Ferguson studied graphic art at Southampton College in the UK, and her work has appeared in various galleries and books--particularly volumes of fairy tales. Anna-Marie served as the "Arthurian expert" on the recent NBC mini-series, "Merlin,"