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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
An essential collection of chivalric romance, swordplay, wizardry
and brutal feats of courage, Malory's 15th century Morte d'Arthur
is one of the world's greatest pieces of myth-making, with most
gothic and modern fantasy finding its roots in this splendid mix of
history, magic and literature. This selected edition features all
the best stories and many of Aubrey Beardsley's classic
illustrations.
Now the enchanting tales of King Arthur’s Camelot are an
illustrated chapter storybook perfect for young readers! Thousands
upon thousands of years ago, Welsh and English folklore told of an
unusually brave, kind, and fair leader named King Arthur who
protected his people from Saxon invaders in the fifth century.
Medieval author Sir Thomas Malory collected, translated, and retold
the folktales of King Arthur in his 1485 book Le Morte d’Arthur,
which remains one of the most famous books of Arthurian legend to
this day. Kid Classics: King Arthur is the thrilling new
just-for-kids edition of the classic tales of King Arthur, abridged
and retold for modern kids while staying true to the original
Arthurian legends. It’s a story you can’t put down: Merlin
guides young Arthur Pendragon to claim his throne as King of the
Britons by pulling the sword Excalibur from the stone, and
fantastical adventures ensue! Arthur nearly loses Excalibur to the
Lady of the Lake, befriends Sir Lancelot, falls in love with
Guinevere, and calls the best knights of the realm to join him at
the Round Table, a place where fairness is paramount, and everyone
has an equal say. With page after page of captivating
illustrations, this magical hardcover will be the fought over
favorite in your home and schoolroom! This just-for-kids retelling
of Sir Thomas Malory classic King Arthur: Is an abridged,
child-friendly version of the original Arthurian folklore Has just
the right amount of magic and daring deeds Features beautiful
illustrated hardcover with illustrations in each chapter Is perfect
for homeschooling, school reading challenges, and beginning readers
Chivalry is not dead! Central figures in "The Matter of Britain,"
King Arthur and his Knights of the Round Table still inspire many
books and films today. Drawing on the legends of Camelot from
French and English sources, Sir Thomas Malory compiled the drama of
illicit love, the magic of sorcery, and the quest for the Holy
Grail into a sordid and chivalrous tale that's been recounted for
centuries. This beautiful leather-bound volume, with gilded edges
and a ribbon bookmark so you never lose your place, will be a
treasured edition of classic Arthurian folklore in any home
library.
The epic legend re-imagined as a stunning graphic novel series
adapted by Bafta- winner and No.1 New York Times bestselling author
John Matthews and Emmy Award-winning artist Will Sweeney.
No other edition accurately represents the actual (and likely
authorial) divisions of the text as attested to by its two
surviving witnesses Caxton s 1485 print and, especially, the famous
Winchester Manuscript. The Winchester Manuscript is now generally
agreed to be the more authentic of the two earlier texts. The
Norton Critical Edition is the first edition of Malory to recover
important elements of this manuscript: paragraphing marginal
annotations hierarchies of narrative division as signaled by size
and decorative intricacy of initial capitals and font changes The
Norton Critical Edition also represents, in black-letter font, the
striking rubrication of proper names in the Winchester Manuscript,
reconstructing for readers something of an authentic medieval
reading experience, one which gives visual support to Malory s
extraordinary representation, in character and setting, of a
chivalric ideal. No other student edition of Malory contains such
extensive contextual and critical support."
From the incredible wizardry of Merlin to the passion of Sir
Lancelot, these tales of Arthur and his knights offer epic
adventures with the supernatural as well as timeless battles with
our own humanity. Features a new Afterword. Revised reissue.
This brisk retelling of Le Morte D'Arthur highlights the narrative
drive, humor, and poignancy of Sir Thomas Malory's original while
updating his fifteenth-century English and selectively pruning
over-elaborate passages that can try the patience of modern
readers. The result is an adaptation that readers can enjoy as a
fresh approach to Malory's sprawling masterpiece. The book's most
famous episodes--the sword in the stone, the cataclysmic final
battle--are all here, while lesser-known key episodes stand forth
with new brightness and clarity. The text is accompanied by an
up-to-date bibliography, including websites and video resources,
and a descriptive index keyed--like the retelling itself--to the
book and chapter divisions of William Caxton's first printed
edition of 1485.
Fiction. Folk Tales. Medieval Studies. Dorsey Armstrong provides a
new, Modern English translation of the MORTE DARTHUR that portrays
the holistic and comprehensive unity of the text as a whole, as
suggested by the structure of Caxton's print, but that is based
primarily on the Winchester Manuscript, which offers the most
complete and accurate version of Malory's narrative. This
translation makes one of the most compelling and important texts in
the Arthurian tradition easily accessible to everyone--from high
school students to Arthurian scholars. In addition to the complete
text, Armstrong includes an introduction that discusses Malory's
sources and the long-running debate surrounding the manuscript and
print versions of the narrative. For ease of use, the text is keyed
to both William Caxton's print version and the manuscript version
edited by Eugene Vinaver. A detailed index is also included.
P. J. C. Field, the world's preeminent Malory specialist, has
wisely chosen to offer here Malory's seventh and eighth tales,
recounting the decline and end of Camelot. The authoritative text
is accompanied by indispensable notes and preceded by a remarkably
thorough and learned--but never obscure--Introduction sufficient to
prepare students and other readers to profit fully from the texts.
This book is ideal for those coming to Malory for the first time
and a distinct pleasure for those who already know him well.
--Norris J. Lacy, E. E. Sparks Professor of French and Medieval
Studies, Penn State University
Acclaimed biographer Peter Ackroyd vibrantly resurrects the
legendary epic of Camelot in this modern adaptation
The names of Arthur, Merlin, Lancelot, Guinevere, Galahad, the
sword of Excalibur, and the court of Camelot are as recognizable as
any from the world of myth. Although many versions exist of the
stories of King Arthur and the Knights of the Round Table, "Le
Morte d'Arthur" by Sir Thomas Malory endures as the most moving and
richly inventive.
In this abridged retelling the inimitable Peter Ackroyd
transforms Malory's fifteenth-century work into a dramatic modern
story, vividly bringing to life a world of courage and chivalry,
magic, and majesty. The golden age of Camelot, the perilous search
for the Holy Grail, the love of Guinevere and Lancelot, and the
treachery of Arthur's son Mordred are all rendered into
contemporary prose with Ackroyd's characteristic charm and panache.
Just as he did with his fresh new version of Chaucer's "The
Canterbury Tales," Ackroyd now brings one of the cornerstones of
English literature to a whole new audience.
This is an OCR edition without illustrations or index. It may have
numerous typos or missing text. However, purchasers can download a
free scanned copy of the original rare book from
GeneralBooksClub.com. You can also preview excerpts from the book
there. Purchasers are also entitled to a free trial membership in
the General Books Club where they can select from more than a
million books without charge. Volume: 2; Original Published by: J.
M. Dent & co. in 1910 in 418 pages; Subjects: Fiction / Fantasy
/ Historical; Fiction / Fairy Tales, Folklore & Mythology;
Juvenile Fiction / Legends, Myths, Fables / Arthurian; Literary
Criticism / Medieval; Social Science / Folklore & Mythology;
"A complete, unabridged edition of one of the most famous
chronicles of the Arthurian legends comes with new illustrations.
Edited by a lifelong scholar of the legends, the book includes some
widely accepted corrections."--"Publishers Weekly"
The epic story of King Arthur never fails to stir the imaginations
of readers everywhere, and this outstanding illustrated version
showcases original artwork that creates a unique vision of Camelot.
Some of these breathtaking watercolors and pen-and-inks have hung
in museums, including the depiction of Tintagel Castle, the Sword
in the Stone, Merlin and Nimue, and Guenevere rescued from the
stake. With remarkable accuracy, Anna-Marie Ferguson captures every
nuance of the historical period, from the knights' shining armor to
the intricate architecture to the English forests. Yet she also
revels in the fantasy, with mysterious and magical landscapes,
misty and moonlit. These legends have always been a treat for the
mind--and now they are a feast for the eyes, too.
About the Artist
Anna-Marie Ferguson studied graphic art at Southampton College in
the UK, and her work has appeared in various galleries and
books--particularly volumes of fairy tales. Anna-Marie served as
the "Arthurian expert" on the recent NBC mini-series,
"Merlin,"
Many of the earliest books, particularly those dating back to the
1900s and before, are now extremely scarce and increasingly
expensive. We are republishing these classic works in affordable,
high quality, modern editions, using the original text and artwork.
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