Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

What we can learn from a Renaissance nowhere In 1516, a book was published in Latin with the enigmatic Greek-derived word as its title. Utopia--which could mean either "good-place" or "no-place"--gives a traveler's account of a newly discovered island somewhere in the New World where the inhabitants enjoy a social order based purely on natural reason and justice. As the traveler describes the harmony, prosperity, and equality found there, a dramatic contrast is drawn between the ideal community he portrays and the poverty, crime, and often frightening political conditions of 16th century Europe. Written by Sir Thomas More (1477-1535)--then a rising intellectual star of the Renaissance and ultimately the advisor and friend of Henry VIII who was executed for his devoutly Catholic opposition to the king--Utopia is as complex as its author. In the form of a Platonic dialogue, Utopia explores topics such as money, property, crime, education, religious tolerance, euthanasia, and feminism. Claimed as a paean to communism (Lenin had More's name inscribed on a statue in Moscow) as often as it has been seen as a defense of traditional medieval values, Utopia began the lineage of utopian thinkers who use storytelling to explore new possibilities for human society--and remains as relevant today as when it was written in Antwerp 500 years ago. Explore the issues like feminism, euthanasia, and equality through Renaissance eyes Early communist tract or a defense of medieval values? You decide. Peer inside the enigmatic mind of the man who dared stand up to Henry VIII Appreciate the postmodern possibilities of Platonic dialogue Part of the bestselling Capstone Classics series edited by Tom Butler-Bowdon, this edition features an introduction from writer, economist, and historian Niall Kishtainy.

Utopia (1516) is a work of political satire by Thomas More. Published in Latin while More was serving as Privy Counsellor under King Henry VIII, the text is stylized as a true account of a new civilization discovered in the New World by traveler Raphael Hythlodaeus. While there have been varying interpretations of Utopia over the centuries, it is most consistently regarded as a work of political philosophy in the tradition of Plato's Republic that satirizes European society by contrast with the laws and traditions of the Utopian people. "The island of Utopia is in the middle two hundred miles broad, and holds almost at the same breadth over a great part of it, but it grows narrower towards both ends. Its figure is not unlike a crescent." For centuries, Utopia has been seen as an essential work of Renaissance humanism for its vision of a just and highly organized political system characterized by the abolition of private property, communal values, full employment, and free accessible healthcare. While scholars have long debated whether More envisioned his Utopia as a positive representation of society or as merely an unattainable vision of life on earth, his work remains an essential contribution to political discourse that continues to inform readers today. With a beautifully designed cover and professionally typeset manuscript, this edition of Thomas More's Utopia is a classic work of English literature reimagined for modern readers.

Utopia (1516) is a work of political satire by Thomas More. Published in Latin while More was serving as Privy Counsellor under King Henry VIII, the text is stylized as a true account of a new civilization discovered in the New World by traveler Raphael Hythlodaeus. While there have been varying interpretations of Utopia over the centuries, it is most consistently regarded as a work of political philosophy in the tradition of Plato's Republic that satirizes European society by contrast with the laws and traditions of the Utopian people. "The island of Utopia is in the middle two hundred miles broad, and holds almost at the same breadth over a great part of it, but it grows narrower towards both ends. Its figure is not unlike a crescent." For centuries, Utopia has been seen as an essential work of Renaissance humanism for its vision of a just and highly organized political system characterized by the abolition of private property, communal values, full employment, and free accessible healthcare. While scholars have long debated whether More envisioned his Utopia as a positive representation of society or as merely an unattainable vision of life on earth, his work remains an essential contribution to political discourse that continues to inform readers today. With a beautifully designed cover and professionally typeset manuscript, this edition of Thomas More's Utopia is a classic work of English literature reimagined for modern readers.

With an Introduction by Mishtooni Bose. More's Utopia is a complex, innovative and penetrating contribution to political thought, culminating in the famous 'description' of the Utopians, who live according to the principles of natural law, but are receptive to Christian teachings, who hold all possessions in common, and view gold as worthless. Drawing on the ideas of Plato, St Augustine and Aristotle, Utopia was to prove seminal in its turn, giving rise to the genres of utopian and dystopian prose fiction whose practitioners include Sir Francis Bacon, H.G. Wells, Aldous Huxley and George Orwell. At once a critique of the social consequences of greed and a meditation on the personal cost of entering public service, Utopia dramatises the difficulty of balancing the competing claims of idealism and pragmatism, and continues to invite its readers to become participants in a compelling debate concerning the best state of a commonwealth.