First published in 1987, The Literature of Controversy is a collection of essays by scholars from Britain, the United States, and Australia on major works from a classic epoch of English controversial prose. Each essay engages a single text or series of texts, less to discuss the ideas and arguments per se than to consider the rhetorical techniques assumed for the political manipulation of the readers. Though emphasis varies from contribution to contribution, the purpose, broadly, is to explore how the constituents of those texts are organised to coax, cajole, persuade or inspire those to whom they address. As the editor argues in his introduction, this approach, the critique of polemical strategy, for the most part accepts the validity of paying regard to the author and his intentions; it engages questions about the responses of the readership at which the texts were targeted; and it proceeds intertextuality in its attempts to reconstruct the controversies in which the texts were embedded and the codes within which they operated. This book will be of interest to students of literature, rhetoric and history.

Paradise Lost is not merely the masterpiece of John Milton (1608-74) but a turning point in style and form, which had a profound influence on the poetry of the following century. Divided into two parts, this major survey begins by discussing the revolutionary characteristics of Paradise Lost in the context of contemporary literary norms and examines the theological, psychological, stylistic and narrative innovation in the poem. It then provides a fuller account of the complex, and now obscure political, and theological issues and other issues that Milton's poem addresses and sought to resolve. It concludes by examining the themes discussed in the light of the influence of the poem on the tradition of English literature.

The essence of temporal universe creation is that any analytical solution has to comply with the boundary condition of our universe; dimensionality and causality constraints. The essence of this book is to show that everything has a price within our temporal (t > 0) universe; energy and time. In mathematics, every postulation needs proof; there exists a solution before searching for the solution. Yet science does not have seem to have a criterion as mathematics does; to prove first that a postulated science exists within our temporal universe. Without such a criterion, fictitious science emerges, as already have been happening in every day's event. In this book, the author has shown there exists a criterion for a postulated science whether or not it is existed within our universe. The author started this book from Einstein's relativity to the creation of our temporal universe. He has shown that every subspace within our universe is created by energy and time, in which subspace and time are coexisted. The important aspect is that every science has to satisfy the boundary condition of our universe; causality and dimensionality. Following up with temporal universe, the author has shown a profound relationship with the second law of thermodynamics. He examines the relationship between entropy with science as well as communication with quantum limited subspace throughout the book. The author discusses the paradox of Schroedinger's Cat (which has been debated by Einstein, Bohr, Schroedinger and many others since 1935) that triggered his discovering that Schroedinger's quantum mechanics is a timeless machine, in which he has disproved the fundamental principle of superposition within our universe. Since quantum mechanics is a virtual mathematics, he has shown that a temporal quantum machine can, in principle, be built on the top of a temporal platform. This book is intended for cosmologists, particle physicists, astrophysicists, quantum physicists, computer scientists, engineers, professors and students as a reference and research-oriented book.

First published in 1991, this book collects a broad array of path-finding scholarship by specialists in Coleridge and Romantic literature on the subject of his prose. They range from broad appraisals of Coleridge's own critical practises; demonstrations of the fecundity of his autobiography, the Biographia Literaria, for contemporaries; the effect of Milton and the radical polemicists of the English Civil War on Coleridge's early political and religious dissent; and the influence of the Hebrew prophetic tradition in his move away from the conjectural millenarianism of his youth towards the interpretation of Prophecy and a symbolic narrative.

Paradise Lost is not merely the masterpiece of John Milton (1608-74) but a turning point in style and form, which had a profound influence on the poetry of the following century. Divided into two parts, this major survey begins by discussing the revolutionary characteristics of Paradise Lost in the context of contemporary literary norms and examines the theological, psychological, stylistic and narrative innovation in the poem. It then provides a fuller account of the complex, and now obscure political, and theological issues and other issues that Milton's poem addresses and sought to resolve. It concludes by examining the themes discussed in the light of the influence of the poem on the tradition of English literature.

First published in 1991, this book collects a broad array of path-finding scholarship by specialists in Coleridge and Romantic literature on the subject of his prose. They range from broad appraisals of Coleridge's own critical practises; demonstrations of the fecundity of his autobiography, the Biographia Literaria, for contemporaries; the effect of Milton and the radical polemicists of the English Civil War on Coleridge's early political and religious dissent; and the influence of the Hebrew prophetic tradition in his move away from the conjectural millenarianism of his youth towards the interpretation of Prophecy and a symbolic narrative.

This book provides a qualitative and quantitative exploration of the action of radiation on living matter which leads to a complete and coherent interpretation of radiation biology. It takes readers from radiation-induced molecular damage in the nucleus of the cell and links this damage to cellular effects such as cell killing, chromosome aberrations and mutations before exploring organ damage, organism lethality and cancer induction. It also deals with radiological protection concepts and the difficulties of predicting the dose-effect relationship for low-dose and dose rate radiation risk. The book ends with separate chapters dealing with the effects of UV light exposure and risk classification of chemical mutagens, both of which are derived by logical extensions of the radiation model. This book will provide the basic foundations of radiation biology for undergraduate and graduate students in medical physics, biomedical engineering, radiological protection, medicine, radiology and radiography. Features Presents a comprehensive insight into radiation action on living matter Contains important implications for radiological protection and regulations Provides analytical methods for applications in radiotherapy

This book provides a qualitative and quantitative exploration of the action of radiation on living matter which leads to a complete and coherent interpretation of radiation biology. It takes readers from radiation-induced molecular damage in the nucleus of the cell and links this damage to cellular effects such as cell killing, chromosome aberrations and mutations before exploring organ damage, organism lethality and cancer induction. It also deals with radiological protection concepts and the difficulties of predicting the dose-effect relationship for low-dose and dose rate radiation risk. The book ends with separate chapters dealing with the effects of UV light exposure and risk classification of chemical mutagens, both of which are derived by logical extensions of the radiation model. This book will provide the basic foundations of radiation biology for undergraduate and graduate students in medical physics, biomedical engineering, radiological protection, medicine, radiology and radiography. Features Presents a comprehensive insight into radiation action on living matter Contains important implications for radiological protection and regulations Provides analytical methods for applications in radiotherapy

This collection of original essays by literary critics and historians analyzes a wide range of Milton's writing, from his early poetry, through his mid-century political prose, to De Doctrina Christiana, which was unpublished in his lifetime, and finally to his last and greatest poems. The contributors investigate the rich variety of approaches to Milton's engagement with Catholicism and its relationship to reformed religion. The essays address latent tensions and contradictions, explore the nuances of Milton's relationship to the easy commonplaces of Protestant compatriots, and disclose the polemical strategies and tactics that often shape that engagement. The contributors link Milton and Catholicism with early modern confessional conflicts between Catholics and Protestants that in turn led to new models and standards of authority, scholarship, and interiority. In Milton's case, he deployed anti-Catholicism as a rhetorical device and the negative example out of which Protestants could shape their identity. The contributors argue that Milton's anti-Catholicism aligns with his understanding of inwardness and conscience and illuminates one of the central conflicts between Catholics and Protestants in the period. Building on recent scholarship on Catholic and anti-Catholic discourses over the English Tudor and Stuart period, new understandings of martyrdom, and scholarship on Catholic women, Milton and Catholicism, provides a diverse and multifaceted investigation into a complex and little-explored field in Milton studies. Contributors: Alastair Bellany, Thomas Cogswell, Thomas N. Corns, Ronald Corthell, Angelica Duran, Martin Dzelzainis, John Flood, Estelle Haan, and Elizabeth Sauer.

The Milton Encyclopedia offers easy and immediate access to a wealth of information about Milton. It will serve as a general and comprehensive reference tool for general readers, students, and scholars alike, enhancing the experience of reading Milton. Articles cover each poem and prose work by Milton; the life of Milton and the members of his family; all events and all contemporary and historical figures mentioned significantly in his writings; every book of the Bible in its relation to Milton's own work; printers, booksellers, and publishing history; the critical and editorial traditions; illustrators; and those whose own writing was shaped by Milton's influence.

This volume deals with the crisis in the representation of the monarchy that was provoked by the execution of Charles I. It looks at both sympathetic and hostile representations of Charles I and addresses not only the period of mid-century crisis but also the earlier years of his reign and the afterlife of his royal image. Besides courtly and popular literary representations, it examines Charles's visual image in paintings, sculpture, engravings and coins and considers the role of the King's Music in projecting a positive view of the monarch. The volume will appeal not only to literary scholars but also to historians, art historians and musicologists.

Debate about the authorship of the manuscript known to us as De Doctrina Christiana has bedevilled Milton studies over recent years. In this book four leading scholars give an account of the research project that demonstrated its Miltonic provenance beyond reasonable doubt. But the authors do much more besides, locating Milton's systematic theology in its broader European context, picking open the stages and processes of its composition, and analysing its Latinity.

1999 marks the 350th anniversary of the execution of Charles I, and this volume deals with the crisis the execution provoked in the representation of the monarchy. It looks at both sympathetic and hostile representations of Charles I, and addresses not only the period of mid-century crisis but also the earlier years of his reign and the afterlife of his royal image. It will appeal not only to literary scholars but also to historians, art historians and musicologists.

English poetry in the first half of the seventeenth century, an outstandingly rich and varied body of verse, can be understood and appreciated more fully when set in its cultural and ideological context. This introductory Companion, consisting of fourteen new introductory essays by scholars of international standing, provides individual studies of Donne, Jonson, Herrick, Herbert, Carew, Suckling, Lovelace, Milton, Crashaw, Vaughan and Marvell, together with general essays on the political, social and religious context, and the relationship of poetry to the mutations and developments of genre and tradition.