Patients with neurologic symptoms are frequently seen in the emergency department and require rapid and thorough evaluation. Appropriate assessment with tailored history-taking, localization of the neurological problem, differential diagnosis, focused testing, and urgent treatment when indicated are essential to prevent patient morbidity. Neurological examination and testing of patients are covered in-depth, along with common neurological presentations using a symptom-based approach, such as coma, dizziness and gait disturbance. Specific neurological disorders are also explored, including traumatic brain injury, ischemic stroke and transient ischemic attack and neurotoxicology. Chapters follow a basic outline, including an introduction and a pearls and pitfalls section, providing a succinct overview and key takeaway points for the busy clinician. This well organized handbook will serve as a concise, valued reference for the clinician to use in assisting the evaluation of the most common neurology related emergency department visits.

A definitive overview of one of the most celebrated figures of the Italian Renaissance Among the great figures of the Italian Renaissance, Raphael (1483-1520) is unarguably the artist who has been most widely and consistently admired across the centuries. He had an extraordinary and perhaps unrivaled capacity for self-reinvention-as he progressed from Umbria to Florence and Rome-and an ability to draw strength from the other great artists around him, seemingly growing in stature the more daunting the competition became. This insightful, impeccably researched, and comprehensive volume chronicles the progress of his career in all its richness and complexity. Sumptuous production values and generous illustrations go hand in hand with its rigorous and wide-ranging scholarship. The essays explore Raphael's paintings and drawings, his frescoes in the Vatican Stanze, his designs for tapestries, sculptures and prints, and his engagement with architecture. Detailed and authoritative catalogue entries examine many of Raphael's finest works. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London April 9-July 31, 2022

One of the founding forces behind the 1970s feminist art movement, Judy Chicago became widely known for The Dinner Party, a massive installation turning women's traditional household-bound role on its head by setting a feast for thirty-nine remarkable women - from Hildegarde of Bingen to Emily Dickinson - to shine a spotlight on women's contributions to history. Concluded in 1979, it was presented in San Francisco to popular success and proceeded to be shown internationally to an audience of over one million viewers through an unprecedented grassroots effort. Art critics, however, responded differently, annihilating it for its celebration of vaginal imagery and embrace of 'feminine' craft. For decades Chicago operated on the margins of the art world, her work shunned by most critics and institutions and her evolution as an artist eclipsed by the notoriety of The Dinner Party. Judy Chicago: In the Making accompanies the first exhibition to offer a thorough overview of Chicago's career. It traces the artist's practice back to its roots, revealing her unique working process and the origins of the formal and conceptual strategies she has applied throughout her oeuvre. Bringing together a selection drawn from every major series of her work, it also reproduces sketchbooks, journals and preparatory drawings that document her extensive process of research and development. With 225 illustrations in colour

As museums worldwide shuttered in 2020 because of the novel coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight dialogues in this book explores a particular topic of relevance to art institutions today, and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention. CONVERSATION PARTNERS: Marion Ackermann, Cecilia Alemani, Anton Belov, Meriem Berrada, Daniel Birnbaium, Tom Campbell, Tania Cohen, Rhana Devenport, Maria Mercedes Gonzales, Max Hollein, Sandra Jackson-Dumont, Mami Kataoka, Brian Kennedy, Koyo Kouoh, Sonia Lawson, Adam Levine, Victoria Noorthoorn, Hans Ulrich Obrist, Anne Pasternak, Adriano Pedrosa, Suhanya Raffel, Axel Ruger, Katrina Sedwick, Franklin Sirmans, Eugene Tan, Phil Tinari, Marc-Olivier Wahler, Marie-Cécile Zinsou

Luxurious, beautiful, and portable, tapestry was the pre-eminent art form of the Tudor court. Henry VIII amassed an unrivaled collection over the course of his reign, and the author weaves the history of this magnificent collection into the life of its owner with an engaging narrative style. Now largely dispersed or destroyed, Henry's extensive inventory is here reassembled and reveals how, through tapestry, Henry identified himself with historic, religious, and mythological figures, putting England in dialogue-and competition-with the leading courts of Early Modern Europe while promoting his own religious and political agendas at home. Campbell's original account sheds new light on Tudor political and artistic culture and the court's response to Renaissance aesthetic ideals. Sumptuously illustrated with newly commissioned photographs, this stunning re-creation of Europe's greatest tapestry collection challenges the predominantly text-driven histories of the period and offers a fascinating new perspective on the life of Henry VIII. Published for the Paul Mellon Centre for Studies in British Art

This impressive volume's broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. Lavish color illustrations and details of 500 master- pieces, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa, and the Americas and the greatest European and North American masters. This unprecedented book includes an introduction and illuminating texts about each artwork written by Kathryn Calley Galitz, whose experience as both a curator and educator at the Met makes her uniquely qualified. European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velazquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renoir, Monet, Van Gogh, Gauguin, Cezanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, and Warhol. For those wishing to experience the Met's unparalleled collection or to study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.

This completely reconceived and rewritten guide to the Metropolitan's encyclopedic holdings--the first new edition of the guidebook in nearly thirty years--provides the ideal introduction to almost 600 essential masterpieces from one of the world's most popular and beloved museums. It features a compelling and accessible design, beautiful color reproductions, and up-to-date descriptions written by the Museum's own experts. More than a simple souvenir book, The Metropolitan Museum of Art Guide provides a comprehensive view of art history spanning more than five millennia and the entire globe, beginning with the Ancient World and ending in contemporary times. It includes media as varied as painting, photography, costume, sculpture, decorative arts, musical instruments, arms and armor, works on paper, and many more. Presenting works ranging from the ancient Egyptian Temple of Dendur to Canova's Perseus with the Head of Medusa to Sargent's Madame X, this is an indispensable volume for lovers of art and art history, and for anyone who has ever dreamed of lingering over the most iconic works in the Metropolitan Museum's unparalleled collection.