According to both popular myth and traditional histories, Mary Tudor was a failure. Known primarily as Bloody Mary, she has usually been contrasted unfavorably with her younger sibling and heir, Elizabeth I. This negative view of Mary has most recently been perpetuated in David Starkey's TV documentaries and biography of the young Elizabeth, which present the new queen as deliberately forging a path that was quite different from that of her half-sister. The time has come for a rethink. Susan Doran and Tom Freeman have gathered an outstanding team of international historians to look at the traditional presentation of Mary and her reign, and why we should question this view. This incisive collection will appeal to students, scholars and general readers.Features: * Challenges the accepted view of Mary as a tyrant, presenting a more balanced and nuanced portrait * Based on the latest cutting-edge and controversial thinking in Early Modern history
* Traces the growth and development of the myth of 'Bloody Mary' This text will be essential reading for graduate courses on Tudor history.

Concepts of Christian martyrdom changed greatly in England from the late middle ages through the early modern era. The variety of paradigms of Christian martyrdom (with, for example, virginity or asceticism perceived as alternate forms of martyrdom) that existed in the late medieval period, came to be replaced during the English Reformation with a single dominant idea of martyrdom: that of violent death endured for orthodox religion. Yet during the seventeenth century another transformation in conceptions of martyrdom took place, as those who died on behalf of overtly political causes came to be regarded as martyrs, indistinguishable from those who died for Christ. The articles in this book explore these seminal changes across the period from 1400-1700, analyzing the political, social and religious backgrounds to these developments. While much that has been written on martyrs, martyrdom and martyrologies has tended to focus on those who died for a particular confession or cause, this book shows how the concepts of martyrdom were shaped, altered and re-shaped through the interactions between these groups. THOMAS S. FREEMAN is Research Officer at the British Academy John Foxe Project, which is affiliated with the University of Sheffield. THOMAS F. MAYER is Professor of History at Augustana College. Contributors: JOHN COFFEY, BRAD S. GREGORY, VICTOR HOULISTON, ANDREW LACEY, DANNA PIROYANSKY, RICHARD REX, ALEC RYRIE, WILLIAM WIZEMAN

Henry VIII remains the most iconic and controversial of all English Kings. For over four-hundred years he has been lauded, reviled and mocked, but rarely ignored. In his many guises - model Renaissance prince, Defender of the Faith, rapacious plunderer of the Church, obese Bluebeard-- he has featured in numerous works of fact and faction, in books, magazines, paintings, theatre, film and television. Yet despite this perennial fascination with Henry the man and monarch, there has been little comprehensive exploration of his historiographic legacy. Therefore scholars will welcome this collection, which provides a systematic survey of Henry's reputation from his own age through to the present. Divided into three sections, the volume begins with an examination of Henry's reputation in the period between his death and the outbreak of the English Civil War, a time that was to create many of the tropes that would dominate his historical legacy. The second section deals with the further evolution of his reputation, from the Restoration to Edwardian era, a time when Catholic commentators and women writers began moving into the mainstream of English print culture. The final section covers the twentieth and twenty-first centuries, which witnessed an explosion of representations of Henry, both in print and on screen. Taken together these studies, by a distinguished group of international scholars, offer a lively and engaging overview of how Henry's reputation has been used, abused and manipulated in both academia and popular culture since the sixteenth century. They provide intriguing insights into how he has been reinvented at different times to reflect the cultural, political and religious demands of the moment; sometimes as hero, sometimes as villain, but always as an unmistakable and iconic figure in the historical landscape.

John Foxe's Acts and Monuments - popularly known as the 'Book of Martyrs' - is a milestone in the history of the English book. An essential history of the English Reformation and a seminal product of it, no English printed book before it had been as long or as lavishly illustrated. Examining the research behind the work and also its financing, printing and dissemination, Elizabeth Evenden and Thomas S. Freeman argue that, apart from Foxe's zeal and industry, the book was only made possible by extensive cooperation between its printer, John Day, and the Elizabethan government. Government patronage, rather than market forces, lay behind the book's success and ensured the triumph of a Protestant interpretation of the Reformation for centuries to come. Based on little-used manuscript sources, this book offers a unique insight not only into the 'Book of Martyrs' and the history of the English book, but into English history itself.

Henry VIII remains the most iconic and controversial of all English Kings. For over four-hundred years he has been lauded, reviled and mocked, but rarely ignored. In his many guises - model Renaissance prince, Defender of the Faith, rapacious plunderer of the Church, obese Bluebeard-- he has featured in numerous works of fact and faction, in books, magazines, paintings, theatre, film and television. Yet despite this perennial fascination with Henry the man and monarch, there has been little comprehensive exploration of his historiographic legacy. Therefore scholars will welcome this collection, which provides a systematic survey of Henry's reputation from his own age through to the present. Divided into three sections, the volume begins with an examination of Henry's reputation in the period between his death and the outbreak of the English Civil War, a time that was to create many of the tropes that would dominate his historical legacy. The second section deals with the further evolution of his reputation, from the Restoration to Edwardian era, a time when Catholic commentators and women writers began moving into the mainstream of English print culture. The final section covers the twentieth and twenty-first centuries, which witnessed an explosion of representations of Henry, both in print and on screen. Taken together these studies, by a distinguished group of international scholars, offer a lively and engaging overview of how Henry's reputation has been used, abused and manipulated in both academia and popular culture since the sixteenth century. They provide intriguing insights into how he has been reinvented at different times to reflect the cultural, political and religious demands of the moment; sometimes as hero, sometimes as villain, but always as an unmistakable and iconic figure in the historical landscape.

The essays in this volume seek to analyze biographical films as representations of historical individuals and the times in which they lived. To do this, contributors examine the context in which certain biographical films were made, including the state of knowledge about their subjects at that moment, and what these films reveal about the values and purposes of those who created them. This is an original approach to biographical (as opposed to historical) films and one that has so far played little part in the growing literature on historical films. The films discussed here date from the 1920s to the 2010s, and deal with males and females in periods ranging from the Middle Ages to the end of the twentieth century. In the process, the book discusses how biographical films reflect changing attitudes towards issues such as race, gender and sexuality, and examines the influence of these films on popular perceptions of the past. The introduction analyses the nature of biographical films as a genre: it compares and contrasts the nature of biography on film with written biographies, and considers their relationship with the discipline of history. As the first collection of essays on this popular but understudied genre, this book will be of interest to historians as well as those in film and cultural studies.

John Foxe's Acts and Monuments - popularly known as the 'Book of Martyrs' - is a milestone in the history of the English book. An essential history of the English Reformation and a seminal product of it, no English printed book before it had been as long or as lavishly illustrated. Examining the research behind the work and also its financing, printing and dissemination, Elizabeth Evenden and Thomas S. Freeman argue that, apart from Foxe's zeal and industry, the book was only made possible by extensive cooperation between its printer, John Day, and the Elizabethan government. Government patronage, rather than market forces, lay behind the book's success and ensured the triumph of a Protestant interpretation of the Reformation for centuries to come. Based on little-used manuscript sources, this book offers a unique insight not only into the 'Book of Martyrs' and the history of the English book, but into English history itself.