Despite overwhelming acclaim for his work, director Terrence Malick remains an under-examined figure of an era of filmmaking that also produced such notables as Robert Altman, Francis Ford Coppola, and Martin Scorsese. His films "Badlands" and "Days of Heaven" remain benchmarks of American cinema, while his recent "The Thin Red Line" returned him to the pantheon of American directors. In this new study, authors James Morrison and Thomas Schur examine each of his films in detail, drawing on extensive archival research to construct a portrait of his working methods as a director as well as the thematic, aesthetic, and cultural components of his work.

Moreover, aside from tracing the development of Malick's filmmaking from its beginnings to the present, the book compares his finished pictures to their original shooting scripts, and so provides a unique means of exploring the nature of his working methods and the ways in which they influence the final products. Revealing the ways in which these films connect to and depart from evolving traditions of the last 30 years, "The Films of Terrence Malick" provides a comprehensive and penetrating study as well as an informative and adventurous work of film criticism.

Weary from the turbulent sixties, America entered the 1970s hoping for calm. Instead, the war in Vietnam and its troubled aftermath persisted, the Watergate scandal unfolded, and continuing social unrest at home and abroad provided the backdrop for the new decade. The scene was similar in Hollywood, as it experienced greater upheaval than at any point since the coming of sound. As the studio and star systems declined, actors had more power than ever, and because many had become fiercely politicized by the temper of the times, the movies they made were often more challenging than before. Thus, just when it might have faded out, Hollywood was reborn--but what was the nature of this rebirth?

"Hollywood Reborn" examines this question, with contributors focusing on many of the era's key figures--noteworthy actors such as Jane Fonda, Al Pacino, Faye Dunaway, and Warren Beatty, and unexpected artists, among them Donald Sutherland, Shelley Winters, and Divine. Each essay offers new perspectives through the lens of an important star, illuminating in the process some of the most fascinating and provocative films of the decade.