- self-contained and well illustrated

- complete and comprehensive derivation of mechanical/mathematical results with enphasis on issues of practical importance

- combines classical subjects of fracture mechanics with modern topics such as microheterogeneous materials, piezoelectric materials, thin films, damage

- mechanically and mathematically clear and complete derivations of results

- self-contained and well illustrated - complete and comprehensive derivation of mechanical/mathematical results with enphasis on issues of practical importance - combines classical subjects of fracture mechanics with modern topics such as microheterogeneous materials, piezoelectric materials, thin films, damage - mechanically and mathematically clear and complete derivations of results

Concerned with the fundamental concepts and methods of fracture mechanics and micromechanics, Fracture Mechanics primarily focuses on the mechanical description of fracture processes; however, material specific aspects are also discussed.

The presentation of continuum mechanical and phenomenological foundations is followed by an introduction into classical failure hypotheses. A major part of the book is devoted to linear elastic and elastic-plastic fracture mechanics. Further subjects are creep fracture, dynamic fracture mechanics, damage mechanics, probabilistic fracture mechanics, failure of thin films and fracture of piezoelectric materials. The book also contains an extensive introduction into micromechanics. Self-contained and well-illustrated, this text serves as a graduate-level text and reference.

The 2nd revised edition has been expanded and complemented by numerous problems and figures. "

A luminous comet shooting across the late 70s constellation of photographers and artists that included Nan Goldin, David Armstrong, Jack Pierson and Philip-Lorca diCorcia, Mark Morrisroe produced an incredibly rich and various body of work in the brief ten-plus years in which he was active. He survived a fraught childhood and teen years as a prostitute (he was once shot by a client) to attend the School of the Museum of Fine Arts in Boston, where he made friendships with Goldin, Armstrong and others, performed in drag under the name Sweet Raspberry, cofounded the punk zine "Dirt "("he sort of invented the Boston punk scene," Jack Pierson later recalled) and eventually graduated from the school with honors. Shortly after, Morrisroe moved to New York, acquired a Polaroid camera and began photographing. Most of his photographs are portraits--of hustlers, lovers, friends and of himself--or hand-painted photograms. Morrisroe is also famed for his X-ray self-portraits, which show the bullet lodged near his spine after his shooting. All of his output carries this reckless, go-for-broke character, and an edge of urgency and necessity. After his death (from AIDS-related illnesses), more than 2,000 Polaroids were found among his possessions. This first comprehensive monograph compiles photographs and ephemera from the early punk years to Super-8 films, photograms and the late self-portraits. More than 500 photographs are reproduced here, alongside essays and an extensive biography.
Born to a drug-addicted mother, Mark Morrisroe (1959-1989) left home at 13, began hustling at 15 and at 17 was shot in the back by a client. The entirety of Morrisroe's brief life was characterized by danger and poverty, and mythologized by him as such: his mother was a friend and neighbor of Albert DeSalvo (aka the Boston Strangler) and Morrisroe claimed to be his illegitimate son. Morrisroe died in 1989.

Das Lehrbuch fuhrt in die grundlegenden Prinzipien und Arbeitsmethoden der Bruchmechanik und Mikromechanik ein. Im Vordergrund steht die mechanische Beschreibung von Bruchvorgangen, wobei auch materialspezifische Aspekte diskutiert werden. Auf die Behandlung von kontinuumsmechanischen und phanomenologischen Grundlagen folgt ein Einblick in die klassischen Bruch- und Versagenshypothesen sowie in makro- und mikroskopische Phanomene des Bruchs. Ein umfangreicher Teil ist der linearen und elastisch-plastischen Bruchmechanik gewidmet. Weitere Themen sind die Kriechbruchmechanik, Bruchdynamik, Schadigungsmechanik sowie die probabilistische Bruchmechanik. Eine Einfuhrung in die Mikromechanik und die Homogenisierung elastischer, elastisch-plastischer und thermoelastischer Materialien erganzt das Werk. Die 6. Auflage enthalt zahlreiche Erweiterungen, unter anderem auch zu Aspekten der numerischen Behandlung bruchmechanischer Probleme.

The fields of photography and architecture have long been closely linked: photography provides a powerful way for architecture to be appreciated from a distance, and the camera lens alters and enhances buildings so that they can be appreciated anew, even by those already intimately familiar with them. "Concrete: Photography and Architecture "explores this deep and often complex relationship, with particular attention paid not only to how photography influences the perception of architecture but also the very design itself. Beginning with the invention of photography in the nineteenth century, this volume presents iconic images of urban architecture and townscapes that are organized thematically rather than simply chronologically. The editors have assembled over two hundred images from numerous notable photographers, including: Georg Aerni, Adolphe Braun, Balthasar Burkhard, Lynn Cohen, Walker Evans, Lucien Herve, Germaine Krull, Stanley Kubrick, Hiroshi Sugimoto, and William Henry Fox Talbot. Originally published to coincide with an exhibition celebrating the Fotomuseum Winterthur's twentieth anniversary, "Concrete Photography and Architecture "is an exhaustive investigation of architectural photography and is as beautiful as it is informative.