This Is A New Release Of The Original 1909 Edition.

This Is A New Release Of The Original 1909 Edition.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT090546With an additional title page, engraved, and dated 16 45].London: printed for E. Tracy, 1710. 12],43, 1]p.: ill.; 12

1909. Edited by Charles W. Eliot. Contents: The First Part of the Delightful History of the Most Ingenious Knight. The present volume contains the whole of the first part of the novel, which is complete in itself. The second part, issued in 1615, the year before his death, is of a nature of a sequel, and is generally regarded as inferior. In writing his great novel, Cervantes set out to parody the romances of chivalry. With reference to the fiction of the Middle Ages, it is a triumphant satire; with reference to modern novels, it is the first and the most widely enjoyed.

The story begins with a winter storm sweeping across a summer resort town in New Jersey. Maggie, a recent widow, is alone with her grief in a rented cottage on the shore. As the wind howls and blusters around her little red house, she opens her door to a stranger whose car has broken down on a nearby road. He explains that he saw her single light burning on the deserted shore and appeals to her for help and shelter from the storm.

Maggie and Walt quickly become friends . Their advanced age and wisdom afford them the luxury of knowing that life is short so they indulge each day to its fullest. Their friendship is symbolized by this single light that brought them together and rescued each of them from a life filled by loneliness and despair.

Maggie learns that Walt is not a widower, but unlike herself has a wife, Mary, who has been hospitalized with Alzheimer's disease and a fatal heart condition for more than a year. Walt is despondent over his conflicting emotions. His love for Mary is strong, but she has been unresponsive for years because of her illness. Walt feels he needs to go on with his life but feels guilty for doing so.