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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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Mermedusa
Thomas Taylor
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R245
R222
Discovery Miles 2 220
Save R23 (9%)
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Ships in 5 - 10 working days
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Herbie and Violet's fifth gripping adventure brings the
internationally bestselling Eerie-on-Sea series to a heart-stopping
climax. It is midwinter once again, and the hosts of a paranormal
podcast have descended on Eerie-on-Sea eager for a sighting of the
legendary malamander. Herbert Lemon, Lost-and-Founder at the Grand
Nautilus Hotel, is feeling uneasy – and not just because of the
visitors. He’s being plagued by unsettling dreams, and the
head-splitting “Eerie Hum” that is reverberating through the
town. Something is dreadfully wrong, and it seems to be coming from
Eerie's very core. Herbie and his friend Violet Parma will need all
their courage as they head deep below the town to seek answers.
Perhaps here, finally, they – and the malamander too – will
discover the Deepest Secret of Eerie-on-Sea.
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