Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Herbie and Violet's fifth gripping adventure brings the internationally bestselling Eerie-on-Sea series to a heart-stopping climax. It is midwinter once again, and the hosts of a paranormal podcast have descended on Eerie-on-Sea eager for a sighting of the legendary malamander. Herbert Lemon, Lost-and-Founder at the Grand Nautilus Hotel, is feeling uneasy – and not just because of the visitors. He’s being plagued by unsettling dreams, and the head-splitting “Eerie Hum” that is reverberating through the town. Something is dreadfully wrong, and it seems to be coming from Eerie's very core. Herbie and his friend Violet Parma will need all their courage as they head deep below the town to seek answers. Perhaps here, finally, they – and the malamander too – will discover the Deepest Secret of Eerie-on-Sea.

The Syrian philosopher Iamblichus is famous for his accounts of ancient religious traditions: this book contains Thomas Taylor's translations of his commentaries regarding Egypt, Assyria and Chaldea. Containing many references to the mystical philosophies of the ancients, Iamblichus' writings are considered early accounts of theurgic traditions for their description of magical rituals and ceremonies. His descriptions hold clues to the origins and development of religious thought - particularly pagan ideas regarding burial, the afterlife, and the transition of the soul from matter to spirit. Taylor is keen to replicate the veneration and respect which Iamblichus had for earlier traditions: both author and translator share a devotion to Neoplatonist thought, and it is in the spirit of these philosophical ideas that these insights upon antiquity are presented in English.

The idea of universalism inherited from the French Revolution has been strongly discredited by its colonial history; today, it is also the target of nationalist attacks. What remains of it? Now available in English, Markus Messling's critically acclaimed study shows how contemporary Francophone literatures seek, after European universalism, approaches to a new universality, without which knowledge and justice cannot be organised in world society. With a foreword by Souleymane Bachir Diagne