In the bitter winds of autumn 1963, Tove Jansson, helped by Brunström, a maverick fisherman, raced to build a cabin on a treeless skerry in the Gulf of Finland. The island was Klovharun, and for thirty summers Tove and her beloved partner, the graphic artist, Tuulikki Pietilä, retreated there to live, paint and write, energised by the solitude and shifting seascapes. Notes from an Island, published in English for the first time, is both a chronicle of this period and a homage to the mature love that Tove and 'Tooti' shared for their island and for each other. Tove's spare prose, and Tuulikki's subtle washes and aquatints combine to form a work of meditative beauty. '... Tooti wandered aimlessly around the island and stood stock still for long periods. I thought I knew what she was doing. She was working again. Copperplate etchings and wash drawings. Mostly the lagoon, the lagoon as a consummate mirror for clouds and birds, the lagoon in a storm, in fog. And the granite, first and foremost, the granite, the cliff, the rocks. It's all peace and quiet now.'

In the bitter winds of autumn 1963, Tove Jansson, helped by Brunstroem, a maverick fisherman, raced to build a cabin on a treeless skerry in the Gulf of Finland. The island was Klovharun, and for thirty summers Tove and her beloved partner, the graphic artist, Tuulikki Pietila, retreated there to live, paint and write, energised by the solitude and shifting seascapes. Notes from an Island, published in English for the first time, is both a chronicle of this period and a homage to the mature love that Tove and 'Tooti' shared for their island and for each other. Tove's spare prose, and Tuulikki's subtle washes and aquatints combine to form a work of meditative beauty. '... Tooti wandered aimlessly around the island and stood stock still for long periods. I thought I knew what she was doing. She was working again. Copperplate etchings and wash drawings. Mostly the lagoon, the lagoon as a consummate mirror for clouds and birds, the lagoon in a storm, in fog. And the granite, first and foremost, the granite, the cliff, the rocks. It's all peace and quiet now.'

The rich seam that is Jansson's adult prose continues with this penultimate collection of short stories, written in her seventies at the height of her Moomin fame and translated into English for the first time. In these light-footed, beautifully crafted yet disquieting stories, Jansson tells of discomfiting encounters, unlooked for connections and moments of isolation that span generations and decades. Letters From Klara proves yet again her mastery of this literary form.

In the summer of 1947, a young priest, Petter, his wife and baby daughter, arrive by mail boat at a tiny island. They are to take over its drafty homestead from where Petter is to minister to the scattered community. In this evocative tale, Ulla-Lena Lundberg draws us into the minutiae of an austere yet purposeful life where the demands of self-sufficiency - cows to milk and sheep to graze - are tempered by the kindness of neighbours. With each season, the family's love of the island grows and when the winter brings ice a new and tentative link is created. Told through the eyes of Petter, the wholehearted if naive novice priest, and Mona, his tough-minded wife, a story unfolds that is as immersive as it is heartrending. Winner of the Finlandia prize and nominated for the Nordic Critics Prize, Ice was a huge bestseller in Finland.

A New York Review Books Original

Winner of the 2009 Bernard Shaw Prize for Translation

"Fair Play" is the type of love story that is rarely told, a revelatory depiction of contentment, hard-won and exhilarating.
Mari is a writer and Jonna is an artist, and they live at opposite ends of a big apartment building, their studios connected by a long attic passageway. They have argued, worked, and laughed together for decades. Yet they've never really stopped taking each other by surprise. "Fair Play "shows us Mari and Jona's intertwined lives as they watch Fassbinder films and Westerns, critique each other's work, spend time on a solitary island (recognizable to readers of Jansson's "The Summer Book"), travel through the American Southwest, and turn life into nothing less than art.

A New York Review Books Original
Deception--the lies we tell ourselves and the lies we tell others--is the subject of this, Tove Jansson's most unnerving and unpredictable novel. Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, "The Summer Book," to her famous Moomin stories: solitude and community, art and life, love and hate.
Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody's talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children's book illustrator, appears to be Katri's opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna's life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

Fredrik Sjoeberg's Swedish bestseller about summer, islands, freedom and boundaries. 'The light, the warmth, the smells, the mist, the birdsong - the moths. Who can sleep? Who wants to?' Fredrik Sjoeberg finds happiness in the little things. Millions of them, in fact. This beguiling bestseller is his unique meditation on collecting hoverflies. It is also about living on a remote Swedish island, blissful long summer nights, lost loves, unexpected treasures, art, nature, slowness, and how freedom can come from the things we least expect. 'Full of charm, a book about how to find meaning in life' Melissa Harrison, The Times, Books of the Year 'I often return to The Fly Trap, it remains close to my heart. The minute observations from nature that reveal sudden insights into one's life. Sometimes I almost think that he wrote it for me' Tomas Transtroemer, winner of the Nobel Prize in Literature 'Charming, witty and original' Patrick Barkham, Guardian 'Nature writing that can laugh at itself, a real tonic' Gregory Day, Sydney Morning Herald 'Delightful, at once informative and often humorously digressive . . . a humane man of wide-ranging curiosity, Sjoeberg writes with infectious passion' Paul Binding Independent Fredrik Sjoeberg collects hoverflies on the island Runmaroe, in the archipelago east of Stockholm. He is also a literary critic, translator, cultural columnist and the author of several books including The Art of Flight and The Raisin King, which form a trilogy with The Fly Trap.