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One of the Confederacy's most loyal adherents and articulate
advocates was Lieutenant General James Longstreet's aide-de-camp,
Thomas Jewett Goree. Present at Longstreet's headquarters and party
to the counsels of Robert E. Lee and his lieutenants, Goree wrote
incisively on matters of strategy and politics and drew revealing
portraits of Longstreet, Jefferson Davis, P. G. T. Beauregard, John
Bell Hood, J. E. B. Stuart, and others of Lee's inner circle. His
letters are some of the richest and most perceptive from the Civil
War period. In addition to their inside view of the campaigns of
the Confederacy, Goree's Civil War letters shed light on their
remarkable author, a onetime lawyer whose growing interest in
politics and desire for "immediate secession", as he wrote to his
mother in 1860, led him in July 1861 to Virginia and a new career
as Longstreet's associate. He stayed with Longstreet through the
war, ultimately becoming a major and participating in nearly all
the battles of the Army of Northern Virginia. His letters include
vivid descriptions of many battles, including Blackburn's Ford,
Seven Pines, Yorktown, Second Manassas, Fredericksburg,
Chickamauga, the siege of Petersburg, and the surrender at
Appomattox. Fortunate in war, he was exposed to constant fire for
seven hours in the battle of Williamsburg. Although his saddle and
accoutrements were struck seventeen times, he never received a
wound. Thomas Cutrer has collected all of Goree's wartime
correspondence to his family, as well as his travel diary from June
- August 1865, in which he recorded his trip with Longstreet from
Appomattox to Talledaga, Alabama. As a special feature Cutrer
includes Goree's postwar letters to andfrom Longstreet and others
that discuss the war and touch on questions regarding military
operations. With its wide scope and rich detail, Longstreet's Aide
represents an invaluable addition to the Civil War letter
collections published in recent years. While Goree's letters will
fascinate Civil War buffs, they also provide a unique opportunity
for scholars of social and military history to witness from inside
the workings of both an extended Southern family and the forces of
the Confederacy.
With a closeness perhaps unique to siblings orphaned young, Orlando
and Artimisia “Missie” Palmer exchanged intimate letters
throughout their lives. These letters (interspersed with additional
letters from Oliver Kennedy, the Palmers’ first cousin) offer a
clear and entertaining window into the life and times of a junior
Confederate officer serving in the Western Theater of the Civil
War. Though he initially felt Americans would see “the folly and
the madness” of going to war, Orlando enlisted as a private in
what would become Company H of the First (later Fifteenth) Arkansas
Infantry, informing his sister that he had volunteered “not for
position, not for a name, but from patriotic motivation.”
However, he was ambitious enough to secure an appointment as Maj.
Gen. William Joseph Hardee’s personal secretary; he then rose to
become his regiment’s sergeant major, his company’s first
lieutenant, and later captain and brigade adjutant. Soldier letters
typically report only what can be observed at the company level,
but Palmer’s high-ranking position offers a unique view of
strategic rather than tactical operations. Palmer’s letters are
not all related to his military experience, though, and the
narrative is enhanced by his nuanced reflections on courtship
customs and personal relationships. For instance, Palmer frequently
attempts to entertain Missie with witticisms and tales of his
active romantic life: “We have so much to do,” he quips,
“that we have no time to do anything save to visit the
women. I am in love with several dozen of them and am
having a huge time generally.” The Folly and the Madness adds
depth to the genre of Civil War correspondence and provides a
window into the lives of ordinary southerners at an extraordinary
time.
Though its most famous battles were waged in the East at Antietam,
Gettysburg, and throughout Virginia, the Civil War was clearly a
conflict that raged across a continent. From cotton-rich Texas and
the fields of Kansas through Indian Territory and into the high
desert of New Mexico, the Trans-Mississippi Theater was site of
major clashes from the war's earliest days through the surrenders
of Confederate generals Edmund Kirby Smith and Stand Waite in June
1865. In this comprehensive military history of the war west of the
Mississippi River, Thomas W. Cutrer shows that the theater's
distance from events in the East does not diminish its importance
to the unfolding of the larger struggle.
One of the Confederacy's most loyal adherents and articulate
advocates was Lieutenant Grant James Longstreet's aide-de-camp,
Thomas Jewett Goree. Present at Longstreet's headquarters and party
to the counsels of Robert E. Lee and his lieutenants, Goree wrote
incisively on matters of strategy and politics and drew revealing
portraits of Longstreet, Jefferson Davis, P.G.T. Beauregard, John
Bell Hood, J.E.B. Stuart, and others of Lee's inner circle. His
letters are some of the richest and most perceptive from the Civil
War period. Thomas Cutrer has collected all of Goree's wartime
correspondence to his family, as well as his travel diary from
June-August 1865. With its wide scope and rich detail, Longstreet's
Aide represents an invaluable addition to the Civil War letter
collections published in recent years. While Goree's letters will
fascinate Civil War buffs, they also provide a unique opportunity
for scholars of social and military history to witness from inside
the workings of both an extended Southern family and the forces of
the Confederacy.
" A] well-written, comprehensively researched
biography."--"Publishers Weekly"
"Will both edify the scholar while captivating and entertaining the
general reader. . . . Cutrer's research is impeccable, his prose
vigorous, and his life of McCulloch likely to remain the standard
for many years."--"Civil War"
"A well-crafted work that makes an important contribution to
understanding the frontier military tradition and the early stages
of the Civil War in the West."--"Civil War History"
"A penetrating study of a man who was one of the last citizen
soldiers to wear a general's stars."--"Blue and Gray"
"A brisk narrative filled with colorful quotations by and about the
central figure. . . . Will become the standard biography of Ben
McCulloch."--"Journal of Southern History"
"A fast-paced, clearly written narrative that does full justice to
its heroically oversized subject."--"American Historical
Review"
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