Violence was an inescapable part of people's daily lives in eighteenth-century France. The Revolution in general and the Terror in particular were marked by intense outbursts of political violence, whilst the abuse of wives, children and servants was still rife in the home. But the representation of violence in its myriad forms remains aesthetically troublesome. Drawing on correspondence, pamphlets, novels and plays, authors analyse the portrayal of violence as a rational act, the basis of (re)written history, an expression of institutional power, and a challenge to morality. Contributions include explorations of: the use of the dream sequence in fiction to comprehend violence; how rhetoric can manipulate violent historical truth as documented by Burke in his Reflections on the Revolution in France; the political implications of commemorating the massacre at the Tuileries of 10 August 1792; how Sade's graphic descriptions of violence placed the reader in a morally ambivalent position; the differing responses of individuals subjected to brutal incarceration at Vincennes and the Bastille; the constructive force of violence as a means of creating a sense of self.

Sade's rehabilitation as a major Enlightenment writer has hitherto not extended to a re-evaluation of his dramatic works. With a theoretical framework inspired by psychoanalysis and dramatic theory, and attentive to eighteenth-century theoretical debates, Thomas Wynn demonstrates the value of these neglected works. This is the first study to consider the nature and implications of Sade's dramatic aesthetic, and to define the erotic quality of spectatorship in his experimental plays. Challenging the assumption that the gaze is sadistic, the author uses insights from film theory to argue that Sade adapts contemporary theatrical texts and practice to create an aesthetic distinct from that of his novels. Rather than replicate the style of such works as Les Cent vingt journees de Sodome, Sade's drama anticipates a masochistic model, as theorised by Theodor Reik and Gilles Deleuze. This analysis of Sadean spectatorship takes a thematic rather than chronological or text-by-text approach. The author argues that Sade, as an atheist materialist, focuses on the structural elements of theatre to produce visual pleasure rather than moral improvement, and that he elaborates an insistently visual dramatic aesthetic, a mode analogous to the linguistic saturation of the novels' tout dire. With reference to eighteenth-century obscene drama, theatre architecture and the history of visuality, the author explores the paradox that Sade's theatre is meant not for the stage, but for the private imagination. His visionary theatre is an example of the late eighteenth-century sublime, an aesthetic of the ineffable and the unrepresentable which, in its emphasis on the survival of the demeaned individual, structurally resembles masochism. Without deforming his technique or strategy, the author shows that Sade's voluptuous theatre - like his fiction - addresses an individual whose sovereignty in a godless world is intimately linked to the independent imagination. This book will be of interest to all those working in eighteenth-century drama and theory of spectatorship.

An Introduction to Evolutionary Cognitive Archaeology is the first concise introduction that lays out the epistemological foundations of evolutionary cognitive archaeology in a way that is accessible to students. The volume is divided into three sections. The first section situates cognitive archaeology in the pantheon of archaeological approaches and distinguishes between ideational cognitive archaeology and evolutionary cognitive archaeology. This is followed by a close look at the nature of cognitive archaeological inferences and concludes with brief summaries of the major methods of evolutionary cognitive archaeology. The second section of the book introduces the reader to a variety of cognitive phenomena that are accessible using the methods of cognitive archaeology: memory, technical cognition, spatial cognition, social cognition, art and aesthetics, and symbolism and language. The third section presents a brief outline of hominin cognitive evolution from the perspective of evolutionary cognitive archaeology. The authors divide the archaeological record into three major phases: The Bipedal Apes-3.3 million-1.7 million years ago; The Axe Age-1.7 million-300,000 years ago; and The Emergence of Modern Thinking-300,000-12,000 years ago. An Introduction to Evolutionary Cognitive Archaeology is an essential text for undergraduate students, graduate students, and scholars across the behavioral and social sciences interested in learning about cognitive archaeology, including psychologists, philosophers, anthropologists, and archaeologists.

WINNER OF THE 2017 SCOTT MONCRIEFF PRIZE A new translation of Sade's most notorious, shocking and influential novel. This disturbing but hugely important text has influenced countless individuals throughout history: Flaubert and Baudelaire both read Sade; the surrealists were obsessed with him; film-makers like Pasolini saw parallels with twentieth-century history in his writings; and feminists such as Andrea Dworkin and Angela Carter clashed over him. This new translation brings Sade's provocative novel into Penguin Classics for the first time, and will reignite the debate around this most controversial of writers.

An Introduction to Evolutionary Cognitive Archaeology is the first concise introduction that lays out the epistemological foundations of evolutionary cognitive archaeology in a way that is accessible to students. The volume is divided into three sections. The first section situates cognitive archaeology in the pantheon of archaeological approaches and distinguishes between ideational cognitive archaeology and evolutionary cognitive archaeology. This is followed by a close look at the nature of cognitive archaeological inferences and concludes with brief summaries of the major methods of evolutionary cognitive archaeology. The second section of the book introduces the reader to a variety of cognitive phenomena that are accessible using the methods of cognitive archaeology: memory, technical cognition, spatial cognition, social cognition, art and aesthetics, and symbolism and language. The third section presents a brief outline of hominin cognitive evolution from the perspective of evolutionary cognitive archaeology. The authors divide the archaeological record into three major phases: The Bipedal Apes-3.3 million-1.7 million years ago; The Axe Age-1.7 million-300,000 years ago; and The Emergence of Modern Thinking-300,000-12,000 years ago. An Introduction to Evolutionary Cognitive Archaeology is an essential text for undergraduate students, graduate students, and scholars across the behavioral and social sciences interested in learning about cognitive archaeology, including psychologists, philosophers, anthropologists, and archaeologists.

This volume features works of 1764 connected with a long-running controversy about the question of the authenticity of Cardinal de Richelieu's political testament, a series of articles Voltaire wrote for the "Gazette litteraire de l'Europe" in 1764-1765, as well as the "Sentiment des citoyens", a scathing pamphlet he penned against his arch-enemy Jean-Jacques Rousseau.

Not just a science fiction tale about a planet-hopping giant from outer space visiting our world, but also a commentary on society and the scientific knowledge at the time of its composition, "Micromegas" reflects on man's place in the universe, between two infinities. This has remained one of Voltaire's best-loved tales. This volume also features "La Prude", a comedy inspired by Wycherley's "Plain Dealer", the "Conseils a M. Racine sur son poeme de La Religion", where Voltaire criticises the work of Louis Racine, son of the illustrious playwright, as well as "Le Preservatif ou critique des 'Observations sur les ecrits modernes'", in which the author targets his personal enemy the abbe Desfontaines and his literary journal.

This book presents new directions in the study of cognitive archaeology. Seeking to understand the conditions that led to the development of a variety of cognitive processes during evolution, it uses evidence from empirical studies and offers theoretical speculations about the evolution of modern thinking as well. The volume draws from the fields of archaeology and neuropsychology, which traditionally have shared little in the way of theories and methods, even though both disciplines provide crucial pieces to the puzzle of the emergence and evolution of human cognition. The twelve essays, written by an international team of scholars, represent an eclectic array of interests, methods, and theories about evolutionary cognitive archaeology. Collectively, they consider whether the processes in the development of human cognition simply made a better use of anatomical and cerebral structures already in place at the beginning of hominization. They also consider the possibility of an active role of hominoids in their own development and query the impact of hominoid activity in the emergence of new cognitive abilities.

The three plays presented in this volume and their various adjoining texts, ranging from the lengthy 'Notes' on Le Triumvirat to prefaces, avertissements and avis, all testify to Voltaire's continuing preoccupation with the uses and abuses of political authority, for good (as in Charlot) and evil (as in Le Triumvirat and its accompanying essays, as well as, more ambiguously, in Les Scythes).Contents: Octave et le jeune Pompee, ou Le Triumvirat (Dennis Fletcher), Du gouvernement et de la divinite d'Auguste (Dennis Fletcher), Des conspirations contre les peuples, ou des proscriptions (Jacqueline Marchand), Les Scythes (Robert Niklaus and Thomas Wynn), Charlot, ou la comtesse de Givry (Thomas Wynn)."

This book presents new directions in the study of cognitive archaeology. Seeking to understand the conditions that led to the development of a variety of cognitive processes during evolution, it uses evidence from empirical studies and offers theoretical speculations about the evolution of modern thinking as well. The volume draws from the fields of archaeology and neuropsychology, which traditionally have shared little in the way of theories and methods, even though both disciplines provide crucial pieces to the puzzle of the emergence and evolution of human cognition. The twelve essays, written by an international team of scholars, represent an eclectic array of interests, methods, and theories about evolutionary cognitive archaeology. Collectively, they consider whether the processes in the development of human cognition simply made a better use of anatomical and cerebral structures already in place at the beginning of hominization. They also consider the possibility of an active role of hominoids in their own development and query the impact of hominoid activity in the emergence of new cognitive abilities.

The Rise of Homo sapiens provides an unrivalled interdisciplinary introduction to the subject of hominin cognitive evolution that is appropriate for general audiences and students in psychology, archaeology, and anthropology. The book includes chapters on neural anatomy, working memory, evolutionary methods, and non-human primate cognition, but the bulk of the text reviews major developments in cognition over the span of hominin evolution from the ape-like cognition of Ardipithecus to the final developments that enabled the modern mind. The most provocative chapters of the first edition - the explicit discussion of the role of sleep in hominin evolution and the difference between Neandertal and modern human cognition - incorporate significant developments in both areas since the publication of the first edition. This revised edition updates the former text and adds greater emphasis to the growing fields of epigenetic inheritance, embodied cognition, and neuroaesthetics. The new edition provides greater emphasis on role and status of Homo heidelbergensis.

How did human thought evolve into the highly complex process it is today? In the field of evolutionary cognitive archaeology, cognitive science and archaeology intersect to provide a more complete and grounded picture of the mind. With the combination of cognitive theories and archaeological evidence, this burgeoning field is only beginning to tap into the potential for a better understanding of the development of specific cognitive abilities. Cognitive Models in Palaeolithic Archaeology explores hominin cognitive development by applying formal cognitive models to analyze prehistoric remains from the entire range of the Palaeolithic, from the earliest stone tools 3.3 million years ago to artistic developments that emerged 50,000 years ago. Several different cognitive models are presented, including expert cognition, information processing, material engagement theory, embodied/extended cognition, neuroaesthetics, visual resonance theory, theory of mind, and neuronal recycling. By examining archaeological remains, and thereby past activities and behavior, through the grounded lenses of these models, a mosaic pattern of human cognitive evolution emerges. This volume, authored by many leading authorities in the field of cognitive archaeology, will attract scholars and students of cognitive evolution and paleoanthropology, who will find a new understanding of hominin cognitive evolution and substantive conclusions about our hominin evolution as opportunities for further research.

Cette edition donnera au lecteur l'occasion de decouvrir le theatre erotique du XVIIIe siecle, facette meconnue de la theatromanie de l'epoque. Les textes, extremement rares, reunis dans ce volume paraissent ici pour la premiere fois depuis plus de 250 ans. Ecrit dans les annees 1770 par Delisle de Sales pour un theatre princier, le 'Theatre d'amour' est un recueil de comedies mettant en scene les ebats amoureux de personnages mythologiques et historiques, tels que Junon et Ganymede, Cesar et deux Vestales, et Abailard et Heloise. Cette uvre insolite, qui n'existe qu'en un seul manuscrit, soigneusement redige apres la Revolution, est ici publiee in extenso. Le lecteur peut aussi decouvrir 'L'Art de foutre, ou Paris foutant', ballet obscene de Baculard d'Arnaud. Jouee dans un bordel parisien en 1741, cette parodie spectaculaire fut l'objet de la repression policiere la plus severe, et l'auteur, l'imprimeur et le commanditaire furent tous emprisonnes a la Bastille sous les ordres de Maurepas, secretaire d'etat. L'examen des archives officielles nous a permis de mieux comprendre pourquoi la police s'acharna a supprimer le ballet. Thomas Wynn est maitre de conferences a l'Universite de Durham, en Grande-Bretagne.

There have been many books, movies, and even TV commercials featuring Neandertals-some serious, some comical. But what was it really like to be a Neandertal? How were their lives similar to or different from ours? In How to Think Like a Neandertal, archaeologist Thomas Wynn and psychologist Frederick L. Coolidge team up to provide a brilliant account of the mental life of Neandertals, drawing on the most recent fossil and archaeological remains. Indeed, some Neandertal remains are not fossilized, allowing scientists to recover samples of their genes-one specimen had the gene for red hair and, more provocatively, all had a gene called FOXP2, which is thought to be related to speech. Given the differences between their faces and ours, their voices probably sounded a bit different, and the range of consonants and vowels they could generate might have been different. But they could talk, and they had a large (perhaps huge) vocabulary-words for places, routes, techniques, individuals, and emotions. Extensive archaeological remains of stone tools and living sites (and, yes, they did often live in caves) indicate that Neandertals relied on complex technical procedures and spent most of their lives in small family groups. The authors sift the evidence that Neandertals had a symbolic culture-looking at their treatment of corpses, the use of fire, and possible body coloring-and conclude that they probably did not have a sense of the supernatural. The book explores the brutal nature of their lives, especially in northwestern Europe, where men and women with spears hunted together for mammoths and wooly rhinoceroses. They were pain tolerant, very likely taciturn, and not easy to excite. Wynn and Coolidge offer here an eye-opening portrait of Neandertals, painting a remarkable picture of these long-vanished people and providing insight, as they go along, into our own minds and culture.

There have been many books, movies, and even TV commercials featuring Neandertals--some serious, some comical. But what was it really like to be a Neandertal? How were their lives similar to or different from ours?
In How to Think Like a Neandertal, archaeologist Thomas Wynn and psychologist Frederick L. Coolidge team up to provide a brilliant account of the mental life of Neandertals, drawing on the most recent fossil and archaeological remains. Indeed, some Neandertal remains are not fossilized, allowing scientists to recover samples of their genes--one specimen had the gene for red hair and, more provocatively, all had a gene called FOXP2, which is thought to be related to speech. Given the differences between their faces and ours, their voices probably sounded a bit different, and the range of consonants and vowels they could generate might have been different. But they could talk, and they had a large (perhaps huge) vocabulary--words for places, routes, techniques, individuals, and emotions. Extensive archaeological remains of stone tools and living sites (and, yes, they did often live in caves) indicate that Neandertals relied on complex technical procedures and spent most of their lives in small family groups. The authors sift the evidence that Neandertals had a symbolic culture--looking at their treatment of corpses, the use of fire, and possible body coloring--and conclude that they probably did not have a sense of the supernatural. The book explores the brutal nature of their lives, especially in northwestern Europe, where men and women with spears hunted together for mammoths and wooly rhinoceroses. They were pain tolerant, very likely taciturn, and not easy to excite.
Wynn and Coolidge offer here an eye-opening portrait of Neandertals, painting a remarkable picture of these long-vanished people and providing insight, as they go along, into our own minds and culture.