A box set of 12 Norman Wisdom classics. In 'On the Beat' Wisdom stars as a bumbling Scotland Yard car park attendant who gets his chance to be a real policeman after he accidentally catches some crooks. His advantage lies in the fact that he physically resembles one of the ringleaders. In 'Man of the Moment' the bumbling Norman (Wisdom) accidentally becomes the British delegate to an important international conference in Geneva. Hilarious chaos and amusing misunderstandings ensue. In 'Trouble in Store' Wisdom is taken on as a shop assistant in a department store. His ambition is to become a window dresser, and he falls in love at first sight with his dream-girl, Sally. After a disastrous start (chasing a bus on roller skates, entering a shop girl's hostel, the usual sort of thing), events conspire to make Norman an unlikely hero. In 'Up in the World' Wisdom stars as the bumbling window cleaner to Lady Banderville. He has to cope with the pranks of her son, Sir Reggie, but cleans up when he confounds a gang of kidnappers. In 'The Square Peg' Norman Pitkin (Wisdom) is keen to help the war effort, and turns out to be a dead ringer for an enemy general. Joining up with his colleague, Mr Grimsdale, he is posted to France as part of a team repairing the damaged roads. Captured by the enemy, he turns his uncanny resemblance to his own advantage and comes home a hero. In 'Follow a Star' Wisdom plays a shop worker (imaginatively also named Norman, as indeed is every character he has ever portrayed) who dreams of becoming a famous singer. His attempts are, of course, disastrous, until he is encouraged by music teacher Miss Dobson, and a crippled girl named Judy. In 'The Bulldog Breed' Norman Puckle (Wisdom) is a grocer who joins the Navy and finds himself chosen to man a rocket flight into outer space. After Norman brings his own brand of madcap mayhem to the training process, his superiors begin to suspect that they might have picked the wrong person for the mission. Also starring Ian Hunter and Edward Chapman. Whilst in 'One Good Turn' Norman (Wisdom) works at the orphanage, and promises that he will buy one of its charges a model car. But how can he get the money? Proving himself equally incompetent at all jobs, he manages to raise a few laughs along the way in his attempts to earn the cash and not disappoint the little sprite. In 'A Stitch in Time' Star Wisdom plays an apprentice butcher trying to help a sick child. His bumbling efforts end up with him being banned from visiting little orphan Lindy, but Norman will go to any lengths to keep in touch with his young charge. Whilst in 'Just My Tuck', determined to win the heart of his beautiful neighbour, Norman (Wisdom) decides he wants to buy her a diamond necklace - but how can he possibly afford it? A solution offers itself when he goes to a bookmaker's, learns the intricacies of the accumulator bet, and sets out on a major winning streak. However, whenever Norman is involved things are never quite that simple, and soon enough our hapless hero finds himself in deep trouble, creating havoc at the local racetrack. In 'The Early Bird' Wisdom plays a milkman caught up in a feud between the small, traditional company that employs him and a large, modern dairy planning a hostile takeover. Will Norman, in his typically inept fashion, manage to save his company from the onset of modernity? Finally in 'Press For Time' Norman Shields (Wisdom) is an accident-prone young reporter, who only got the job because his grandfather (also played by Wisdom) happens to be the Prime Minister. Hilarious chaos ensues when Norman is sent to cover a beauty contest. Wisdom also appears in drag as a Suffragette called Emily.

The complete collection of Alan Bennett's twelve monologues, which tell the bittersweet tales of 'ordinary, uneventful, desperate lives'. Patricia Routledge stars in 'A Lady of Letters', Maggie Smith in 'Bed Among the Lentils', Stephanie Cole in 'Soldiering On', Julie Walters in 'Her Big Chance', Thora Hird in 'A Cream Cracker Under the Settee', Patricia Routledge in 'Miss Fozzard Finds Her Feet', Eileen Atkins in 'The Hand of God', David Haig in 'Playing Sandwiches', Julie Walters in 'The Outside Dog', Penelope Wilton in 'Nights in the Gardens of Spain' and Thora Hird in 'Waiting for the Telegram'.

Thora looks back at domestic life, the theatre, going to church, growing up before the war, working in shops, and, never forgetting her true Morecambe roots, the hustle and bustle of the Northern seaside town. In her chatty and anecdotal style, she reminds us of all those words, objects and expressions that have gone out of modern usage and illustrates them with stories from her own early years.

Richard Attenborough and Jack Warner star in this late 1940s British drama set in a reform school for boys. After being caught and sent to a borstal for three years because of his involvement in a robbery, teenager Jackie Knowles (Attenborough) makes friends with fellow juvenile delinquents Alfie (Dirk Bogarde) and Bill (Jimmy Hanley). Meanwhile, the reformatory govenor (Warner) attempts to keep the boys under control.

Triple bill of comedies starring Will Hay. 'Radio Parade of 1935' (1934) was one of the first screen outings for Hay. He plays the Director General of the National Broadcasting Group (NBG) who hides away in his office unaware that the general feeling about his programming is that it is too high-brow and the public are not happy. However, when he discovers this he decides to take action and promotes Jimmy, his Head of the Complaints Department, to Programme Director. Jimmy decides that a series of variety spectaculars are what the public want and sets about hiring the acts. But obstacles are put in his way and he discovers that the NBG has its own cluster of wannabe variety stars. In 'The Ghost of St Michaels' (1941), the outbreak of the Second World War results in the boys' school of St Michaels relocating to Dubain Castle on the Isle of Skye. The new schoolmaster (Hay) scoffs at the legends of a ghostly piper which haunts the castle - until two headmasters come to a grisly end. Who will become the next victim of the phantom piper? In 'The Black Sheep of Whitehall' (1942), Hay plays Professor Davis, the intrepid head of a correspondence college. Davis gets wind of the fact that a Nazi spy has infiltrated an economic delegation with the intent of undermining attempts to reach a trade agreement between Great Britain and certain South American countries. The effort to expose the dastardly fellow sees Hay adopt various disguises in a steady onslaught of mistaken-identity comedy.

Gentle Ealing comedy about childhood, guilt and half-truths starring a young James Fox (then known by his real name, William Fox) as Johnny Brent, a mischievous boy who tricks a younger boy (Keith Robinson) into giving him his magnet in return for an 'invisible' clock. Having successfully obtained the magnet, Johnny immediately starts to feel guilty about his swindling behaviour. His guilt sparks a chain of misplaced assumptions that lead to a search being mounted for the boy, who has run away after becoming convinced that he is wanted for murder.