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Revisualising Intersectionality offers transdisciplinary
interrogations of the supposed visual evidentiality of categories
of human similarity and difference. This open-access book
incorporates insights from social and cognitive science as well as
psychology and philosophy to explain how we visually perceive
physical differences and how cognition is fallible, processual, and
dependent on who is looking in a specific context. Revisualising
Intersectionality also puts into conversation visual culture
studies and artistic research with approaches such as gender,
queer, and trans studies as well as postcolonial and decolonial
theory to complicate simplified notions of identity politics and
cultural representation. The book proposes a revision of
intersectionality research to challenge the predominance of
categories of visible difference such as race and gender as
analytical lenses.
Revisualising Intersectionality offers transdisciplinary
interrogations of the supposed visual evidentiality of categories
of human similarity and difference. This open-access book
incorporates insights from social and cognitive science as well as
psychology and philosophy to explain how we visually perceive
physical differences and how cognition is fallible, processual, and
dependent on who is looking in a specific context. Revisualising
Intersectionality also puts into conversation visual culture
studies and artistic research with approaches such as gender,
queer, and trans studies as well as postcolonial and decolonial
theory to complicate simplified notions of identity politics and
cultural representation. The book proposes a revision of
intersectionality research to challenge the predominance of
categories of visible difference such as race and gender as
analytical lenses.
Das Buch hinterfragt die vermeintliche visuelle Evidenz von
Kategorien menschlicher AEhnlichkeit und Differenz. Es bezieht
Erkenntnisse aus den Sozial- und Kognitionswissenschaften sowie der
Psychologie und Philosophie ein, um zu erklaren, wie wir physische
Unterschiede visuell wahrnehmen und zeigt, dass Wahrnehmung sowohl
fehlbar als auch prozesshaft ist. Dazu bringen die Autorinnen
Studien zur visuellen Kultur und kunstlerische Forschung mit
Ansatzen wie Gender, Queer und Trans Studies sowie postkolonialer
Theorie miteinander ins Gesprach, um vereinfachte Vorstellungen von
Identitatspolitik und kultureller Reprasentation zu
verkomplizieren. Das Buch schlagt andere Sichtweisen auf
Intersektionalitat vor, um die Vorherrschaft von Kategorien der
vermeintlich sichtbaren Differenz wie race und Geschlecht als
analytische Kategorien infrage zu stellen.
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