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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit
alteste, traditionsreichste und umfangreichste Editionsreihe
griechischer und lateinischer Literatur von der Antike bis zur
Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben
werden durch eine lateinische oder englische Praefatio erganzt. Die
wissenschaftliche Betreuung der Reihe obliegt einem Team
anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore
di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle
(University of Cambridge) Donald J. Mastronarde (University of
California, Berkeley) Franco Montanari (Universita di Genova)
Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen)
Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael
D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard
University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke
wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der
Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als
eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als
eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen
moechten, der noch nicht als Print-on-Demand angeboten wird,
schreiben Sie uns an: [email protected] Samtliche in
der Bibliotheca Teubneriana erschienenen Editionen lateinischer
Texte sind in der Datenbank BTL Online elektronisch verfugbar.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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Elegies II (Hardcover)
Tibullus; Edited by Paul Murgatroyd
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R6,917
R5,866
Discovery Miles 58 660
Save R1,051 (15%)
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Ships in 12 - 17 working days
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This is the first full and detailed commentary on the second book
of Tibullus' elegies since K.F. Smith's edition of 1913. It takes
into account every significant advance in scholarship since then on
Tibullus, elegy in general. The book provides an authoritative
Latin text, based on the definitive Oxford Classical Text, an
Introduction covering such topics as the chronology of Book II, its
completeness and construction, and the main characters of the
poems; and a comprehensive Commentary discussing all aspects of
linguistic and literary interest in the poems: the problems of
reference and the interpretation for instance, as well as notes on
diction, style, themes, and metre. There are also introductory
essays on each poem, discussing the background situation, genre,
and main models. A critical appendix looks at all the textual
points that substantially affect the understanding and appreciation
of the elegies, a structural appendix explores the structure of the
individual poems, and there are full indices.
'Delia, when flames engulf my bier you'll weep for me, and then
you'll mix your kisses with sad tears.' Tibullus (?55-18 BC) was
one of a group of poets known as the Latin elegists, whose number
included Ovid and Propertius. Living in the age of Augustus, his
poems reflect Augustan ideals, but they are above all notable for
their emphasis on the personal, and for their subject-matter, love.
Tibullus' elegies are addressed to two different mistresses, Delia
and Nemesis, and a boy, Marathus. His pious and idealistic love for
Delia is replaced by a more tortured affair with the cruel Nemesis,
and the poet's elegies to Marathus give a broader perspective to
his treatment of the subject. Anguish and betrayal characterize
Tibullus' depiction of love's changing fortunes, in poetry that is
passionate, vivid, and sometimes haunting. In this parallel text
edition, A. M. Juster's eloquent translations are accompanied by an
introduction and notes from Robert Maltby which discuss Tibullus'
work in its literary and historical context. Together they
demonstrate the achievements of this fine Roman poet. ABOUT THE
SERIES: For over 100 years Oxford World's Classics has made
available the widest range of literature from around the globe.
Each affordable volume reflects Oxford's commitment to scholarship,
providing the most accurate text plus a wealth of other valuable
features, including expert introductions by leading authorities,
helpful notes to clarify the text, up-to-date bibliographies for
further study, and much more.
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