Living in the post-modern age, there is a growing sentiment of disenchantment in relation to the most facile aspects of dogmatic feminism. Nevertheless, the question of sexual difference still remains. Sex, Breath and Force asks how we should approach such a questioning today, given the fall of the great narratives and the plethora of theoretical discourses in circulation. What are the conditions of possibility for thinking of sexual difference as a foundational problem in the age of technology? And, how do the disciplines of social science, literary studies, philosophy, and film studies answer this challenge? This collection of essays provides a reassessment of the question of sexual difference, taking into account important shifts in feminist thought, post-humanist theories, and queer studies. The contributors offer new and refreshing insights into the complex question of sexual difference from a post-feminist perspective, and how it is reformulated in various related areas of study, such as ontology, epistemology, metaphysics, biology, technology, and mass media.

The purpose of this Handbook is to provide students with an overview of key developments in queer and trans feminist theories and their significance to the field of contemporary performance studies. It presents new insights highlighting the ways in which rigid or punishing notions of gender, sexuality and race continue to flourish in systems of knowledge, faith and power which are relevant to a new generation of queer and trans feminist performers today. The guiding question for the Handbook is: How do queer and trans feminist theories enhance our understanding of developments in feminist performance today, and will this discussion give rise to new ways of theorizing contemporary performance? As such, the volume will survey a new generation of performers and theorists, as well as senior scholars, who engage and redefine the limits of performance. The chapters will demonstrate how intersectional, queer and trans feminist theoretical tools support new analyses of performance with a global focus. The primary audience will be students of theatre/ performance studies as well as queer /gender studies. The volume's contents suggest close links between the formation of queer feminist identities alongside recent key political developments with transnational resonances. Furthermore, the emergence of new queer and trans feminist epistemologies prompts a reorientation regarding performance and identities in a 21st-century context.

Living in the post-modern age, there is a growing sentiment of disenchantment in relation to the most facile aspects of dogmatic feminism. Nevertheless, the question of sexual difference still remains. Sex, Breath and Force asks how we should approach such a questioning today, given the fall of the great narratives and the plethora of theoretical discourses in circulation. What are the conditions of possibility for thinking of sexual difference as a foundational problem in the age of technology? And, how do the disciplines of social science, literary studies, philosophy, and film studies answer this challenge? This collection of essays provides a reassessment of the question of sexual difference, taking into account important shifts in feminist thought, post-humanist theories, and queer studies. The contributors offer new and refreshing insights into the complex question of sexual difference from a post-feminist perspective, and how it is reformulated in various related areas of study, such as ontology, epistemology, metaphysics, biology, technology, and mass media.