In this book, Tillman Nechtman explores the relationship between Britain and its empire in the late eighteenth century through the controversy that surrounded employees of the East India Company. Labelled as 'nabobs' by their critics, Company employees returned from India, bringing the subcontinent's culture with them - souvenirs like clothing, foods, jewels, artwork, and animals. To the nabobs, imperial keepsakes were a way of narrating their imperial biographies, lives that braided Britain and India together. However, their domestic critics preferred to see Britain as distinct from empire and so saw the nabobs as a dangerous community of people who sought to reverse the currents of imperialism and to bring the empire home. Drawing on cultural, material, and visual history, this book captures a far wider picture of the fascinating controversy and sheds considerable new light on the tensions and contradictions inherent in British national identity in the late eighteenth century.

In this book, Tillman Nechtman explores the relationship between Britain and its empire in the late eighteenth century through the controversy that surrounded employees of the East India Company. Labelled as 'nabobs' by their critics, Company employees returned from India, bringing the subcontinent's culture with them - souvenirs like clothing, foods, jewels, artwork, and animals. To the nabobs, imperial keepsakes were a way of narrating their imperial biographies, lives that braided Britain and India together. However, their domestic critics preferred to see Britain as distinct from empire and so saw the nabobs as a dangerous community of people who sought to reverse the currents of imperialism and to bring the empire home. Drawing on cultural, material, and visual history, this book captures a far wider picture of the fascinating controversy and sheds considerable new light on the tensions and contradictions inherent in British national identity in the late eighteenth century.

Pitcairn, a tiny Pacific island that was refuge to the mutineers of HMAV Bounty and home to their descendants, later became the stage on which one imposter played out his influential vision for British control over the nineteenth-century Pacific Ocean. Joshua W. Hill arrived on Pitcairn in 1832 and began his fraudulent half-decade rule that has, until now, been swept aside as an idiosyncratic moment in the larger saga of Fletcher Christian's mutiny against Captain Bligh, and the mutineers' unlikely settlement of Pitcairn. Here, Hill is shown instead as someone alert to the full scope and power of the British Empire, to the geopolitics of international imperial competition, to the ins and outs of naval command, the vicissitudes of court politics, and, as such, to Pitcairn's symbolic power for the British Empire more broadly.

Pitcairn, a tiny Pacific island that was refuge to the mutineers of HMAV Bounty and home to their descendants, later became the stage on which one imposter played out his influential vision for British control over the nineteenth-century Pacific Ocean. Joshua W. Hill arrived on Pitcairn in 1832 and began his fraudulent half-decade rule that has, until now, been swept aside as an idiosyncratic moment in the larger saga of Fletcher Christian's mutiny against Captain Bligh, and the mutineers' unlikely settlement of Pitcairn. Here, Hill is shown instead as someone alert to the full scope and power of the British Empire, to the geopolitics of international imperial competition, to the ins and outs of naval command, the vicissitudes of court politics, and, as such, to Pitcairn's symbolic power for the British Empire more broadly.