Confronting national, linguistic and disciplinary boundaries, contributors to African Archaeology Without Frontiers argue against artificial limits and divisions created through the study of 'ages' that in reality overlap and cannot and should not be understood in isolation. Papers are drawn from the proceedings of the landmark 14th PanAfrican Archaeological Association Congress, held in Johannesburg in 2014, nearly seven decades after the conference planned for 1951 was re-located to Algiers for ideological reasons following the National Party's rise to power in South Africa. Contributions by keynote speakers Chapurukha Kusimba and Akin Ogundiran encourage African archaeologists to practise an archaeology that collaborates across many related fields of study to enrich our understanding of the past. The nine papers cover a broad geographical sweep by incorporating material on ongoing projects throughout the continent including South Africa, Botswana, Cameroon, Togo, Tanzania, Kenya and Nigeria. Thematically, the papers included in the volume address issues of identity and interaction, and the need to balance cultural heritage management and sustainable development derived from a continent racked by social inequalities and crippling poverty. Edited by three leading archaeologists, the collection covers many aspects of African archaeology, and a range of periods from the earliest hominins to the historical period. It will appeal to specialists and interested amateurs.

The prehistoric record of southern Africa extends back some 2 million years. The oldest cultural artefacts are stone tools such as handaxes, cleavers and choppers. In more recent centuries, archaeologists have found an extensive repertoire of artefacts including not only stone tools, but tools of bone, wood and shell as well as beads, jewellery, grinding stones, clothing, fishing equipment, burials and southern Africa's enigmatic rock art. Understanding these painted scenes and menageries is not immediately obvious. Using this interpretive guide, visitors to these ancient shrines can properly interpret rock art panels and make sense of the complex world of Bushman beliefs. Bushman Rock Art is the first of its kind. Never before has rock art been so dissected and presented in such an easy-to-understand, interpretive manner, exploring the deep symbolic meaning behind the art and what these powerful images meant to Bushman artists. The images they painted, all with exquisite attention to detail, have deep ties to Bushman cosmology and their religious beliefs. With a selection of images from across southern Africa, deciphering the painted sequence of motifs is simple and innovative, making it possible for the layperson to truly appreciate this phenomenal artistic tradition. Also included is a guide to rock art sites in South Africa, Namibia and Botswana.