An insightful, persuasive, and honest defense of immigration as central to the United States' economic power and national security. America was built by immigrants, yet there has long been strong political opposition to immigration. In recent years, the hostility toward immigration has reached a tipping point. While partisan fighting and confusion over basic policy dominate a broken conversation, we often overlook a fundamental American truth: immigration makes America great. In The Immigrant Superpower, Tim Kane argues that immigration has been a source of American strength and American exceptionalism since the nation's founding. This book explores how immigration is essential to the military strength, economic power, and innovation of the United States. By combining stories of immigrants who have contributed to the American experience, including in the military and business, with analysis of immigration's effects on wages and unemployment, Kane presents a clear defense of greater immigration as a matter of national security. The only way to win the great power competition of the twenty-first century is to embrace America's identity as a nation of immigrants. As politicians in Washington continue to negotiate with no intention to reach an agreement, Kane exposes the immigration consensus hiding in plain sight. Using original, in-depth surveys of American attitudes toward immigration reform he maps out a step-by-step process to achieve reform. Straight-talking and full of common sense, The Immigrant Superpower stands in sharp contrast to the wholly dysfunctional debate about immigration in the United States.

Vampires have been a fixture of film since Bela Lugosi brought Bram Stoker's ""Dracula"" to life on the big screen in 1931. Over the decades the genre has been far from static, as vampire narratives changed and evolved with the appetites of their viewing public. First depicted as formally dressed villains, vampires would later be portrayed as supernatural beings with some human characteristics, and still later as sympathetic figures. Focusing on 19 representative films and television productions, this critical study tracks the evolutionary changes of the screen vampire. It explores the factors that cause a genre to change and examines the alternating cycles of audience expectation. The author identifies three distinct modes of depiction: the Malignant Cycle (1931-1948), comprised primarily of the Universal films; the Erotic Cycle (1957-1985), which encompasses Hammer films and popular television shows such as Dark Shadows; and the Sympathetic Cycle (1987 - present) including recent offerings such as ""The Lost Boys"", ""Interview with the Vampire"" and ""Buffy the Vampire Slayer"". Each film is evaluated in seven key areas, including the act of the vampire biting the victim; process of the victim's infection; physical appearance and demeanor of the vampire and the vampire expert; and the eventual destruction of the vampire. Appendices provide a complete synopsis of films examined including country of origin, theatrical release, director, writer(s), cast and plot summary.

For nearly forty years, John Van Alstine has created abstract sculptures forged from steel and stone. In John Van Alstine: Sculpture, 1971-2018, three notable essayists explore the sculptor's abstract landscapes that reveal the complex synergy between natural forces and man-made elements; by grappling with the challenges of balancing stone and steel, Van Alstine's indoor, outdoor, and site-specific sculptures are measured and calculated, yet simultaneously poetic; their swooping angular lines create expansive spaces beyond the limits of their steel and stone frames to unveil our collective history and imagination, illuminating a deft interplay of natural energies and the human experience. The artist weaves into his works elements of mythology, celestial navigation, implements, human figures, movement, urban forms, and found objects, while using motion, balance, and inertia to incorporate the eternal forces of gravity, tension, and erosion. In an essay on his drawings, Van Alstine details the critical role they play in the initiation and planning of his projects, offering the reader a firsthand perspective on the artist's creative process. Van Alstine's works have been featured in numerous solo and group exhibitions and are found in the permanent collections of the Carnegie Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Smithsonian's National Museum of American Art, and the Phillips Collection, to name but a few. His works are also found in numerous public and private collections. The Artist Book Foundation is gratified to announce the publication of this lavishly illustrated monograph on an esteemed and prolific contemporary artist.

For nearly 50 years, John Van Alstine has created abstract sculptures forged with stone and steel. At their essence, they explore natural forces and man-made elements, conveying the American experience as the confluence/conflict between wilderness and industrialization. Since the early 19th century, as the nation moved west, American landscape artists have depicted this juxtaposition as a particularly American dichotomy, a friction between the march of economic progress and the vast expanses of open space—the Garden of Eden spoiled by modernity and machinery. Written as a companion piece to John Van Alstine: Sculpture 1971-2018, released in 2019 by The Artist Book Foundation (TABF), American Vistas: The Life and Art of John Van Alstine, not only highlights and offers a critical assessment of his art, but it delves into biographic elements that drive his creative process and reveals the person as much as the art. Combined, they are meant to be a singular and complete examination on one of the most important sculptors in the last half century.