Iran was home to some of the greatest civilizations of both the ancient and medieval worlds, but these achievements are now little known outside the country. Epic Iran brings together 250 fascinating objects and images to cast a rare light on 5,000 years of history, showing how civilized life emerged in Iran around 3,200 BC, and how a distinctive Iranian identity, formed 2,500 years ago, has survived until today, expressed through artistic continuities, religious affiliations and the Persian language. Lavishly illustrated, this magnificent and important book encompasses metalwork, ceramics, glass, illustrated manuscripts, textiles, carpets, oil paintings, drawings and photographs from collections around the world. It brings treasures from the ancient and Islamic worlds together with the work of contemporary artists and makers, demonstrating the rich legacy that still influences many modern-day practitioners.

The West feels lost. Brexit, Trump, the coronavirus: we hurtle from one crisis to another, lacking definition, terrified that our best days are behind us. The central argument of this book is that we can only face the future with hope if we have a proper sense of tradition - political, social and religious. We ignore our past at our peril. The problem, argues Tim Stanley, is that the Western tradition is anti-tradition, that we have a habit of discarding old ways and old knowledge, leaving us uncertain how to act or, even, of who we really are. In this wide-ranging book, we see how tradition can be both beautiful and useful, from the deserts of Australia to the court of nineteenth-century Japan. Some of the concepts defended here are highly controversial in the modern West: authority, nostalgia, rejection of self and the hunt for spiritual transcendence. We'll even meet a tribe who dress up their dead relatives and invite them to tea. Stanley illustrates how apparently eccentric yet universal principles can nurture the individual from birth to death, plugging them into the wider community, and creating a bond between generations. He also demonstrates that tradition, far from being pretentious or rigid, survives through clever adaptation, that it can be surprisingly egalitarian. The good news, he argues, is that it can also be rebuilt. It's been done before. The process is fraught with danger, but the ultimate prize of rediscovering tradition is self-knowledge and freedom.