Although repetition is found in all ancient literary genres, it is especially pervasive in epic poetry. Ovid's Metamorphoses exploits this dimension of the epic genre to such an extent that past critics have faulted it as too filled with recycled themes and language. This volume seeks a deeper understanding of Ovidian repetitiveness in the context of new scholarship on intertextuality and intratextuality, examining the urposeful reuse of previous material and the effects produced by a text's repetitive gestures. Uniting the essays is a shared vision of the possibilities of Latin epic poetry and a series of attempts to realize those possibilities. Some of the pieces fall into a traditional vein of allusion and intertextuality; others are more innovative in their approaches. Each, in a sense, stands as a placeholder for a methodology of theorizing the repetitive practices of poetry, of epic, and of Ovid in particular. All citations from Greek and Latin are translated into English, rendering the book accessible to scholars of literature beyond classical studies.

This is the first book-length study of the reception of Valerius Flaccus' Argonautica in the epic poems of Silius Italicus (Punica), Statius (Thebaid, Achilleid), and Claudian (De Raptu Proserpinae). It sheds new light on the importance of Valerius' poem and enhances our understanding of the intertextual richness of imperial Latin epic. The readings offered in this book provide new evidence to support the view that Valerius' Argonautica predates the Punica and Thebaid, thus helping to clarify the literary history of the Flavian period (69-96 CE). Stover shows how Silius, Statius, and Claudian use programmatic allusion to the Argonautica to present themselves as Valerius' epic successors. Silius, Statius, and Claudian rework Valerian material to achieve various effects; analysis of these effects is organized by the primary function of allusive interactions, such as 'reversal', 'enrichment', and 'contrast'. This study is essential for scholars of Latin epic poetry. Yet the Greek and Latin of its close readings are translated, making it accessible to all readers interested in intertextuality, comparative literature, and other related topics.

Epic and Empire in Vespasianic Rome offers a new interpretation of Valerius Flaccus' Argonautica, a Latin epic poem written during the reign of the emperor Vespasian (70-79 AD). Recounting the famous voyage of Jason and the Argonauts as they set off to retrieve the Golden Fleece, the poem depicts a narrative of high epic adventure. In this volume, Stover shows how Flaccus' epic reflects the restorative ideals of Vespasianic Rome, which attempted to restore order following the destructive civil war of 68-69 AD. This proposition sets it apart from the largely 'pessimistic' readings of other scholars. An important element of Flaccus' poetics of recovery is an engagement with Lucan's iconoclastic Bellum Civile. This poem's deconstructive tendencies offered Flaccus a poetic point of departure for his attempt to renew the epic genre in the context of political renewal triggered by Vespasian's accession to power. Stover's approach is thus both formalist and historicist as he seeks not only to elucidate Flaccus' dynamic appropriation of Lucan, but also to associate the Argonautica's formal gestures within a specific socio-political context.