In this handy volume, two professors of religious studies provide the student of religious studies - whether the motivated undergraduate, graduate student, or professor - with a brief review of theorists' work from the perspective of religious studies. For example, in 5-10 pages, the reader will get a review of Emmanuel Levinas's work as it offers insights for scholars in religious studies, followed by a selected bibliography. In short, this is a guide for students of religious studies that will take major theoretical writers in the humanities and social sciences and explain their relevance to the study of religion.

The Book of Hiding offers a fluent and erudite analysis of the parallels between the Bible and contemporary discussions of gender, ethnicity and social ambiguity. Beal focuses particularly on the traditionally marginalised book of Esther, in order to examine closely the categories of self and other in relation to religion, sexism, nationalism, and the ever-looming legacies and future possibilities of annihilation. Beal applies the critical tools of contemporary theorists, such as Cixous, Irigaray and Levinas, challenging widely held assumptions about the moral and life-affirming message of Scripture and even about the presence of God in the book of Esther. The Book of Hiding draws together a variety of different perspectives and disciplines, creating a unique space for dialogue raising new questions and reconsidering old assumptions, which is profoundly interesting and well-articulated.

Routledge proudly announces "theory4," a new series that presents concise overviews of the major theorists, written with a particular discipline in mind. Theory is now part of every discipline's set of tools; these volumes are tailored to the needs of students and scholars in a given field. Focusing on the great theoretical figures since the end of the nineteenth century, each volume will contain twenty to thirty entries. Each entry will give the reader a brief description of that thinker's ideas and crucial innovations in light of a specific discipline, along with a highly selected list of recommended primary and secondary readings.
The inaugural volume, "Theory for Religious Studies, "will be followed by volumes in history, art, film, music, and other disciplines.
"Theory for Religious Studies" presents the key theoretical influences on religious studies since the 1960s - an essential guide to the figures and ideas animating religious studies today. Drawing on their complementary knowledge of Eastern and Western religious traditions, William Deal and Timothy Beal begin with four foundational figures - Marx, Nietzsche, Saussure, and Freud - and go on to provide guided introductions to Althusser, Bakhtin, Barthes, Bataille, Baudrillard, Benjamin, Bourdieu, Butler, Cixous, Deleuze and Guattari, Derrida, Foucault, Gadamer, Irigaray, Kristeva, Lacan, Lefebvre, Levinas, Lyotard, Merleau-Ponty, Said, Spivak, White, Williams, and Zizek. Brisk, thoughtful, and engaging, this will be an essential first volume for anyone at work in religious studies today.

The Book of Hiding offers a fluent and erudite analysis of the parallels between the Bible and contemporary discussions of gender, ethnicity and social ambiguity. Beal focuses particularly on the traditionally marginalised book of Esther, in order to examine closely the categories of self and other in relation to religion, sexism, nationalism, and the ever-looming legacies and future possibilities of annihilation. Beal applies the critical tools of contemporary theorists, such as Cixous, Irigaray and Levinas, challenging widely held assumptions about the moral and life-affirming message of Scripture and even about the presence of God in the book of Esther. The Book of Hiding draws together a variety of different perspectives and disciplines, creating a unique space for dialogue raising new questions and reconsidering old assumptions, which is profoundly interesting and well-articulated.

The Bible is often said to be one of the foundation texts of Western culture. The present volume shows that it goes far beyond being a religious text. The essays explore how religious, political and cultural identities, including ethnicity and gender, are embodied in biblical discourse. Following the authors, we read the Bible with new eyes: as a critic of gender, ideology, politics and culture. We ask ourselves new questions: about God's body, about women's role, about racial prejudices and about the politics of the written word.
Reading Bibles, Writing Bodies crosses boundaries. It questions our most fundamental assumptions about the Bible. It shows how biblical studies can benefit from the mainstream of Western intellectual discourse, throwing up entirely new questions and offering surprising answers. Accessible, engaging and moving easily between theory and the reading of specific texts, this volume is an exciting contribution to contemporary biblical and cultural studies.

"The Passion of the Christ" was an extraordinary media event. But the film has also, and more importantly, been a religious phenomenon. Mel Gibson's professed intent was to create not just a cinematic experience but a spiritual one. And he has succeeded for many moviegoers, most notably evangelical Christians, of whom millions have embraced the film as a presentation of Holy Scripture, a twenty-first century incarnation of the Word.
In this volume, biblical scholars Timothy K. Beal and Tod Linafelt--along with an esteemed group of contributors--offer a provocative range of views on "The Passion of the Christ," Their book is organized in three parts. The first analyzes the film in terms of its religious foundations, including the Gospels and nonbiblical religious texts: What are the film's literary sources and how does it use them? In what ways does the medium of film require a radically different way of representing gospel narrative? The second group of essays focuses on the ethical and theological implications of the film's presentation of the Christian gospel: What do we make of its representations of female sexuality? What are the implications of focusing on the Passion in terms of atonement rather than social justice? Finally, the third section explores the film as a pop cultural phenomenon: How has the film worked to create a sense of insider status for some and alienated so many others? What can we learn about the religious dimensions of contemporary mass culture from the film's reception?
Whether one is inspired or appalled by "The Passion of the Christ," there can be no question that it is a defining moment in the cultural afterlife of the Bible. This volume tries tomake sense of that moment and will prove to be a touchstone for adherents and detractors of the film alike.

The Bible is often said to be one of the foundation texts of Western culture. The present volume shows that it goes far beyond being a religious text. The essays explore how religious, political and cultural identities, including ethnicity and gender, are embodied in biblical discourse. Following the authors, we read the Bible with new eyes: as a critic of gender, ideology, politics and culture. We ask ourselves new questions: about God's body, about women's role, about racial prejudices and about the politics of the written word.
Reading Bibles, Writing Bodies crosses boundaries. It questions our most fundamental assumptions about the Bible. It shows how biblical studies can benefit from the mainstream of Western intellectual discourse, throwing up entirely new questions and offering surprising answers. Accessible, engaging and moving easily between theory and the reading of specific texts, this volume is an exciting contribution to contemporary biblical and cultural studies.

This volume engages the work of Walter Brueggemann, most of which has been published by Fortress Press. The volume centers on the character of God in the text of the Old Testament as a site of theological tension and even ambivalence. Biblical faith never experiences God as entirely above the fray but rather as entangled in history, astonishingly transformative, and impinged upon by the voices of the suffering. Brueggemann's monumental Theology of the Old Testament addresses this fact with great theological insight and rigor, and the internationally renowned biblical scholars writing here engage and extend his insights into the "unsettled Character . . . at the center of the text."