This book is the first in English to consider women's movements and feminist discourses in twentieth-century Taiwan. Doris T. Chang examines the way in which Taiwanese women in the twentieth century selectively appropriated Western feminist theories to meet their needs in a modernizing Confucian culture. She illustrates the rise and fall of women's movements against the historical backdrop of the island's contested national identities, first vis-a-vis imperial Japan (1895-1945) and later with postwar China (1945-2000). In particular, during periods of soft authoritarianism in the Japanese colonial era and late twentieth century, autonomous women's movements emerged and operated within the political perimeters set by the authoritarian regimes. Women strove to replace the "Good Wife, Wise Mother" ideal with an individualist feminism that meshed social, political, and economic gender equity with the prevailing Confucian family ideology. However, during periods of hard authoritarianism from the 1930s to the 1960s, the autonomous movements collapsed. The particular brand of Taiwanese feminism developed from numerous outside influences, including interactions among an East Asian sociopolitical milieu, various strands of Western feminism, and Marxist-Leninist women's liberation programs in Soviet Russia. Chinese communism appears not to have played a significant role, due to the Chinese Nationalists' restriction of communication with the mainland during their rule on post-World War II Taiwan. Notably, this study compares the perspectives of Madame Chiang Kai-shek, whose husband led as the president of the Republic of China on Taiwan from 1949 to 1975, and Hsiu-lien Annette Lu, Taiwan's vice president from 2000 to 2008. Delving into period sources such as the highly influential feminist monthly magazine Awakening as well as interviews with feminist leaders, Chang provides a comprehensive historical and cross-cultural analysis of the struggle for gender equality in Taiwan.

phati'tude Literary Magazine is a quarterly publication that publishes poetry, fiction and essays written by both emerging and established writers of diverse origins whose works exhibit social, political and cultural awareness. Published by the Intercultural Alliance of Artists & Scholars, Inc. (IAAS) a NY-based nonprofit organization. Our Summer 2010 issue, "The Lavender Issue: LGBT Literature Today" is guest edited by award-winning poet, Timothy Liu, featuring poets Eileen Myles, Edward Field, Mary Meriam, Roberto Tejada and others. Essays by Ana Louise Keating, David Bergman and NS.

Seeking spiritual consolation within the material world. Running the gamut from traditional to radical forms, Timothy Liu's sixth collection of poems, ""For Dust Thou Art,"" continues the trajectory of his previous books but extends his lyrical range. The centerpiece of the volume's tripartite structure is a meditation on the events surrounding 9/11 and its aftermath. In his poems, Liu explores what a twenty-first century American ""poetry of witness"" might look like and protests the charge that the poetic generation to which Liu belongs is stymied by a kind of jaded amorality. Whether taking on public spectacle or contemplating the fallout of a private life, these meditations move forward and backward through time, seeking spiritual consolation within a material world.

In his fifth book of poems, Timothy Liu addresses a tripartite "Thee": the Divine, the Beloved, and the State. A precarious dance between the spiritual and the material ensues, the lyric poem confronting a consumer culture overrun by rampant lust and greed yet finding itself unable to wholly stand outside of what it critiques. Any consolation found herein is short-lived. Even so, by extending the traditions of lyric poetry forward, these utterances seek to enlarge the conversation between art and life, anticipating whatever commerce the future might yet hold.