Envisioning Legality: Law, Culture and Representation is a path-breaking collection of some of the world's leading cultural legal scholars addressing issues of law, representation and the image. Law is constituted in and through the representations that hold us in their thrall, and this book focuses on the ways in which cultural legal representations not only reflect or contribute to an understanding of law, but constitute the very fabric of legality itself. As such, each of these 'readings' of cultural texts takes seriously the cultural as a mode of envisioning, constituting and critiquing the law. And the theoretically sophisticated approaches utilised here encompass more than simply an engagement with 'harmless entertainment'. Rather they enact and undertake specific political and critical engagements with timely issues, such as: the redressing of past wrongs; recognising and combatting structural injustices; and orienting our political communities in relation to uncertain futures. Envisioning Legality thereby presents a cultural legal studies that provides the means for engaging in robust, sustained and in-depth encounters with the nature and role of law in a global, mediated world.

Envisioning Legality: Law, Culture and Representation is a path-breaking collection of some of the world's leading cultural legal scholars addressing issues of law, representation and the image. Law is constituted in and through the representations that hold us in their thrall, and this book focuses on the ways in which cultural legal representations not only reflect or contribute to an understanding of law, but constitute the very fabric of legality itself. As such, each of these 'readings' of cultural texts takes seriously the cultural as a mode of envisioning, constituting and critiquing the law. And the theoretically sophisticated approaches utilised here encompass more than simply an engagement with 'harmless entertainment'. Rather they enact and undertake specific political and critical engagements with timely issues, such as: the redressing of past wrongs; recognising and combatting structural injustices; and orienting our political communities in relation to uncertain futures. Envisioning Legality thereby presents a cultural legal studies that provides the means for engaging in robust, sustained and in-depth encounters with the nature and role of law in a global, mediated world.

An easy-to-understand guide to psychopharmacology for non-medical helping professionals Basic Psychopharmacology for Mental Health Professionals provides up-to-date information on the latest medications in easy-to-understand language. This practical and engaging text includes numerous case studies that illustrate the skills needed for successful practice in the field. The 3rd Edition is updated to the DSM-5, and it includes updated information and research on the newest medications. Additional clinical case examples have also been added throughout the text.

Through close readings of a range of popular Hollywood speculative fiction films Shyamalan's Unbreakable, Snyder's Man of Steel, Lucas's and Disney's Star Wars, Nolan's The Dark Knight & The Dark Knight Rises, Proyas' I, Robot, Nolfi's The Adjustment Bureau and Jackson's The Hobbit Timothy Peters explores how fictional worlds, particularly those that 'make strange' the world of the viewer, can render visible and make explicit the otherwise opaque theologies of modern law. He illustrates that speculative cinema's genres of estrangement provide a way for us to see and engage the theological concepts of modern law in our era of late capitalism, global empire and the crises of neoliberalism.

Sets a new trajectory for considering the intertwined relationship between theology and law through speculative cinema Offers 7 close readings of Hollywood speculative fiction blockbusters as theological and jurisprudential texts: Shyamalan's Unbreakable, Snyder's Man of Steel, Lucas and Disney's Star Wars, Nolan's The Dark Knight & The Dark Knight Rises, Proyas' I, Robot, Nolfi's The Adjustment Bureau and Jackson's The Hobbit Explores key themes of law including justice, the exception, law's violence, revolution, law's universality, sovereignty and property as theft Explores key themes of theology including the nature of evil, myth and mysticism, atonement, sacrifice, compassionate acts, visions of the divine and charity as gift Through close readings of a range of popular Hollywood speculative fiction films, Timothy Peters explores how fictional worlds, particularly those that 'make strange' the world of the viewer, can render visible and make explicit the otherwise opaque theologies of modern law. He illustrates that speculative cinema's genres of estrangement provide a way for us to see and engage the theological concepts of modern law in our era of late capitalism, global empire and the crises of neoliberalism.

In correspondence and conversation, James Joyce kept himself aloof from his age, and denigrated recent art and thought at almost every opportunity. 'In the last two hundred years, ' he declared, 'we haven't had a great thinker.' This book reveals that in spite of his protestations Joyce was profoundly influenced by one of the major figures of nineteenth-century culture, the composer Richard Wagner. Timothy Martin documents Joyce's exposure to Wagner's operas, and defines a pervasive Wagnerian presence in his work, identifying scores of allusions. Wagner emerges as an important source in the development of literary modernism, and - alongside Flaubert and Ibsen - as one of Joyce's most important influences from the previous century. The revisionary impact of this empirical study in cultural history was to present Joyce as far more a child of the nineteenth century than he wished to acknowledge, much more than Joyce's students historically recognised

This is an account of the foundation legend of Rome, how the twins Remus and Romulus were miraculously suckled by a she-wolf, and how Romulus founded Rome and Remus was killed at the moment of the foundation. What does the story mean? Why have a twin, if he has to be killed off? This is the first historical analysis of the origins and development of the myth, and it offers important insights into the nature of pre-imperial Rome and the ways in which myths could be created and elaborated in a nonliterate society.

A collection of six BBC dramatisations of Jane Austen classics. Adapted by Andrew Davies after his success with his work on George Elliot's 'Middlemarch' for television, 'Pride and Prejudice' was the BBC's flagship drama in the schedule for autumn 1995. The story revolves around the arrival of the wealthy Mr Darcy (Colin Firth) and party and the excitement he causes amongst the five daughters of the Bennett family. In 'Persuasion' (1995), Anne Elliott (Amanda Root) has spent years regretting her rejection of Captain Wentworth's (Ciaran Hinds) proposal of marriage. When he returns from sea they meet, but instead of finding romance are kept apart through a series of misunderstandings. Anne is being pursued by her cousin, Mr Elliott (Samuel West), while Captain Wentworth is now regarded as a very eligible bachelor. 'Northanger Abbey' (1986) stars Peter Firth and Robert Hardy. The story follows the adventures of Catherine Moorland (Katharine Schlesinger), who is invited by the romantic Henry Tilney to stay at the Abbey - and finds it to be shrouded in mystery and intrigue. In 'Sense and Sensibility' (1980), sisters Elinor and Marianne Dashwood (Irene Richard and Tracey Childs) lose their family fortune to spiteful relatives, and are forced to seek out suitable husbands in order to survive. While Marianne falls for the heartless John Willoughby (Peter Woodward), Elinor finds herself attracted to Edward Ferrars (Bosco Hogan) - who is himself betrothed to Lucy Steele (Julia Chambers). In 'Mansfield Park' (1983), Fanny Price (Sylvestra Le Touzel) struggles to adjust to her new aristrocratic lifestyle when she is sent by her debt-ridden mother to live with her rich aunt and cousins. Her 'superior' relatives constantly ignore her, and only her cousin Edmund (Nicholas Farrell) shows Fanny any interest. However, Fanny's charm and wit eventually win her many potential suitors, and before long she has to decide whether she wishes to wed for love or for status. Doran Godwin stars in 'Emma' (1972), which tells the stroy of the eponymous heroine whose chief joy in life is organising the lives of the friends with whom she surrounds herself. She is soon the apple of Mr Knightly (John Carson)'s eye, an older family friend who has watched her grow and advised her on many things in life.