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This highly original and accessible book draws on the author's
personal experience as a musician, producer and teacher of popular
music to discuss the ways in which audio technology and musical
creativity in pop music are inextricably bound together. This
relationship, the book argues, is exemplified by the work of Trevor
Horn, who is widely acknowledged as the most important, innovative
and successful British pop record producer of the early 1980s. In
the first part of the book, Timothy Warner presents a definition of
pop as distinct from rock music, and goes on to consider the ways
technological developments, such as the transition from analogue to
digital, transform working practices and, as a result, impact on
the creative process of producing pop. Part two analyses seven
influential recordings produced by Trevor Horn between 1979 and
1985: 'Video Killed the Radio Star' (The Buggles), 'Buffalo Gals'
(Malcolm McClaren),'Owner of a Lonely Heart' (Yes), 'Relax'
(Frankie Goes to Hollywood), 'Slave to the Rhythm' (Grace Jones),
and albums by The Art of Noise and Propaganda. These records reveal
how the creative use of technology in the modern pop recording
studio has informed Horn's work, a theme that is then explored in
an extensive interview with Horn himself.
This highly original and accessible book draws on the author's
personal experience as a musician, producer and teacher of popular
music to discuss the ways in which audio technology and musical
creativity in pop music are inextricably bound together. This
relationship, the book argues, is exemplified by the work of Trevor
Horn, who is widely acknowledged as the most important, innovative
and successful British pop record producer of the early 1980s. In
the first part of the book, Timothy Warner presents a definition of
pop as distinct from rock music, and goes on to consider the ways
technological developments, such as the transition from analogue to
digital, transform working practices and, as a result, impact on
the creative process of producing pop. Part two analyses seven
influential recordings produced by Trevor Horn between 1979 and
1985: 'Video Killed the Radio Star' (The Buggles), 'Buffalo Gals'
(Malcolm McClaren),'Owner of a Lonely Heart' (Yes), 'Relax'
(Frankie Goes to Hollywood), 'Slave to the Rhythm' (Grace Jones),
and albums by The Art of Noise and Propaganda. These records reveal
how the creative use of technology in the modern pop recording
studio has informed Horn's work, a theme that is then explored in
an extensive interview with Horn himself.
Prepare for Microsoft Exam 70-744-and help demonstrate your
real-world mastery of securing Windows Server 2016 environments.
Designed for experienced IT professionals ready to advance their
status, Exam Ref focuses on the critical-thinking and
decision-making acumen needed for success at the MCSE level. Focus
on the expertise measured by these objectives: * Implement server
hardening solutions * Secure a virtualization infrastructure *
Secure a network infrastructure * Manage privileged identities *
Implement threat detection solutions * Implement workload-specific
security This Microsoft Exam Ref: * Organizes its coverage by exam
objectives * Features strategic, what-if scenarios to challenge you
* Assumes you have experience as a Windows Server administrator and
an understanding of basic networking and Hyper-V virtualization
fundamentals, Active Directory Domain Services principles, and
Windows Server security principles
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