'Bakhtin and his Others' aims to develop an understanding of Mikhail Bakhtin's ideas through a contextual approach, particularly with a focus on Bakhtin studies from the 1990s onward. The volume offers fresh theoretical insights into Bakhtin's ideas on (inter)subjectivity and temporality - including his concepts of chronotope and literary polyphony - by reconsidering his ideas in relation to the sources he employs, and taking into account later research on similar topics. The case studies referred to within this text also show how Bakhtin's ideas, when seen in light of this method, can be constructively employed in contemporary literary research.

The book shows Chekhov in a new light, as a writer with a synthetic ethical worldview on which his poetics are based. The book's key finding is that the temporal experience of modernity lies at the centre of Chekhov's work. This conclusion is reached by comparing the ways in which modern temporality is represented in the different genres in which Chekhov wrote, from the non-fictional Sakhalin Island to his short fiction and drama. In terms of methodology, the book combines the historiographical and sociological views of modernity as based on a certain understanding of time with Mikhail Bakhtin's concept of the chronotope.