A captivating journey along the iconic River Po and through Italian history, society and culture. 'Delightful... A wonderful cornucopia of history' TLS 'Uncovers the Po's fascinating history' Guardian 'Tobias Jones is the perfect guide' Spectator The Po is the longest river in Italy, travelling for 652 kilometres from one end of the country to the other. It rises by the French border in the Alps and meanders the width of the entire peninsula to the Adriatic Sea in the east. Flowing next to many of Italy's most exquisite cities - Ferrara, Mantova, Parma, Cremona, Pavia and Torino - the river is a part of the national psyche, as iconic to Italy as the Thames is to England or the Mississippi to the USA. For millennia, the Po was a vital trading route and a valuable source of tax revenue, fiercely fought over by rival powers. It was also a moat protecting Italy from invaders from the north, from Hannibal to Holy Roman Emperors. It breached its banks so frequently that its floodplain swamps were homes to outlaws and itinerants, to eccentrics and experimental communities. But as humans radically altered the river's hydrology, those floodplains became important places of major industries and agricultures, the source of bricks, timber, silk, hemp, cement, caviar, mint, flour and risotto rice. Tobias Jones travels the length of the river against the current, gathering stories of battles, writers, cuisines, entertainers, religious minorities and music. Both an ecological lament and a celebration of the resourcefulness and resilience of the people of the Po, the book opens a window onto a stunning, but now neglected, part of Italy.

An essential guide to the strange, sometimes sinister culture of contemporary Italy. When Tobias Jones first travelled to Italy, he expected to discover the pastoral bliss described by centuries of foreign visitors and famous writers. Instead, he discovered a very different country, besieged by unfathomable terrorism and deep-seated paranoia, where crime is scarcely ever met with punishment. Now, in this fascinating travelogue, Jones explores not just Italy's familiar delights (art, climate, cuisine), but the livelier and stranger sides of the bel paese: language, football, Catholicism, cinema, television and terrorism. Why, he wonders, do bombs still explode every time politics start getting serious? Why does everyone urge him to go home as soon as possible, saying that Italy is a 'brothel'? And why do people warn him that 'Clean Hands' only disguise 'Dirty Feet'?

A captivating journey along the iconic River Po and through Italian history, society and culture. 'Delightful... A wonderful cornucopia of history' TLS 'Uncovers the Po's fascinating history' Guardian The Po is the longest river in Italy, travelling for 652 kilometres from one end of the country to the other. It rises by the French border in the Alps and meanders the width of the entire peninsula to the Adriatic Sea in the east. Flowing next to many of Italy's most exquisite cities – Ferrara, Mantova, Parma, Cremona, Pavia and Torino – the river is a part of the national psyche, as iconic to Italy as the Thames is to England or the Mississippi to the USA. For millennia, the Po was a vital trading route and a valuable source of tax revenue, fiercely fought over by rival powers. It was also a moat protecting Italy from invaders from the north, from Hannibal to Holy Roman Emperors. But as humans radically altered the river's hydrology, those floodplains became important places of major industries and agricultures, the source of bricks, timber, silk, hemp, cement, flour and risotto rice. Tobias Jones travels the length of the river against the current, gathering stories of battles, writers, cuisines, entertainers, religious minorities and music. Both an ecological lament and a celebration of the resourcefulness and resilience of the people of the Po, the book opens a window onto a stunning, but now neglected, part of Italy.

One Sunday morning in 1993 a 16-year-old girl named Eliza Claps goes missing from a church in the centre of Potenza, Italy. Shortly before her disappearance, Elisa had met Danilo Restivo, a strange local boy with a fetish for cutting women's hair on the back of buses. Elisa's family are convinced that Resitvo is responsible for their daughter's disappearance, but he is protected by local big-wigs: by his Sicilian father, by a doctor with links to organised crime, by a priest who had vices of his own. Years went by and Elisa's family could find only false leads. 2002, and Restivo is now living in Bournemouth. In November that year, his neighbour is found murdered, with strands of her own hair in her hands. Once again the police are at a loss to pin anything on him. It's not until 2010, when Elisa's decomposed body is found in the church where she went missing, that the two cases are linked and Restivo is finally dealt with. Blood on the Altar combines a gripping true crime case with Jones's deep understanding of Italian culture - the impunity it offers to the powerful - he so expertly demonstrated in his bestseller: The Dark Heart of Italy.

Utopian Dreams offers one writer's attempt to retreat from the 'real world' - which is making him emptier and angrier by the day - and seek out the alternatives to modern manners and morality. Instead of cynicism, loneliness and depression, is it possible to be idealistic, to find belonging and companionship with others who share your sadness, or even, perhaps, your happiness? With his wife and baby in tow, Jones spends a year with spritualists, time-travellers, reformed drug addicts and Quakers, producing a fascinating exploration of the meaning of community.

Ultras are often compared to punks, Hell's Angels, hooligans or the South American Barras Bravas. But in truth, they are a thoroughly Italian phenomenon... From the author of The Dark Heart of Italy, Blood on the Altar and A Place of Refuge. Italy's ultras are the most organised and violent fans in European football. Many groups have evolved into criminal gangs, involved in ticket-touting, drug-dealing and murder. A cross between the Hell's Angels and hooligans, they're often the foot-soldiers of the Mafia and have been instrumental in the rise of the far-right. But the purist ultras say that they are are insurgents fighting against a police state and modern football. Only amongst the ultras, they say, can you find belonging, community and a sacred concept of sport. They champion not just their teams, they say, but their forgotten suburbs and the dispossessed. Through the prism of the ultras, Jones crafts a compelling investigation into Italian society and its favourite sport. He writes about not just the ultras of some of Italy's biggest clubs - Juventus, Torino, Lazio, Roma and Genoa - but also about its lesser-known ones from Cosenza and Catania. He examines the sinister side of football fandom, with its violence and political extremism, but also admires the passion, wit, solidarity and style of a fascinating and contradictory subculture.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT116327 Birmingham]: Printed for the author, by Swinney & Hawkins, Birmingham; sold by T. Egerton, and G. G. & J. Robinson, London; E. Balfour, Edinburgh; and W. M'Kenzie, Dublin, 1797. x, 2],183, 1]p., plates: maps; 4

In 1999 Tobias Jones immigrated to Italy, expecting to discover the pastoral bliss described by centuries of foreign visitors. Instead, he found a very different country: one besieged by unfathomable terrorism and deep-seated paranoia. "The Dark Heart of Italy" is Jones's account of his four-year voyage across the Italian peninsula.
Jones writes not just about Italy's art, climate, and cuisine but also about the much livelier and stranger sides of the Bel Paese: the language, soccer, Catholicism, cinema, television, and terrorism. Why, he wonders, does the parliament need a "slaughter commission"? Why do bombs still explode every time politics start getting serious? Why does everyone urge him to go home as soon as possible, saying that Italy is a "brothel"? Most of all, why does one man, Silvio Berlusconi-in the words of a famous song-appear to own everything from Padre Nostro (Our Father) to Cosa Nostra (the Mafia)?
The Italy that emerges from Jones's travels is a country scarred by civil wars and "illustrious corpses"; a country that is proudly visual rather than verbal, based on aesthetics rather than ethics; a country where crime is hardly ever followed by punishment; a place of incredible illusionism, where it is impossible to distinguish fantasy from reality and fact from fiction.

Why is it that the more advanced our society becomes, the unhappier we are? Seeking an answer from the only honest perspective, Tobias Jones and his wife opened up their family home and ten acre woodland to those going through crises in their lives, or suffering from depression, addiction and loneliness. They will encounter extraordinary people: from 'Roadkill Kev' to 'Mary Poppins'; build a chapel, raise pigs and encounter both violent antagonism and astounding generosity. At the same time, they will open themselves, their children and their ideals up to the most demanding of judgements and transformations. Five years on, they think they are on to something. To sit down to eat together, to work on the land, to have no tolerance for drugs but a lot of tolerance for change aEURO" it takes time and many mistakes, but they have found a way to help people. This is the story of how.