Nineteenth-century Russia has been known to the West mainly through the writings of men. Russian women, however, were far from silent and have left vivid testimony about their families, their education, their careers, and their country. This collection presents, for the first time in English, the lives of eleven remarkable Russian women as told in their own words. These autobiographies span the century and cover a wide range of classes and professions. Among the authors are women of the gentry (Natalia Grot), the merchant class (Aleksandra Kobiakova), the lower bureaucracy (Praskovia Tatlina), and the serf class (Liubov Nikulina-Kositskaia). They include writers (Elizaveta Lvova, Anastasia Verbitskaia), a journalist (Emilia Pimenova), an actress in the provincial theater (Liubov Nikulina-Kositskaia), and two physicians (Varvara Kashevarova-Rudneva, Ekaterina Slanskaia)-one the first woman to earn a medical degree in Russia, the other a doctor in the slums of St. Petersburg. Their memoirs show their fierce engagement in the debate over woman's nature, her duties and responsibilities, her upbringing, and her place in society. Each autobiography is introduced and annotated by Toby Clyman and Judith Vowles, who also provide a general introduction that situates these writings within the Russian and Western autobiographical traditions.

Women Writers in Russian Literature presents a critical overview of Russian women writers from earliest times to the present, including emigre authors. Each of the 14 essays is by a scholar in a particular field; together, they cover all of Russian literature--from old Russia through the 18th and 19th centuries and up to the present--and include all genres: prose, poetry, drama, and autobiography. This collection examines images of women, and reintroduces Russian women writers whose recognition is long overdue. It also focuses on issues of reception and canon formation, and the relationship between gender and genre.

Women Writers in Russian Literature presents a critical overview of Russian women writers from earliest times to the present, including emigre authors. Each of the 14 essays is by a scholar in a particular field; together, they cover all of Russian literature--from old Russia through the 18th and 19th centuries and up to the present--and include all genres: prose, poetry, drama, and autobiography. This collection examines images of women, and reintroduces Russian women writers whose recognition is long overdue. It also focuses on issues of reception and canon formation, and the relationship between gender and genre.

"The purpose of these 17 essays . . . is to convey the significance of Chekhov within manageable parameters for readers unable to tackle the considerable body of available Chekhov scholarships." Choice