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For centuries, Vienna had been the imperial residence and capital
of the great multi-lingual, multi-national Habsburg Empire, and
thus a magnet for the accumulation of power, prestige, wealth, and
beauty. However, it is self-evident that not everyone could or
should reside in the capital, that many talented authors, whether
by choice or by chance, lived outside that glamorous city, in
Kafka's words, far from the Imperial sun. At the outset of the
twenty-first century, with technological advancements in
transportation and communication with international publishing
houses and chain bookstores, with e-mail and the Internet, for
example is there any social, political, economic, or professional
advantage to residing in Vienna, or has it become irrelevant today
where artists live? Are their life experiences notably different,
whether they reside in the capital or in any other city, large or
small? Are authors choices of language or themes influenced by
their provincial backgrounds? Thus the idea of "Beyond Vienna" is a
compelling and timely topic. This volume will attempt to address
these questions, while serving as an introduction to nine authors
poets, novelists, and dramatists and their relationships to the
capital: Xaver Bayer, Alois Brandstetter, Gloria Kaiser, Christine
Lavant, Anna Mitgutsch, Felix Mitterer, Elisabeth Reichart,
Vladimir Vertlib, and Friedrich Ch. Zauner. The contributors are
respected scholars who were personally invited to join this project
and who ultimately determined which authors would be included.
Georg Potyka, an Austrian civil servant in the diplomatic service,
has written a novel about a fictional colleague, Leopold Navratil.
Since boyhood, Navratil has been emboldened by his fantasy to fight
evil and strive for good. An unspoken wager with a comrade is to
determine which of them remains honourable to the end. However, to
avoid conflict within the Third Reich, Navratil must struggle with
his conscience and attempt to avoid compromising his ideals, as
represented by the wager, while still safeguarding his family and
his own existence. Though Leopold Navratil survives the war, he
does not survive the peace.
In London in 1827 Charles Sealsfield (Karl Postl) published this
travel novel employing eye-witness accounts, history, and anecdote
to expose the oppressive Austrian regime under Emperor Francis I
and his Prime Minister Metternich. His political observations are
supplemented and embellished by his many detailed descriptions of
the fads and fancies of the age, anecdotes and court gossip
surrounding major historical figures, as well as by his dry wit
which all combine to produce an eminently readable and informative
book. During his lifetime Charles Sealsfield was a mystery, an
unknown in so far as his identity was concerned. As a young
Austrian emigre, his first publications were colorful descriptions
of the fledgling United States on the one hand and of the moribund
Austrian Empire on the other. Within a few years he became widely
celebrated as the author of popular fiction about the American
West, considered by many to be superior to American-born authors
such as James Fenimore Cooper and Washington Irving.
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