"Mr. Snyder writes lyrically, and his research appears to be impeccable: It's hard to imagine that anyone has slipped through his interview net... When Bundini died, Ali was abroad and unable to attend the funeral, but he sent flowers with a card that read: 'You made me the greatest.' Many members of the boxing fraternity, George Foreman and Larry Holmes included, think that Ali wasn't exaggerating. Mr. Snyder's affecting portrait will convince the rest of us as well." -Gordon Marino, Wall Street Journal "I think Bundini was the source of Muhammad Ali's spirit. I wouldn't even call him a trainer or cornerman, he was more important than a trainer. Ali had an unmeasurable determination and he got it from Bundini." -George Foreman "When you talk about Bundini, you are talking about the mouthpiece of Muhammad Ali, an extension of Muhammad Ali's spirit. There would never have been a Muhammad Ali without Drew Bundini Brown." -Khalilah Camacho-Ali (Muhammad Ali's second wife) "Bundini gave Ali his entire heart. Bundini played a very important part in Ali's career. He was Ali's right hand man. He knew exactly how to motivate him. He was the one guy who could really get him up to train and get him ready to fight." -Larry Holmes Fifty years after he coined the iconic phrase Float like a butterfly, sting like a bee, Drew "Bundini" Brown remains one of boxing's most mysterious and misunderstood figures. His impact on the sport and the culture at large is undeniable. Cornerman and confidant to two of the greatest fighters ever-Sugar Ray Robinson and Muhammad Ali-Brown lived an extraordinary American life. After a poverty-stricken childhood in Jim Crow Florida, Brown came of age traveling the world as a naval steward. On being discharged, he settled in New York City and spent wild nights in the jazz joints of Harlem, making a name for himself as the charismatic street philosopher and poet some called "Fast Black." He married a white woman from a family of Orthodox Jewish immigrants, in dramatic defiance of 1950s cultural norms, and later appeared in films such as the blaxploitation classic, Shaft. In Bundini, Todd Snyder digs deep into Brown's expansive story, revealing not only how he became Muhammad Ali's "hype man," but also, as boxing's greatest motivator, how he became a model for others who seek to inspire, in any endeavor.

Questions of class and gender in Appalachia have, in the wake of the 2016 presidential election and the runaway success of Hillbilly Elegy, moved to the forefront of national conversations about politics and culture. From Todd Snyder, a first generation college student turned college professor, comes a passionate commentary on these themes in a family memoir set in West Virginia coal country. 12 Rounds in Lo's Gym is the story of the author's father, Mike ""Lo"" Snyder, a fifth generation West Virginia coal miner who opened a series of makeshift boxing gyms with the goal of providing local at-risk youth with the opportunities that eluded his adolescence. Taking these hardscrabble stories as his starting point, Snyder interweaves a history of the region, offering a smart analysis of the costs - both financial and cultural - of an economy built around extractive industries. Part love letter to Appalachia, part rigorous social critique, readers may find 12 Rounds in Lo's Gym - and its narrative of individual and community strength in the face of globalism's headwinds - a welcome corrective to popular narratives that blame those in the region for their troubles.

"The masterful art of chess, Kung-fu sword play, and the sweet science of boxing are all hip-hop expressions that connect us universally. Beatboxing tells the story. It's razor sharp."—Masta Killa, Wu-Tang Clan “I love how Todd Snyder's brain works. Like him, I love hip hop, and I love boxing. But I've never seen someone tie them together so well, detailing their shared history, the way each impacted the other and the personalities involved. Beatboxing is written with such tethering, with that kind of impact and insight. It might be my favorite sports book—since the last one Snyder wrote.� —Greg Bishop, Sports Illustrated Step into a world of rap moguls turned fight promoters, boxers turned rappers, and rappers turned boxers. From Mike Tyson to Tupac, from Roy Jones Jr. to J Prince, explore how a cultural collision forever altered the relationship between music, race, sports, and politics. Daryl McDonald of Run-DMC once said that the rhyme Float like a butterfly, sting like a bee! The hands can’t hit what the eyes can’t see! was hip-hop’s most famous lyric. Muhammad Ali’s poetic brilliance and swagger—ignited by hype man Bundini Brown—gave hip-hop artists the template from which they forged their identities and performed their art. Hip-hop’s impact on boxing, on the other hand, has not been explored. Until now. In Beatboxing, Todd Snyder uncovers the unique connection between hip-hop and the sweet science, tracing a grassroots cultural movement from its origins in the South Bronx to its explosion across the globe and ultimately into the charged environment of the prize ring. Featuring interviews with champion fighters and music legends, this is the definitive book about an enduring phenomenon and is a must-read for boxing and hip-hop fans alike.