Based on the best-selling novel, free-spirited writer Juliet Ashton forms a life-changing bond with the eccentric Guernsey Literary and Potato Peel Pie Society when she decides to write about the book club they formed during the occupation of Guernsey during WWII.

From the producers of The Best Exotic Marigold Hotel and with an all-star cast, comes a compelling romantic drama with an intriguing mystery at its heart.

Following 'Lawrence of Arabia' (1962), director David Lean continued his epic phase with this adaptation of Boris Pasternak's novel. During World War One, Yuri Zhivago (Omar Sharif) studies to become a doctor in Moscow. He marries his childhood sweetheart Tonya (Geraldine Chaplin), but is attracted to dressmaker's daughter Lara (Julie Christie), herself engaged to young revolutionary Pasha (Tom Courtenay). Lara is also conducting an affair with government official Komarovsky (Rod Steiger). Yuri and Lara's paths cross again in the aftermath of the Bolshevik revolution, and the two begin a passionate affair.

Andrew Davies's adaptation of the classic Charles Dickens tale of hardship and struggle in 1820s London. The Dorrit family has spent years in a debtors' prison due to the financial mess in which father William (Tom Courtenay) managed to land himself as a youth. Youngest daughter Amy (Claire Foy), known as Little Dorrit, finds work with the wealthy Mrs Clenham (Judy Parfitt) but knows that her father will, in all probability, spend the remainder of his life in gaol. However, when Arthur Clenham (Matthew Macfadyen), recently returned from abroad, comes to suspect that his late father was in part responsible for the Dorrits' plight, he becomes determined to make amends. But as he continues to delve into the mysteries of the Dorrits' and his parents' shared past, he is unaware that his own mother's house has been placed in peril by the arrival of a sinister stranger.

1960s British drama which centres on Colin Smith (Tom Courtenay), a cynical working class youth, who finds himself in a boys' reformatory for robbing a bakery. The governor in charge of the reform school (Michael Redgrave) preaches to his inmates that exercise and physical challenge can permanently destroy a boy's rebellious streak. But Colin is fortunate enough to be on the boss's good side due to his natural running prowess and is offered the chance to train for a race against the local public school. Tensions build as the big day approaches and after a lot of time spent thinking on his lonely runs, Colin might just reconsider his naturally rebellious instincts.

The true story of Derek Bentley (Christopher Eccleston), hanged, aged 19, in the 1950s after a controversial decision holding him responsible for the murder of a police officer. Despite a history of mental illness, and with the court accepting that he did not actually pull the trigger, Bentley was still sentenced to death - on the basis that his ambiguous cry of 'let him have it!' caused his young accomplice to fire the fatal shot. The release of this film focused attention on the case once more, and Bentley eventually received a posthumous pardon.

'I suppose my luck is You, Ann and Dad and more so if I could really write.' Annie Eliza Courtenay Tom Courtenay was born in Hull in 1937 and brought up near the fish dock where his father worked. When he left home for university, his mother, Annie, wrote to him every week and when her letters became more searching and more intimate in response to Tom's unhappiness he kept every one, not knowing that after her early death they were to become his most treasured possession. Tom has selected the best of them to go in this book and interwoven with them a portrait of what was going on in his life at the time, in the heady days of the early Sixties when successful young working-class actors were coming to the fore for the first time. Annie's letters are astonishing - wise, funny, with a natural instinct for words, but also deeply painful. She knows she's worthy of a better, more creative life, but she hasn't been given the chance. Partly a memoir of a working-class way of life that has gone for ever, partly a powerfully moving record of the love between mother and son, partly a portrait of the artist as a young actor, Dear Tom is sure to excite admiration and delight in equal measure.

1960s British drama which centres on Colin Smith (Tom Courtenay), a cynical working class youth, who finds himself in a boys' reformatory for robbing a bakery. The governor in charge of the reform school (Michael Redgrave) preaches to his inmates that exercise and physical challenge can permanently destroy a boy's rebellious streak. But Colin is fortunate enough to be on the boss's good side due to his natural running prowess and is offered the chance to train for a race against the local public school. Tensions build as the big day approaches and after a lot of time spent thinking on his lonely runs, Colin might just reconsider his naturally rebellious instincts.

Undertaker's clerk Billy (Tom Courtenay) escapes his dreary small town existence in a 1950s Northern town by living in a fantasy world where he realises his ambitions. When his job, unsympathetic working class family and two fiancees threaten to become too much, he meets fashionable Julie Christie, who offers him his one chance for real escape.

Andrew Davies's adaptation of the classic Charles Dickens tale of hardship and struggle in 1820s London. The Dorrit family has spent years in a debtors' prison due to the financial mess in which father William (Tom Courtenay) managed to land himself as a youth. Youngest daughter Amy (Claire Foy), known as Little Dorrit, finds work with the wealthy Mrs Clenham (Judy Parfitt) but knows that her father will, in all probability, spend the remainder of his life in gaol. However, when Arthur Clenham (Matthew Macfadyen), recently returned from abroad, comes to suspect that his late father was in part responsible for the Dorrits' plight, he becomes determined to make amends. But as he continues to delve into the mysteries of the Dorrits' and his parents' shared past, he is unaware that his own mother's house has been placed in peril by the arrival of a sinister stranger.

A collection of four classic films starring Julie Christie. In 'Billy Liar' (1963), undertaker's clerk Billy (Tom Courtenay) escapes his dreary small town existence in a 1950s Northern town by living in a fantasy world where he realises his ambitions. When his job, unsympathetic working class family and two fiancees threaten to become too much, he meets the fashionable Liz (Christie), who offers him his one chance for real escape. Christie won an Oscar for her role in 'Darling' (1965). In the film she plays Diana Scott, an ambitious model determined to make it to the top. Using her sexuality, she manipulates powerful men, but in so doing becomes a prisoner of the jet-setting lifestyle she once yearned for. Dirk Bogarde co-stars as Diana's long-suffering boyfriend. 'Far From The Madding Crowd' (1967) is an adaptation of Thomas Hardy's 19th-century story of a woman's passion. Bathsheba (Christie) is in love with three very different men who are also in love with her: her first love is a handsome and wayward soldier; the second is the local noble Lord, and the third is an ever-patient farmer. 'The Go-Between' (1970) is an adaptation of the classic novel by L.P. Hartley. A young teenage boy, Leo (Dominic Guard), is invited to a wealthy school friend's rich family estate and is drawn into a love affair between his friend's twenty-something sister, Marian (Christie), and the family neighbour, even though she is engaged to be married. She uses Leo as a go-between, sending messages to her lover. Despite feeling he is betraying her fiance Hugh (Edward Fox), Leo carries on being the messager boy and discovers more about the attraction between men and women along the way.