The post-colonial world has seen a major re-evaluation, political as well as theoretical, of the institutions and ideologies of colonialism. In addition to historical and literary studies, innovative theoretical analyses have opened up new approaches to this subject area. In the light of this new thinking, Colonialism and the Object discusses the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation.
Drawing together an international group of scholars from a variety of disciplinary and cultural backgrounds, Colonialism and the Object demonstrates that the intensive analyses of museum insights into issues of global importance. The volume includes intensive case-studies of objects from India, Pakistan, New Zealand, China and Africa, all of which were collected by or exhibited in the institutions of the British Empire. Other chapters address issues of radical identity across cultural barriers, and the hybird styles of objects which can emerge when cultures meet.
Colonialism and the Object is essential reading for all those interested in post-colonial theory, museum studies, material culture and design history.

From the Foreword by Bob Schieffer:"This is a real 'how to' book by two people who really know how. But it is more than just a fine manual on broadcast journalism, journalists and non-journalists alike will find it good read, a treasure chest of anecdotes, stories and a tall tale or two from the most exciting profession of all-reporting the news." Reardon's On Camera: How to Report, Anchor & Interview teaches you how to become professional and effective on camera. You'll learn how to appear and feel at ease whether doing an interview, reporting in the field, reading from a prompter, or giving a video presentation. It'll give you the nuts and bolts of how to do the job at the network level or as a backpack journalist, so you feel confident that when you're standing in front of the camera you will know what you're doing. Whether new to television or experienced in front of a camera, you will improve on your current skills through career-focused tips and tried-and-true principles-all oriented to skills development-in this book.

The post-colonial world has seen a major re-evaluation of the insititutions and ideologies of colonialism. Post-colonial theory has enriched our understanding of the history and literature of colonial periods. With reference to this trend, this collection examines the artistic production of both imperial nations and their colonies and aims to show how it was affected by colonial contact. Drawing together an international group of scholars from a variety of disciplinary and cultural backgrounds, it presents case studies of objects from India, Pakistan, New Zealand, China and Africa which were collected by or exhibited in the institutions of the British Empire. Other chapters address issues of racial identity across cultural barriers and the hybrid styles which can emerge when cultures meet. The contributors also consider how we, in the post-colonial era, should interpret the cultural production of the colonial world and how through displaying these objects, contemporary museum practice can address the artistic inheritance of colonialism.

Successor to the highly acclaimed "Encyclopedia of Unbelief" (1985), edited by the late Gordon Stein, the "New Encyclopedia of Unbelief" is a comprehensive reference work on the history, beliefs, and thinking of America's fastest growing minority: those who live without religion. All-new articles by the field's foremost scholars describe and explain every aspect of atheism, agnosticism, secular humanism, secularism, and religious scepticism. The topics include morality without religion, unbelief in the historicity of Jesus, critiques of intelligent design theory, unbelief and sexual values, and summaries of the state of unbelief around the world. Over 130 respected scholars and activists world-wide served on the editorial advisory board and over 100 authoritative contributors have written in excess of 500 entries.;In addition to covering developments since the publication of the original edition, the "New Encyclopedia of Unbelief" includes a larger number of biographical entries and much-expanded coverage of the linkages between unbelief and social reform movements of the 19th and 20th centuries, including the labour movement, woman suffrage, anarchism, sex radicalism, and second-wave feminism. The distinguished contributors are philosophers, scientists, scholars, and Nobel Prize laureates. With a foreword by evolutionary biologist and best-selling author Richard Dawkins, this unparalleled reference work provides comprehensive knowledge about unbelief in its many varieties and manifestations.

From the Foreword by Bob Schieffer:"This is a real 'how to' book by two people who really know how. But it is more than just a fine manual on broadcast journalism, journalists and non-journalists alike will find it good read, a treasure chest of anecdotes, stories and a tall tale or two from the most exciting profession of all-reporting the news." Reardon's On Camera: How to Report, Anchor & Interview teaches you how to become professional and effective on camera. You'll learn how to appear and feel at ease whether doing an interview, reporting in the field, reading from a prompter, or giving a video presentation. It'll give you the nuts and bolts of how to do the job at the network level or as a backpack journalist, so you feel confident that when you're standing in front of the camera you will know what you're doing. Whether new to television or experienced in front of a camera, you will improve on your current skills through career-focused tips and tried-and-true principles-all oriented to skills development-in this book.

"A comprehensive, wide-ranging and historically well-informed account." - Charles Saumarez Smith, Royal Academy of Arts It is estimated that there are over 300,000 companies involved in the world's art market, employing around 2.8 million people. But the art world carries a veneer of mystery and secrecy that many people find daunting, and the language used by market insiders can be alienating and confusing to those new to the art market. The A-Z of the International Art Market not only clarifies useful terms and definitions, but also represents a significant contribution to the fast-developing processes of transparency and democratisation in the global art business. Comprising art market terms and core concepts - both historical and contemporary - this book is a long-awaited reference source that offers a unique introduction to a dynamic business sector. The A-Z of the International Art Market provides an accessible and thorough insight into critical areas of market practice and custom that anyone involved in the art market will find useful and enlightening.

One of the principal benefits of electronic mail is its potential for communication, but its effectiveness depends on clarity and accuracy in messages. In this book, the authors will show you some practical rules to correctly write and send your texts.

This book offers a new account of modern European constitutionalism. It uses the Irish constitutional order to demonstrate that, right across the European Union, the national constitution can no longer be understood on its own, in isolation from the EU legal order or from the European Convention on Human Rights. The constitution is instead triangular, with these three legal orders forming the points of a triangle, and the relationship and interactions between them forming the triangle's sides. It takes as its starting point the theory of constitutional pluralism, which suggests that overlapping constitutional orders are not necessarily arranged 'on top of' each other, but that they may be arranged heterarchically or flatly, without a hierarchy of superior and subordinate constitutions. However, it departs from conventional accounts of this theory by emphasising that we must still pay close attention to jurisdictional specificity in order to understand the norms that regulate pluralist constitutions. It shows, through application of the theory to case studies, that any attempt to extract universal principles from the jurisdictionally contingent interactions between specific legal orders is fraught with difficulty. The book is an important contribution to constitutional theory in general, and constitutional pluralism in particular, and will be of great interest to scholars in the field.

This book offers a new account of modern European constitutionalism. It uses the Irish constitutional order to demonstrate that, right across the European Union, the national constitution can no longer be understood on its own, in isolation from the EU legal order or from the European Convention on Human Rights. The constitution is instead triangular, with these three legal orders forming the points of a triangle, and the relationship and interactions between them forming the triangle's sides. It takes as its starting point the theory of constitutional pluralism, which suggests that overlapping constitutional orders are not necessarily arranged 'on top of' each other, but that they may be arranged heterarchically or flatly, without a hierarchy of superior and subordinate constitutions. However, it departs from conventional accounts of this theory by emphasising that we must still pay close attention to jurisdictional specificity in order to understand the norms that regulate pluralist constitutions. It shows, through application of the theory to case studies, that any attempt to extract universal principles from the jurisdictionally contingent interactions between specific legal orders is fraught with difficulty. The book is an important contribution to constitutional theory in general, and constitutional pluralism in particular, and will be of great interest to scholars in the field.