A brilliant debut collection of stories set in the American Deep South, by a distinctive and award-winning new voice. Poachers reads as if Raymond Carver were still alive and living in the profoundly Deep South. Or imagine a world created by Cormac McCarthy and plunk it down in the woods of southern Alabama, where emotions run as raw as moonshine. In ten spare, muscular stories, Tom Franklin evokes a world of forests and swamps, hunting and fishing, and fills it with poachers, drunks and poor white trash. He creates haunting tales about people who react, often violently, against a dying world whose gravity they can't escape, people like the three half-wild brothers in the award-winning title story, who treat the swamp as their kingdom and hunt down anything that crosses their path - until they themselves become the prey.

In 1897, an aspiring politician is mysteriously murdered in the rural area of Alabama known as Mitcham Beat. His outraged friends -- --mostly poor cotton farmers -- form a secret society, Hell-at-the-Breech, to punish the townspeople they believe responsible. The hooded members wage a bloody year-long campaign of terror that culminates in a massacre where the innocent suffer alongside the guilty. Caught in the maelstrom of the Mitcham war are four people: the aging sheriff sympathetic to both sides; the widowed midwife who delivered nearly every member of Hell-at-the-Breech; a ruthless detective who wages his own war against the gang; and a young store clerk who harbors a terrible secret.

Based on incidents that occurred a few miles from the author's childhood home, Hell at the Breech chronicles the events of dark days that led the people involved to discover their capacity for good, evil, or for both.

In the 1970s, Larry Ott and Silas "32" Jones were boyhood pals in a small town in rural Mississippi. Their worlds were as different as night and day: Larry was the child of lower-middle-class white parents, and Silas, the son of a poor, black single mother. But then Larry took a girl to a drive-in movie and she was never seen or heard from again. He never confessed . . . and was never charged.

More than twenty years have passed. Larry lives a solitary, shunned existence, never able to rise above the whispers of suspicion. Silas has become the town constable. And now another girl has disappeared, forcing two men who once called each other "friend" to confront a past they've buried for decades.

WINNER OF THE CWA GOLD DAGGER AWARD FOR BEST CRIME NOVEL OF THE YEAR. Amos, Mississippi, is a quiet town. Silas Jones is its sole law enforcement officer. The last excitement here was nearly twenty years ago, when a teenage girl disappeared on a date with Larry Ott, Silas's one-time boyhood friend. The law couldn't prove Larry guilty, but Amos' residents have shunned him ever since. Then the town's peace is shattered when someone tries to kill the reclusive Ott, another young woman goes missing, and the town's drug dealer is murdered. Woven through the tautly written mystery is the unspoken secret that hangs over the lives of two men - one black, one white. Crooked Letter, Crooked Letter, winner of the CWA Gold Dagger Award for Best Crime Novel of the Year, is a masterful novel, sizzling with deep Southern menace.

In 1927, as rains swell the Mississippi, the river threatens to burst its banks and engulf everything in its path, including the tiny hamlet of Hobnob, where federal agents Ted Ingersoll and Ham Johnson arrive to investigate the disappearance of two fellow agents--and find a baby boy abandoned in the middle of a crime scene.

Ingersoll finds a home for the infant with local woman Dixie Clay Holliver, unaware that she's the best bootlegger in the county and has many tender and consequential secrets of her own.

The Tilted World is an extraordinary tale of murder and moonshine, sandbagging and saboteurs, and a man and a woman who find unexpected love.

It's 1911 and the townsfolk of Old Texas, Alabama, have had enough. Every Saturday night for a year, E. O. Smonk has been destroying property, killing livestock, seducing women, cheating and beating men, all from behind the twin barrels of his Winchester 45-70 caliber over-and-under rifle. Syphilitic, consumptive, gouty, and goitered--an expert with explosives and knives--Smonk hates horses, goats, and the Irish, and it's high time he was stopped. But capturing old Smonk won't be easy--and putting him on trial could have shocking and disastrous consequences, considering the terrible secret the citizens of Old Texas are hiding.

In ten stunning and bleak tales set in the woodlands, swamps and chemical plants along the Alabama River, Tom Franklin stakes his claim as a fresh, original Southern voice. His lyric, deceptively simple prose conjures a world where the default setting is violence, a world of hunting and fishing, gambling and losing, drinking and poaching-a world most of us have never seen. In the chilling title novella (selected for the anthologies New Stories from the South: The Year's Best, 1999 and Best Mystery Stories of the Century), three wild boys confront a mythic game warden as mysterious and deadly as the river they haunt. And, as a weathered, hand-painted sign reads: "Jesus is not coming." This terrain isn't pretty, isn't for the weak of heart, but in these deperate, lost people, Franklin somehow finds the moments of grace that make them what they so abundantly are: human.

This volume features new Southern fiction, poetry, and essays by acclaimed veterans of the popular "Blue Moon Cafe" series, handpicked by editors Beth Ann Fennelly and Tom Franklin. Contributors: Matt Brock; Bev Marshall; Brock Clarke; Jack Pendarvis; Joe Formichella; Michelle Richmond; Juliana Gray; Donald Hays; Brad Vice; Bret Anthony Johnston; Daniel Wallace; Suzanne Kingsbury and David Wright.