These stories are enveloped by change and the changes that shift the trajectories of our lives: change that shatters us, change that opens the world, and change from which we can never come back. These fourteen stories tell us about extensive and inevitable changes and how we realign ourselves and our lives, if we can.

Growing up can mean growing pains and the joys of new independence. With maturity comes the shift from infinite possibilities to imminent realities. These thirteen stories describe the slow and subtle experience of growing up, allowing us to reflect upon the forces that pushed us toward adulthood and away from the familiar ground of youth that must be left behind if we are to learn how to soar on our own.

Front porches, family cars, playgrounds, swimming pools: from such familiar haunts of childhood, these stories look out on the world through young eyes and hearts. Wise beyond their years - or soon to be - Ruthie, Omar, J.J., and the other kids in these stories veer in and out of touching distance to hard lessons about trust, love, and mortality. However engaged or aloof, grownups are always nearby. Far-from-perfect emissaries to the realm of adulthood, they pose questions for children even as they offer answers.

Set on the field of play, or maybe just its memory, these stories of the sporting life range beyond the expected to include such pursuits as yoga, billiards, horse racing, cards, and boxing. Here, even iconic sports like football, basketball, and baseball get a fresh take through stories that might feature a losing coach, a woman hoopster, or a groundskeeper (rather than a star player). Whether front-and-center as a story's driving force or as a backdrop for other concerns, the skill, cunning, and aggression on display here are familiar to all of us - as players, willing or not, in all manner of contests.

In these wondrously strange and revealing stories, Tom Kealey chronicles the struggles and triumphs of the young and marginalized as they discover many ways of growing up. Their names are Merrill, Omar, Shelby, Laika, Winston, and Toomey, but most people don't see them. They are boxers in training and the children of fishermen. They are altar boys in a poverty-stricken parish. They are assistant groundskeepers and assistant camel-keepers. They travel with the circus, care for disabled siblings, steal police cars, and retrieve the stolen boots of a priest. Ranging in abode from Puget Sound, Washington, to Pamlico Sound, North Carolina, they are abandoned yet courageous and plucky children and teenagers living on the edges of society. Thieves I've Known is a collection of powerful, moving stories about the lives of a redemptive and peculiar cast of young characters who become easy to know and difficult to forget.

Travel, and the exhilarating experiences it offers us, is the shared concern of these stories, which have been chosen from among the hundreds that have appeared in the prestigious Flannery O'Connor Award for Short Fiction series. More than seventy volumes, which include approximately eight hundred stories, have won the Flannery O'Connor Award. This stunning trove of always engaging, often groundbreaking short fiction is the common source for this anthology on childhood-and for planned anthologies on such topics as family, gender and sexuality, animals, and more. Travel can whisk us away to craggy mountainsides and sunny coastlines or bustling cities and mysterious jungles. Travel can excite and rejuvenate or intimidate and overwhelm. These sixteen stories reflect upon our immense, intriguing world and our explorations of it, whether you choose to follow the beaten path or abandon it.

"The Creative Writing MFA Handbook" guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. This second edition updates and builds upon the first edition, which was published in 2005 to great acclaim."The Creative Writing MFA Handbook" guides prospective graduate students through the difficult process of researching, applying to, and choosing graduate schools in creative writing. The handbook includes profiles of fifty creative writing programs, guidance through the application process, advice from current professors and students including George Saunders, Aimee Bender, Tracy K. Smith, and Geoffrey Wolff, and the most comprehensive listings of graduate writing programs in and outside the United States.The handbook also includes special sections about Low-Residency writing programs, Ph.D. programs, publishing in literary journals, and workshop and teaching advice. In a remarkably concise, user-friendly fashion, "The Creative Writing MFA Handbook" answers as many questions as possible, and is packed with information, advice, and experience. This second edition updates and builds upon the first edition, which was published in 2005 to great acclaim and contains a vastly expanded ranking of current creative writing programs.