Bioregionalism is an innovative way of thinking about place and planet from an ecological perspective. Although bioregional ideas occur regularly in ecocritical writing, until now no systematic effort has been made to outline the principles of bioregional literary criticism and to use it as a way to read, write, understand, and teach literature.
The twenty-four original essays here are written by an outstanding selection of international scholars. The range of bioregions covered is global and includes such diverse places as British Columbia's Meldrum Creek and Italy's Po River Valley, the Arctic and the Outback. There are even forays into cyberspace and outer space. In their comprehensive introduction, the editors map the terrain of the bioregional movement, including its history and potential to inspire and invigorate place-based and environmental literary criticism.
Responding to bioregional tenets, this volume is divided into four sections. The essays in the "Reinhabiting" section narrate experiments in living-in-place and restoring damaged environments. The "Rereading" essays practice bioregional literary criticism, both by examining texts with strong ties to bioregional paradigms and by opening other, less-obvious texts to bioregional analysis. In "Reimagining," the essays push bioregionalism to evolve--by expanding its corpus of texts, coupling its perspectives with other approaches, or challenging its core constructs. Essays in the "Renewal" section address bioregional pedagogy, beginning with local habitat studies and concluding with musings about the Internet.
In response to the environmental crisis, we must reimagine our relationship to the places we inhabit. This volume shows how literature and literary studies are fundamental tools to such a reimagining.

Making Miracles in Medieval England will appeal to all those interested in religious practices in medieval England, medieval English culture, and medieval perceptions of miracles.

Haiku, Other Arts, and Literary Disciplines investigates the genesis and development of haiku in Japan and determines the relationships of haiku with other arts, such as essay, painting, and music, as well as the backgrounds of haiku, such as literary movements, philosophies, and religions that underlie haiku composition. By analyzing the poets who played major roles in the development of haiku and its related geners, these essays illustrate how Japanese haiku poets, and American writers such as Emerson and Whitman, were inspired by nature, especially its beautiful scenes and seasonal changes. Western poets had a demonstrated affinity for Japanese haiku, which bled over into other art mediums, as these chapters discuss.

Outback and Out West examines the ecological consequences of a settler-colonial imaginary by comparing expressions of settler colonialism in the literature of the American West and Australian Outback. Tom Lynch traces exogenous domination in both regions, which resulted in many similar means of settlement, including pastoralism, homestead acts, afforestation efforts, and bioregional efforts at "belonging." Lynch pairs the two nations' texts to show how an analysis at the intersection of ecocriticism and settler colonialism requires a new canon that is responsive to the social, cultural, and ecological difficulties created by settlement in the West and Outback. Outback and Out West draws out the regional Anthropocene dimensions of settler colonialism, considering such pressing environmental problems as habitat loss, groundwater depletion, and mass extinctions. Lynch studies the implications of our settlement heritage on history, art, and the environment through the cross-national comparison of spaces. He asserts that bringing an ecocritical awareness to settler-colonial theory is essential for reconciliation with dispossessed Indigenous populations as well as reparations for ecological damages as we work to decolonize engagement with and literature about these places.

Bioregionalism is an innovative way of thinking about place and planet from an ecological perspective. Although bioregional ideas occur regularly in ecocritical writing, until now no systematic effort has been made to outline the principles of bioregional literary criticism and to use it as a way to read, write, understand, and teach literature.
The twenty-four original essays here are written by an outstanding selection of international scholars. The range of bioregions covered is global and includes such diverse places as British Columbia's Meldrum Creek and Italy's Po River Valley, the Arctic and the Outback. There are even forays into cyberspace and outer space. In their comprehensive introduction, the editors map the terrain of the bioregional movement, including its history and potential to inspire and invigorate place-based and environmental literary criticism.
Responding to bioregional tenets, this volume is divided into four sections. The essays in the "Reinhabiting" section narrate experiments in living-in-place and restoring damaged environments. The "Rereading" essays practice bioregional literary criticism, both by examining texts with strong ties to bioregional paradigms and by opening other, less-obvious texts to bioregional analysis. In "Reimagining," the essays push bioregionalism to evolve--by expanding its corpus of texts, coupling its perspectives with other approaches, or challenging its core constructs. Essays in the "Renewal" section address bioregional pedagogy, beginning with local habitat studies and concluding with musings about the Internet.
In response to the environmental crisis, we must reimagine our relationship to the places we inhabit. This volume shows how literature and literary studies are fundamental tools to such a reimagining.

The arid American Southwest is host to numerous organisms described as desert-loving, or xerophilous. Extending this term to include the regions writers and the works that mirror their love of desert places, Tom Lynch presents the first systematically ecocritical study of its multicultural literature. By revaluing nature and by shifting literary analysis from an anthropocentric focus to an ecocentric one, ""Xerophilia"" demonstrates how a bioregional orientation opens new ways of thinking about the relationship between literature and place. Applying such diverse approaches as environmental justice theory, phenomenology, border studies, ethnography, entomology, conservation biology, environmental history, and ecoaesthetics, Lynch demonstrates how a rooted literature can be symbiotic with the world that enables and sustains it. Analyzing works in a variety of genres by writers such as Leslie Marmon Silko, Terry Tempest Williams, Edward Abbey, Ray Gonzales, Charles Bowden, Susan Tweit, Gary Paul Nabhan, Pat Mora, Ann Zwinger, and Janice Emily Bowers, this study reveals how southwestern writers, in their powerful role as community storytellers, contribute to a sustainable bioregional culture that persuades inhabitants to live imaginatively, intellectually, and morally in the arid bioregions of the American Southwest. '[W]hether I notice or not, the landscape suffuses my body. Intermingled scents enter my lungs with each breath: dust, rock, juniper, turpentine bush, mountain mahogany, the heady mix of volatile oils of the creosote bush, and the ever-so-subtle odor of blue sky. Though less often articulated, all of my senses, not just vision, are engaged; the phenomena of this world circulate through me, and I through them. The landscape caresses as I pass through...On my feet again, I hobble from stiffness, throw my pack on, and, leaning on my sotol stalk for balance, begin to pick my way zigzag down the long rocky slope. I am in love with this landscape. I am, indeed, a devoted xerophile' - from the introduction.

This lively book sweeps across dramatic and varied terrains - volcanoes and glaciers, billabongs and canyons, prairies and rain forests - to explore how humans have made sense of our planet's marvelous landscapes. In a rich weave of scientific, cultural, and personal stories, "The Face of the Earth" examines mirages and satellite images, swamp-dwelling heroes and Tibetan nomads, cave paintings and popular movies, investigating how we live with the great shaping forces of nature - from fire to changing climates and the intricacies of adaptation. The book illuminates subjects as diverse as the literary life of hollow Earth theories, the links between the Little Ice Age and Frankenstein's monster, and the spiritual allure of deserts and their scarce waters. Including vivid, on-the-spot accounts by scientists and writers in Saudi Arabia, Australia, Alaska, England, the Rocky Mountains, Antarctica, and elsewhere, "The Face of the Earth" charts the depth and complexity of our interdependence with the natural world.

In response to the growing scale and complexity of environmental threats, this volume collects articles, essays, personal narratives, and poems by more than forty authors in conversation about "thinking continental"-connecting local and personal landscapes to universal systems and processes-to articulate the concept of a global or planetary citizenship. Reckoning with the larger matrix of biome, region, continent, hemisphere, ocean, and planet has become necessary as environmental challenges require the insights not only of scientists but also of poets, humanists, and social scientists. Thinking Continental braids together abstract approaches with strands of more-personal narrative and poetry, showing how our imaginations can encompass the planetary while also being true to our own concrete life experiences in the here and now.

Loren Eiseley (1907-77) is one of the most important American nature writers of the twentieth century and an admired practitioner of creative nonfiction. A native of Lincoln, Nebraska, Eiseley was a professor of anthropology and a prolific writer and poet who worked to bring an understanding of science to the general public, incorporating religion, philosophy, and science into his explorations of the human mind and the passage of time. As a writer who bridged the sciences and the humanities, Eiseley is a challenge for scholars locked into rigid disciplinary boundaries. Artifacts and Illuminations, the first full-length collection of critical essays on the writing of Eiseley, situates his work in the genres of creative nonfiction and nature writing. The contributing scholars apply a variety of critical approaches, including ecocriticism and place-oriented studies ranging across prairie, urban, and international contexts. Contributors explore such diverse topics as Eiseley's use of anthropomorphism and Jungian concepts and examine how his work was informed by synecdoche. Long overdue, this collection demonstrates Eiseley's continuing relevance as both a skilled literary craftsman and a profound thinker about the human place in the natural world.

This lively book sweeps across dramatic and varied terrains - volcanoes and glaciers, billabongs and canyons, prairies and rain forests - to explore how humans have made sense of our planet's marvelous landscapes. In a rich weave of scientific, cultural, and personal stories, "The Face of the Earth" examines mirages and satellite images, swamp-dwelling heroes and Tibetan nomads, cave paintings and popular movies, investigating how we live with the great shaping forces of nature - from fire to changing climates and the intricacies of adaptation. The book illuminates subjects as diverse as the literary life of hollow Earth theories, the links between the Little Ice Age and Frankenstein's monster, and the spiritual allure of deserts and their scarce waters. Including vivid, on-the-spot accounts by scientists and writers in Saudi Arabia, Australia, Alaska, England, the Rocky Mountains, Antarctica, and elsewhere, "The Face of the Earth" charts the depth and complexity of our interdependence with the natural world.