For six decades, sculptor Bruce Beasley has worked in a range of media to build complex, resonant sculptures that communicate the primacy of form and express the emotional language of shape. Bruce Beasley: Sixty Year Retrospective is an elegant survey of his illustrious career: from early experiments in scrap iron during the 1960s; aluminum works of the 1970s; cast acrylic sculptures of the 1970s and 80s; and stone, stainless steel and bronze works of the 1990s to the present day. The catalogue also features Beasley's latest venture into two-dimensional media. This richly illustrated book includes Beasley's reflections on his career. In a conversation, Beasley and Lawrence Weschler discuss art and activism. Essays discussing his processes and appraising his impact are written by curator Tom Moran and Marlena Doktorczyk-Donohue, Director of the Bruce Beasley Foundation and Professor of Art History at Otis College of Art and Design, Los Angeles.

Contemporary artist Michael Rees is an acknowledged leader in the field of cutting-edge digital art. This volume documents a compelling group of Rees's colourful inflatable sculptures that incorporate brilliant structural elements and dynamic interventions of augmented reality. Commissioned for an exhibition at Grounds For Sculpture in Hamilton, New Jersey (open until January 2021), these objects, alongside augment works by six other contemporary artists, illuminate how digital thinking and its rich visual vocabulary are at the forefront of the future of art. Synthetic Cells features augmented reality artworks by Michael Rees, Claudia Hart, Chris Manzione, Will Pappenheimer, John Craig Freeman, Carla Gannis and Tamiko Thiel.

For nearly forty years, John Van Alstine has created abstract sculptures forged from steel and stone. In John Van Alstine: Sculpture, 1971-2018, three notable essayists explore the sculptor's abstract landscapes that reveal the complex synergy between natural forces and man-made elements; by grappling with the challenges of balancing stone and steel, Van Alstine's indoor, outdoor, and site-specific sculptures are measured and calculated, yet simultaneously poetic; their swooping angular lines create expansive spaces beyond the limits of their steel and stone frames to unveil our collective history and imagination, illuminating a deft interplay of natural energies and the human experience. The artist weaves into his works elements of mythology, celestial navigation, implements, human figures, movement, urban forms, and found objects, while using motion, balance, and inertia to incorporate the eternal forces of gravity, tension, and erosion. In an essay on his drawings, Van Alstine details the critical role they play in the initiation and planning of his projects, offering the reader a firsthand perspective on the artist's creative process. Van Alstine's works have been featured in numerous solo and group exhibitions and are found in the permanent collections of the Carnegie Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Smithsonian's National Museum of American Art, and the Phillips Collection, to name but a few. His works are also found in numerous public and private collections. The Artist Book Foundation is gratified to announce the publication of this lavishly illustrated monograph on an esteemed and prolific contemporary artist.