"One of the greatest poets and dramatists of our century" (Observer) Brecht's Lehrstucke or short 'didactic' pieces written during the years 1929 to 1933, are some of his most experimental work. Rejecting conventional theatre, they are spare and highly formalised, drawing on traditional Japanese and Chinese theatre. They show Brecht in collaboration with the composers Hindemith, Weill and Eisler, influenced by the new techniques of montage in the visual arts and seeking new means of expression. Brecht intended them for performance by schools, workers' groups and choral societies rather than by professionals, with the idea that the moral and political lessons contained in them are best conveyed by participating in an actual production. In addition to the Lehrstucke, the volume contains The Mother, a longer play, again with music by Eisler, based on the novel by Gorky. A story of dawning political consciousness, told with irony and narrative drive, its central character is one of Brecht's great female roles. The original production starred Brecht's wife Helene Weigel and Brecht was buried with the red flag that was a prop in the production.

The back-to-back championships in 1994 and 1995 prompted more fans and media to take notice of the football program at the University of Nebraska-Lincoln. For Tom Osborne, then head coach of the Nebraska Cornhuskers, the added scrutiny was at times flattering and at other times problematic. On Solid Ground was written for the fan seeking greater insight into the Nebraska football program behind the scenes during the 1990s. Osborne presents not only an accurate portrayal of what happened to the team during those championship seasons but also his personal philosophy of life. While recounting how many of his players overcame great odds to achieve what they did both on and off the field, Osborne also straightforwardly addresses the heavy criticism the program received for the misbehavior of a few team members. On Solid Ground also considers the tension between those who believe an athlete in trouble should be made an example of and those who maintain that a structured environment is the best way to improve human behavior.

At age twenty-eight, when Tom Osborne agreed to join Bob Devaney's full-time coaching staff at the University of Nebraska, he resolved to be a head coach by the time he reached age thirty-five. Little did he know that this goal would chart his course toward becoming one of the nation's premier football coaches. Six years later in 1972, Devaney named Osborne as head coach of the Nebraska Cornhuskers. In high school and college, Osborne had been an outstanding athlete in his own right. He went on to play professional football and to earn his master's and doctorate degrees in educational psychology. Throughout all these years in sports and academics, he was developing his unusual and inspiring philosophy of coaching, which above all emphasizes the process of athletics. In "More Than Winning," Osborne gives an in-depth personal account of his life--the forces that shaped his values, his own accomplishments in sports, and his experiences as a coach at Nebraska. He describes his philosophy of coaching, shares personal perspectives on football greats, and gives his view of key Nebraska games up through the 1984 Orange Bowl.

As head coach of the University of Nebraska Cornhuskers for twenty-five years, Tom Osborne had one of the most impressive records in college football. Before retiring in 1997, he took his team to a bowl game every year, won three national championships in the last four years he coached, and ended his career boasting an 84 percent winning record. But while these numbers testify to an undeniable accomplishment, it has been another, more powerful force that has shaped Osborne's life: his faith.

In Faith in the Game, this legendary coach shares the philosophy he used to create not only a champion football team, but also a meaningful life. Both a memoir of Osborne's career with the Cornhuskers and an inspirational guide to making the most out of life, Faith in the Game presents the traits Osborne helped to instill in his team, including core values like honesty, loyalty, and courage. Illustrated with compelling behind-the-scenes stories of the Nebraska football team and conveyed in his own captivating tone, Osborne's message reveals the value of hard work, the need to balance our professional and personal obligations, and, above all, the importance of bringing faith into our lives.
For those seeking a spiritually centered approach to living and working, this candid account of Tom Osborne's faith and strength is a warm and authentic book from which all of us can learn.

Fiction. From the the author of Dead Man In the Orchestra Pit and Foozlers comes another tale of madcap human folly. Louella Debra Poule is doing an eighteen-month stint on a weapons charge at a minimum security institution up BC's Fraser Valley. Six months into Louella's sentence, her mother dies. Upon Louella's early release she discovers that she has inherited a good deal of money and a nice condo in a treed and quiet suburb of Vancouver. But, as so often happens, her past comes callin'.

The most comprehensive and authoritative editions of Brecht's plays in the English language Volume Three of Brecht's Collected Plays includes St Joan of the Stockyards - a play which recasts St Joan as Joan Dark springing hope into the hearts of factory workers at the mercy of meatpacker king Pierpont Mauler threatening cuts in the Depression; and the Lehrstucke or short 'didactic' pieces written during the years 1929 to 1933, are some of his most experimental work. Lindbergh's Flight, The Baden-Baden Lesson on Consent, He Said Yes / He Said No, The Decision,The Exception and the Rule, and The Horatians and the Curiatians reject conventional theatre; they are spare and highly formalised, drawing on traditional Japanese and Chinese forms. They show Brecht in collaboration with the composers Hindemith, Weill and Eisler, influenced by the new techniques of montage in the visual arts and seeking new means of expression. Also included is The Mother, based on Gorky's novel about the progress of a factory strike in Tver and the journey of a peasant mother from illiteracy to card-carrying communism.The translators include H R Hays (The Horatians and the Curiatians), Ralph Manheim (St Joan of the Stockyards), Tom Osborn (The Exception and the Rule), Geoffrey Skelton (The Baden-Baden Lesson on Consent), John Willett (Lindbergh's Flight;The Decision;The Mother) and Arthur Waley (He Said Yes / He Said No). The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.