The rediscovery and restitution of William Hazlitt as a canonical Romantic author has been among the latest and most significant developments in present-day Romantic studies. This volume, a collection of previously unpublished essays by the foremost scholars in the field presents Hazlitt as a philosophical, and not simply a 'familiar' essayist. It offers a comprehensive statement of the significance and transmission of Hazlitt's philosophical principles, in his own work and in that of his contemporaries and succeeding writers. This book is an essential contribution to a vital new aspect of Romantic studies and shows Hazlitt to be, as his memorial claims, 'The first (unanswered) Metaphysician of the age'.

The rediscovery and restitution of William Hazlitt as a canonical Romantic author has been among the latest and most significant developments in present-day Romantic studies. This volume, a collection of previously unpublished essays by the foremost scholars in the field presents Hazlitt as a philosophical, and not simply a 'familiar' essayist. It offers a comprehensive statement of the significance and transmission of Hazlitt's philosophical principles, in his own work and in that of his contemporaries and succeeding writers. This book is an essential contribution to a vital new aspect of Romantic studies and shows Hazlitt to be, as his memorial claims, 'The first (unanswered) Metaphysician of the age'.

Since his precise, potent and subtle portraits of Northern Irish life first came to public attention in the 1970s, Tom Paulin has been an unmissable writer on the contemporary poetry scene. This selection on his work draws on nearly four decades of poetry and translation, updating and expanding upon the Selected Poems 1972-1990, and showcasing the microscopic detail and reinvention of the ordinary with which Paulin writes of place, culture and memory. The Ireland of Paulin's childhood is explored both from a personal and a historical perspective to form a complex picture of a country in turmoil and in recovery. But Paulin's concerns are as international as they are local, as reflected in his long-standing appetite for European writers, histories and languages. Dialectic and lyrical, original and exploratory, ambitious and provocative, Tom Paulin is one of the defining voices of his generation: brilliantly varied and utterly compelling, as apparent from this New Selected Poems.

A selection of the writer's greatest nature poetry, selected by Tom Paulin, published in a beautiful new edition by Faber. At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom . . . -The Darkling Thrush

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

'It was like God had a human voice, with all the infinite tenderness and anciency and mortal gravity of a living Creator speaking to his son.' - Allen Ginsberg on the voice of William Blake

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

A selection of the writer's greatest nature poetry, selected by Tom Paulin, published in a beautiful new edition by Faber. At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom . . . -The Darkling Thrush

'It was like God had a human voice, with all the infinite tenderness and anciency and mortal gravity of a living Creator speaking to his son.' - Allen Ginsberg on the voice of William Blake

Hughie O’Donoghue (b. 1953) explores themes of universal human experience, ideas of truth and the relationship between memory and identity. Often standing apart from his contemporaries in the scale and ambition of his paintings, O’Donoghue’s work addresses the need to learn the lessons and complexities of recent history through the lens of the often overlooked and anonymous individual. Beautifully illustrated, encompassing four decades of work, this major publication is the broadest survey of the artist to date. Including new writing from the artist alongside four commissioned essays by leading art historians and critics, with a preface by the poet Tom Paulin, this comprehensive book documents O’Donoghue’s ambitious vision.

A reissue of Paulin's corrosive and uproarious litany of bad sex, bad politics and bad religion from the 1980s.

Betrayed by a husband she sacrificed everything for, Medea unleashes a horrific vengeance on her enemies, by murdering her own children. Featuring one of the most powerful female roles in the history of drama, Euripides' tragedy Medea is reworked by poet Tom Paulin into lithe and sinewy modern English that conveys the shocking story - and our conflicted loyalties as spectators to the tragedy - more strongly than ever. This version of Medea was first staged by Northern Broadsides on a UK tour in 2010.

Tom Paulin's first collection since The Road to Inver in 2004, Love's Bonfire sets poems about early life and marriage beside up-to-the minute and minutely registered perceptions of post-settlement Ireland. At the book's centre are delicately inward versions of the contemporary Palestinian poet Walid Khazendar, which resonate with the proximity of other lives, other exiles and destinies, as of an autobiography by other means. 'Who entered my room when I was outand moved the vase on the mantelpiece just a tad?who skewed that print - a Crusader - on the far wall?and those pages loose on my deskthey're a shade dishevelled aren't they?' [from 'Belongings']

Comprised of pieces spanning five centuries, Crusoe's Secret explores the culture of English dissent, whether through canonical works - Paradise Lost, Robinson Crusoe, Clarissa - or moving between epic and novel, lyric, tract and drama. Tom Paulin engages with the great dissenting voices from Bunyan to D. H. Lawrence, and he casts new light on others - such as Clare or Kipling or Hopkins - whose work was touched by dissent. Crusoe's Secret confirms Tom Paulin's status as an exemplary reader, who brilliantly marries historical context and critical readings.

This important study from the prizewinning novelist and critic Amit Chaudhuri explores D. H. Lawrence's position as a 'foreigner' in the English canon. Focusing on the poetry, Chaudhuri examines how Lawrence's works, and Lawrence himself, have been read, and misread, in terms of their 'difference'. This is the first time that Lawrence's poetry has been discussed in the light of post-colonial and post-structuralist theory; it is also the first time a leading post-colonial writer of his generation has taken as his subject a major canonical English writer, and, through him, remapped the English canon as a site of 'difference'.